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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
(2)
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5 wyników Filtruj
Brak okładki
Książka
W koszyku
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 19205 (1 egz.)
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 23047 (1 egz.)
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 35746 (1 egz.)
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Autor
Pouli Paraskevi. Targowski Piotr. Walczak Małgorzata (chemia). Andraud Christine. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Asmus John F. Final Endeavors of "Monument Man" Asmus John F. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Bartoli Laura. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Barucci Marco. Nonlinear optical imaging techniques (NLO) for painting investigation Basilissi Giulia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Beier Oliver. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Binet Laurent. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Bonelli Donatella. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Botteon Alessandra. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Bourgon Julie. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Bulska Ewa. Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Cagnini Andrea. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Caneve Luisa. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Cappuccini Caterina. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Carò Federico. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Cerea Silvia. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Cheung Nai-Ho. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Ciaffi Massimiliano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Cicchi Riccardo. Nonlinear optical imaging techniques (NLO) for painting investigation Ciofini Daniele. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Conradi Andrea. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Corda Ludovica. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Czyż Krzysztof. LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Daffara Claudia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Dajnowski Andrzej. Using the new G.C. Laser Cleaning System for cleaning and surface preparation for re-gilding of a large outdoor bronze monument of Alexander Hamilton Dajnowski Bartosz A. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Dajnowski Bartosz A. Using the new G.C. Laser Cleaning System for cleaning and surface preparation for re-gilding of a large outdoor bronze monument of Alexander Hamilton Dal Fovo Alice. Nonlinear optical imaging techniques (NLO) for painting investigation Detalle Vincent (1969- ). Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Elford Jessica P. Final Endeavors of "Monument Man" Elford Jessica P. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Falcon Martinez Maria Fernanda. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Fantoni Roberta. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Fontana Raffaella. Nonlinear optical imaging techniques (NLO) for painting investigation Francucci Massimo. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Gaburro Nicola. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Galeotti Monica. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Giuffrida Chiara. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Giuntini Christine. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Godet Marie. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Groves Roger (1965- ). Spectral imaging of Dutch gilt leather for improved conservation strategies Grünler Bernd. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Guarneri Massimiliano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Hartmann Annette. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Isella Elisa. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Iwanicka Magdalena. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Jovanović Maja. Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Jovanović Vanja. Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Kaczkowski Rebecca A. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Kamińska Marta. Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Krüger Jörg. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Leona Marco. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Leroy Eric. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Leung Kelvin S. Y. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Londero Pablo S. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Londero Pablo S. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Lum Judy T.S. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Łukaszewicz Jadwiga W. (1952- ). The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Mancini Francesca. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Marchioro Giacomo. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Marinelli Marco. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Melessanaki Kristalia. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Mercatelli Raffaella. Nonlinear optical imaging techniques (NLO) for painting investigation Mkhoyan Tigran. Spectral imaging of Dutch gilt leather for improved conservation strategies Monnier Judith. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Motto-Ros Vincent (1977- ). Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Musiela Jędrzej. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Palucci Antonio. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Pampaloni Enrico. Nonlinear optical imaging techniques (NLO) for painting investigation Papadakis Vassilis. Spectral imaging of Dutch gilt leather for improved conservation strategies Papanikolaou Athanasia. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Parfenov Vadim Aleksandrovič. Final Endeavors of "Monument Man" Parfenov Vadim Aleksandrovič. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Pasqualucci Alessandra. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Pawlak Agnieszka (konserwacja sztuki). LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Pentzien Simone. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Persia Franca. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Pezzati Luca. Nonlinear optical imaging techniques (NLO) for painting investigation Philippidis Aggelos. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Posthuma de Boer Martine. Spectral imaging of Dutch gilt leather for improved conservation strategies Pouli Paraskevi. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Rafaelli Marco. Nonlinear optical imaging techniques (NLO) for painting investigation Rizzo Adriana. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Romani Martina. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Romeo Alessandro. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Roth Constanze. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Ruppen Veronica. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Saheb Mandana. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Sansonetti Antonio. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Sawicki Marek (1974- ). A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Schmidt Birgit Angelika. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Scirpa Francesca. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Seymour Kate (1968- ). Spectral imaging of Dutch gilt leather for improved conservation strategies Siozos Panayiotis. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Skrzeczanowski Wojciech. LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Spizzichino Valeria. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Stoksik Henryk (1955- ). The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Striber Joakim (1965- ). Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Striova Jana. Nonlinear optical imaging techniques (NLO) for painting investigation Sylwestrzak Marcin. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Syta Olga. A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Tatì Angelo. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Terranova Gaetano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Trykowski Grzegorz (1975- ). White, yellow and green pigments on Polish artists' palettes in the period 1838-1938 Velzen Bianca van. Spectral imaging of Dutch gilt leather for improved conservation strategies Vergès-Belmin Véronique. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Verona-Rinati Gianluca. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Vicenzi Edward P. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Wachowiak Mirosław. White, yellow and green pigments on Polish artists' palettes in the period 1838-1938 Wagner Barbara (chemia). A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Walczak Małgorzata (chemia). Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Wilk Dariusz (chemia). Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Yandrisevits Marlene April. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Yue Cai Bruno. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Zanini Alessandro. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Żmuda-Trzebiatowska Iwona. White, yellow and green pigments on Polish artists' palettes in the period 1838-1938
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Bibliogr. przy ref. Indeks.
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Są egzemplarze dostępne do wypożyczenia: sygn. II 31920 (1 egz.)
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Basilakē Maria. Smirnova Èngelina Sergeevna (1932- ). Eleventh-Century Icons from St. Sophia Cathedral in Novgorod and the problem of the Altar Barrier Papamastorakēs Titos (1961-2010). The Display of accumulated wealth in luxury icons: Gift-giving from the Byzantine aristocracy to God in the twelfth century Ševčenko Nancy Patterson (1939- ). Marking Holy Time: the Byzantine Calendar Icons Etinhof Olga. The Virgin of Vladimir and the Veneration of the Virgin of Blachernai in Russia Stuart John. The Deposition of the Virgin's Sash and Robe, the Protection of the Mother of God (Pokrov) and the Blachernitissa Aspra-Bardabakē Mairē. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius, the Virgin Kykkotissa and Saints along the border Stratē Aggelikē. Fourteenth-century Icons in the district of Serres Popova Ol'ga Sigizmundovna (1938- ). The Icon of Christ Pantokrator in the Byzantine Museum, Athens and Byzantine Art of the second quarter of the fourteenth century Tablakēs Giannēs. Dating of two mosaic icons in the Xenophontos Monastery on Mt Athos Maniatēs Giannēs. The mosaic icons in the Xenophontos Monastery, Mt Athos: Technological analysis of the Tesserae Malea Aikaterinē. The mosaic icons in the Xenophontos Monastery, Mt Athos: Technological analysis of the Tesserae Aheimastou-Potamianou Murtalē. The conservation of icons in Byzantium Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George Tornarē Bibē. The use of holographic methods in the study of the conservation of Byzantine icons Baïnos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons Zafeiropoulos Basilēs. The use of holographic methods in the study of the conservation of Byzantine icons Fantidou Dēmētra. The use of holographic methods in the study of the conservation of Byzantine icons Mponarou Antōnia. The use of holographic methods in the study of the conservation of Byzantine icons Fōtakēs Kōnstantinos. The use of holographic methods in the study of the conservation of Byzantine icons Tourta Anastasia. The Adventures of a Byzantine icon from Thessaloniki: Artistic considerations Papadopoulou Amalia. The Adventures of a Byzantine Icon from Thessaloniki: Conservational considerations Basilakē Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research Gordon Dillian. The icon of the Virgin Glykophilousa in the Benaki Museum, Athens (inv. no 2972): The Verres Églomisés Milanou Kalupsō. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): A Technical analysis Kouzelē Kellē. The icon of the Virgin Glykophilousa (inv. no 2972) in the Benaki Museum: Contribution to the study of the Icon with Optical microscopy, scanning elector microscopy and X-Ray microanalysis Rokofullou Elsa. Capabilities and prospects of radiography for the study of icons Moutzourēs Kuriakos. Capabilities and prospects of radiography for the study of icons Haritos Apostolos. Capabilities and prospects of radiography for the study of icons Doulgeridēs Mihalēs. Capabilities and prospects of radiography for the study of icons Doulgeridēs Mihalēs. Identification of the binding media of a Postbyzantine icon, using gas-chromatography Mahaōn-Doulgeridē Aggelikē. Capabilities and prospects of radiography for the study of icons Bilalē Marietta. Capabilities and prospects of radiography for the study of icons Sōtēropoulou Sofia. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century) Mpikiarēs Dēmētrēs. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century) Hrusoulakēs Giannēs. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century) Alexopoulou-Agoranou Athēna. The contribution of digital image-processing to the identification of pigments Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments Perdikarē Elenē. The contribution of digital image-processing to the identification of pigments Terlixē Agnē-Basileia. Identification of the binding media of a Postbyzantine icon, using gas-chromatography Iōakeimoglou Elenē. Identification of the binding media of a Postbyzantine icon, using gas-chromatography Pâtnickij Ûrij A. Two icons of the Virgin Eleousa attributed to Nicolaos Lamboudis of Sparta Maguire Henry (1943- ). Observations on the icons of the west facade of San Marco in Venice Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos Kalavrezou Ioli. Interpreting carving techniques and styles in Steatite icons
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Bibliogr. s. 17-18 i przy niektórych ref. Indeksy.
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Są egzemplarze dostępne do wypożyczenia: sygn. III 23530 (1 egz.)
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