Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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D'Amico Serena. United by context divided by collection: the nineteenth century collecting of prehistoric artifacts from Villafrati (Sicily Italy)
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Gorzelany-Nowak Dorota (1973- ). The overlooked collection: the ancient art collection of the Princes Czartoryski Museum
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Gołyźniak Paweł. Glyptic treasures in Krakow and old master paintings collection of Constantine Schmidt-Ciążyński
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Głowa Anna. The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in Coptic weaving
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Halbertsma Ruurd (1958- ). From antiquarianism to scholarship: classical archaeology in the Netherlands 1600–1840
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Haskell Francis (1928-2000)
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Kubala Agata. From Greece to Wrocław: Eduard Schaubert's collection of Antiquities
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Lee Judith. Colour change and modern paints; an overview
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Martini Annarita. From the Capitol to the Louvre: the journey of a relief of Mithras
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Moretti Cursi Giulia. The Dionysian Ancient Reliefs of the Cardelli Collection: A Product of Seven - teenth Century Classicism or an Interpretative Paradigm?
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Norskov Vinnie. Introduction: When is a collection a collection? Provenance studies and the role of dealer's collections
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Nowakowski Wojciech (archeologia). Die ostpreussischen Sammlungen der vaterlandischen Alterthumer im 18 Jh
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Ormsby Bronwyn. Colour change and modern paints; an overview
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Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
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Palica Magdalena (1980- ). Antiquities collections in Silesia - terra incognita?
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Paliusyte Aiste (1966- ). Antiquities in the collection of the Radziwiłł family in the Wettin era
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Petrekova Eliska. Luxury souvenir or precious original: the case of the bronze tripod from the Real Museo Borbonico
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Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Salvatelli Luca. Anno ab incarnatione Domini Nostri MLXVI: a note about Halley's Comet in Viterbo's Archbishop library collection
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Santagati Elena (1967- ). Collecting in Sicily in the nineteenth century: Baron Judica and the wonders of Ancient Akrai
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Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Serafini Isabella. The memorial to the visit of the queen of Poland Maria Casimira Sobieski in the Musei Capitolini: history style setting up and dismantling over two centuries
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Sheldon Libby. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Spring Marika. Fading darkening browning blanching: a review of our current understanding of colour change and its consequences in old master paintings
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Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Stern Gaius. The pieces of the Ara Pacis
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Suba Zoltan. Master and disciple: Bertel Thorvaldsen's private collection and its impact on neoclassicism
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Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Sławińska Joanna (historia sztuki). The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in Coptic weaving
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Townsend Joyce H. Microfading: a useful tool for paintings conservators?
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Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Wadum Jorgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Waterfield Giles (1949-2016)
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