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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
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(2)
Pokaż więcej ...
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
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Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Druzik James. The lighting of easel paintings
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
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Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
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Learner Thomas J. S. Modern paints
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Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
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Marvelde Mireille te. Lining easel paintings
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Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Mayer Debora D. Identification of textile fibres found in common painting supports
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McClure Ian. Framing and microclimate enclosures for panel paintings
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McGinn Mary. Health and safety concerns in the paintings conservation studio
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Michalski Stefan (konserwatorstwo). The lighting of easel paintings
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Myers Gay. Varnishing as part of the conservation treatment of easel paintings
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Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
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Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
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Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
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Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
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Phenix Alan. A brief survey of historical varnishes
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Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
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Rushfield Rebecca (1954- )
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Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
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Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Introduction
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
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Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
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Townsend Joyce H. A brief survey of historical varnishes
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Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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Walsh Valentine. Optical microscopy
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Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Temat
Konserwatorstwo Malarstwo (szt.plast.) Ochrona zabytków
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
Książka
W koszyku
Colour change in paintings / edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent. - London : Archetype Publications : in association with the Icon Paintings Group, 2016. - IX, 130 s. : il. (gł. kolor.) ; 25 cm.
Autor
Clarricoates Rhiannon. Dowding Helen. Gent Alexandra. Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Keith Larry. Colour change and restoration Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Lee Judith. Colour change and modern paints; an overview Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Ormsby Bronwyn. Colour change and modern paints; an overview Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Rae Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Sheldon Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Spring Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Townsend Joyce H. Microfading: a useful tool for paintings conservators? Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Wadum Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Temat
Barwy Malarstwo (szt.plast.)
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Bibliogr. przy ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31511 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - London ; New York : Routledge Taylor & Francis Group, 2012. - XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Temat
Malarstwo (szt.plast.)
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
W koszyku
Henryk Siemiradzki and the international artistic milieu in Rome / a cura di Maria Nitka, Agnieszka Kluczewska-Wójcik. - Roma : Accademia Polacca delle Scienze Bibliotecae Centro di Studi a Roma ; [Warsaw] : Polish Institute of World Art Studies, 2020. - 293 s. : il. (gł. kolor.) ; 24 cm.
(Conferenze / Accademia Polacca delle Scienze ; ISSN 0239-8605 ; 145)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Nitka Maria. Chasjanowa Lejła S. (1963- ). "Do we need a Russian Academy in Rome?" Henryk Siemiradzki and art education Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome Dobrowolski Witold (1939-2019). Programme related content in the "The judgment of Paris" by Henryk Siemiradzki First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki Gerc Lidia. "Thinks like Dante, handles paints like Boccaccio". About Henryk Siemiradzki in Vienna Haake Michał. Realism and figuralism. On "Christ and the Harlot" by Henryk Siemiradzki Karpova Tatʹâna Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence Klimov Pavel Û. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg) Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki Malinowski Jerzy (1950- ). Introduction Markova Nina Kirillovna. Some ideas about "A French artist of the time of Louis XV paints the portrait of a Marquise" by Henryk Siemiradzki Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's "Phryne" Okoń Waldemar (1953- ). Siemiradzki and the three bards Ormond Leonée (1940- ). Frederic Leighton and the poets Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse Rosales Rodríguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's "fetishization of sight" Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
Temat
Siemiradzki, Henryk (1843-1902) Akademizm (szt.plast.) Malarstwo polskie Rzym
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Materiały z międzynarodowej konferencji naukowej, 7-9 listopada 2018 r., Rzym.
Bibliogr. w przypisach do ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34738 (1 egz.)
Książka
W koszyku
Dziedzictwo rzemiosła artystycznego - tradycyjne techniki oraz nowoczesna konserwacja i restauracja. T. 2 / pod redakcją Piotra Niemcewicza i Hanny Rubnikowicz-Góźdź. - Toruń : Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2022. - 244 s. : il. (gł. kolor.) ; 23 cm.
Autor
Niemcewicz Piotr (1960- ). Rubnikowicz-Góźdź Hanna. Czyżewski Łukasz Andrzej (1979- ). Discovering the secrets of former manufacturers and craftsmen in the process of conservation of archaeological artifacts. The practical use of non-invasive methods in the process of restoring and identifying metal archeological objects Czyżewski Łukasz Andrzej (1979- ). Odkrywanie tajemnic dawnych wytwórców i rzemieślników podczas konserwacji zabytków archeologicznych. Zastosowanie metod nieinwazyjnych w procesie konserwacji i identyfikacji archeologicznych zabytków metalowych Kołyszko Marek. Discovering the secrets of former manufacturers and craftsmen in the process of conservation of archaeological artifacts. The practical use of non-invasive methods in the process of restoring and identifying metal archeological objects Kołyszko Marek. Odkrywanie tajemnic dawnych wytwórców i rzemieślników podczas konserwacji zabytków archeologicznych. Zastosowanie metod nieinwazyjnych w procesie konserwacji i identyfikacji archeologicznych zabytków metalowych Maksymiuk Małgorzata. Flat glass etching techniques in the 19th and early 20th centuries Maksymiuk Małgorzata. Techniki trawienia szkła płaskiego w XIX i na początku XX wieku Matuszczyk Michał. Badania farb stosowanych do barwnych uzupełnień ubytków szkliw ceramicznych w ekspozycji zewnętrznej Matuszczyk Michał. Tests of paints applied to colored restorations of ceramic glaze defects in outdoor-exhibited Niemcewicz Piotr (1960- ). Conservation and restoration of St. Margaret of Antioch terracotta statue from Gostyń Niemcewicz Piotr (1960- ). Konserwacja i restauracja terakotowej figury świętej Małgorzaty Antiocheńskiej z Gostynia Niemcewicz Piotr (1960- ). Preface Niemcewicz Piotr (1960- ). Przedmowa Ogińska Agata. Conservation and restoration of St. Margaret of Antioch terracotta statue from Gostyń Ogińska Agata. Druciarstwo - problematyka konserwacji ceramiki drutowanej Ogińska Agata. Konserwacja i restauracja terakotowej figury świętej Małgorzaty Antiocheńskiej z Gostynia Ogińska Agata. Tinkering - conservation issues of tinkered ceramics Pasternak-Zabielska Magdalena. Conservation of glass archaeological relics excavated in the park and palace complex in Wilanów Pasternak-Zabielska Magdalena. Problematyka konserwatorska szklanych zabytków archeologicznych wydobytych na terenie zespołu parkowo-pałacowego w Wilanowie Pieniek Renata. Exoriare aliquis de nostris ossibus ultor - contribution to the history of the tin sarcophagus of Stanisław Żółkiewski from the collegiate church of St. Lawrence in Żółkiew and its modern preservation Pieniek Renata. Exoriare aliquis de nostris ossibus ultor - przyczynek do historii cynowego sarkofagu Stanisława Żółkiewskiego z kolegiaty św. Wawrzyńca w Żółkwi i współczesna konserwacja Podgórski Andrzej (chemia). Oleje roślinne w konserwacji materiałów bazujących na keratynie Podgórski Andrzej (chemia). Vegetable oils in the preservation of materials based on keratin Rudy Maria. Historia stosowania współczesnych żywic syntetycznych jako składnika mas imitacyjnych w zabytkach rzemiosła artystycznego Rudy Maria. History of the use of modern synthetic resins as an ingredient of imitation masses in the monuments of artistic craftsmanship Tarsińska-Petruk Dominika. Consequences of the goldbeater's skin application for a 16th century Bełz voivodeship banner from The Princes Czartoryski Museum Collection Tarsińska-Petruk Dominika. Konsekwencje zastosowania goldbeater's skin dla XVI-wiecznej chorągwi województwa bełskiego z kolekcji Muzeum Książąt Czartoryskich Tomaszewska-Szewczyk Alina (1970-2021). Exoriare aliquis de nostris ossibus ultor - contribution to the history of the tin sarcophagus of Stanisław Żółkiewski from the collegiate church of St. Lawrence in Żółkiew and its modern preservation Tomaszewska-Szewczyk Alina (1970-2021). Exoriare aliquis de nostris ossibus ultor - przyczynek do historii cynowego sarkofagu Stanisława Żółkiewskiego z kolegiaty św. Wawrzyńca w Żółkwi i współczesna konserwacja Tomaszewska-Szewczyk Alina (1970-2021). Oleje roślinne w konserwacji materiałów bazujących na keratynie Tomaszewska-Szewczyk Alina (1970-2021). Vegetable oils in the preservation of materials based on keratin Ziemlewska Anna (1974- ). Exoriare aliquis de nostris ossibus ultor - contribution to the history of the tin sarcophagus of Stanisław Żółkiewski from the collegiate church of St. Lawrence in Żółkiew and its modern preservation Ziemlewska Anna (1974- ). Exoriare aliquis de nostris ossibus ultor - przyczynek do historii cynowego sarkofagu Stanisława Żółkiewskiego z kolegiaty św. Wawrzyńca w Żółkwi i współczesna konserwacja
Temat
Rzemiosło artystyczne
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Materiały z konf.: Toruń, 20-21 maja 2021 r.
Bibliogr. przy ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34741/2 (1 egz.)
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