Alix Trueba Josefina. Der Spanische Pavillon auf der Weltausstellung in Paris 1937
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Ashton Dore. Claes Oldenburg The Store New York 1961
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Baan Laszló (1961- ). Introduction
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Bach Friedrich Teja (1944- ). Atelier Impasse Ronsin - Brancusi Paris
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Bandura Agnieszka. Politics of replacing in New Romanticism
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Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
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Beyer-Beckmann Ute (1959- )
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Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Bonito Oliva Achille (1939- ). Contemporanea Rom 1973/74
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Bonito Oliva Achille (1939- ). Pino Pascali Serie degli Armi - die Waffen sind auf die Welt gerichtet 1965/66
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Brandauer Aline. Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
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Brown Milton. Die Armory Show: ein Medienereignis New York/Chicago 1913
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Bódi Kinga (1981- ). A latszat muveszete a muveszet laszata. Gerhard Richter munkassaganak korai evtizedei
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Bódi Kinga (1981- ). Gerhard Richter and drawing
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Bódi Kinga (1981- ). Gerhard Richter es a rajzok
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Bódi Kinga (1981- ). The art of semblance and the semblance of art. The early decades of Gerhard Richter's career
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Celant Germano (1940- ). Jannis Kounellis - Ohne Titel - (Dodice Cavalli Vivi) Rom 1969
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Eldred Michael (1952- )
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Elger Dietmar (1958- ). Bevezeto
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Elger Dietmar (1958- ). I felt like painting something beautiful. Gerhard Richter's landscapes
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Elger Dietmar (1958- ). Introduction
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Elger Dietmar (1958- ). Kedvem tamadt valami szepet festeni. Gerhard Richter tajkepei
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Elger Dietmar (1958- ). Preface
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Eltz Johanna zu (1875-1957). Der Futurismus stellt sich aus: Wanderausstellung der Futuristen 1912
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Feher David (1987- ). A festeszet mint absztrakció. A valósag absztrakciójatól az absztrakció valósagaig Gerhard Richter muveszeteben
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Feher David (1987- ). Painting as abstraction. From the abstraction of reality to the reality of abstraction in the art of Gerhard Richter
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Friedel Helmut (1946- )
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Friedel Helmut (1946- ). Fernsehgalerie Gerry Schum - Land Art Berlin 1969
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Grasskamp Walter (1950- ). Documenta - Kunst des XX. Jahrhunderts - Internationale Ausstellung im Museum Fridericianum in Kassel 15. Juli bis 18. September 1955
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Grinten Hans van der (1929-2002). Joseph Beuys Stallausstellung Fluxus 1963 in Kranenburg
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Harten Jurgen (1933- ). Der Adler vom Oligozan bis heute Dusseldorf 1972
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Hegewisch Katarina. Einleitung
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Heil Heinrich. Kameraval elmondani. Benjamin Katzcal Heinrich Heil beszelget
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Heil Heinrich. Mirror mirror on the wall whose poetry's the truest portrait of them all? Invocation of the mother of the muses!
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Heil Heinrich. Speaking through the camera. Benjamin Katz and Heinrich Heil in conversation
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Heil Heinrich. Tukrom tukrom mondd meg nekem kinek a poezise szabja az igaz kepmest a videken? Fohasz a muzsak anyjahoz!
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Herzogenrath Wulf (1944- ). Internationale Kunstausstellung des Sonderbundes Westdeutscher Kunstfreunde und Kunstler zu Coln 1912
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Hoet Jan (1936-2014). Chambres d'Amis Gent 1986
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Husch Anette (1972- )
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Hust Evelin. Introduction
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Jahn Wolf (1955- ). Gilbert & George Living Sculpture 1969/70
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Katz Benjamin (1939- ). Kameraval elmondani. Benjamin Katzcal Heinrich Heil beszelget
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Katz Benjamin (1939- ). Speaking through the camera. Benjamin Katz and Heinrich Heil in conversation
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Kellein Thomas (1955- ). Walter de Maria 50 m3 (1600 Cubic Feet) Level Dirt Munchen 1968
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Lissitzky El (1890-1941). Der Raum der Abstrakten fur das Provinzialmuseum Hannover 1927/28
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Mai Ekkehard (1946- ). Wiener Sezession
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Messer Thomas M. (1920-2013). Peggy Guggenheim Art of this century - New York 57th Street 20. Oktober 1942 bis Mai 1947
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Metzger Rainer (1961- ). Chambres d'Amis Gent 1986
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Petersen Ad (1931- ). Dylaby ein dynamisches Labirynth im Stedelijk Museum 1962
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Rainbird Sean (1959- )
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Restany Pierre (1930-2003). Yves Klein Le Vide. Die Leere von Yves Klein. Paris den 28. April 1958
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Richter Gerhard (1932- )
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schmidt-Wulffen Stephan. Die Zukunft aus dem Prufstand: This is Tomorrow London Whitechapel Gallery 1956
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Schulz-Hoffmann Carla (1946- ). Das Ambiente Nero von Lucio Fontana - Prototyp des Environments Mailand 1949
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Selz Peter Howard (1919-2019). Der Erste Deutsche Herbstsalon Berlin 1913
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smolik Noemi. Letzte futuristische Ausstellung 0 10 Petrograd 1915 - das Ende einer Entwicklung
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Smolik Noemi. Mir Iskusstva - der Beginn der russischen Moderne Petersburg 1899
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Strelow Hans. Leben mit Pop - Demonstration fur den kapitalistischen Realismus von Konrad Lueg und Gerhard Richter Dusseldorf 1963
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Szeemann Harald (1933-2005). When attitudes become form Bern 1969
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Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
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