Sortowanie
Źródło opisu
Biblioteka Muzeum Narodowego
(6)
Forma i typ
Książki
(6)
Dostępność
dostępne
(3)
wypożyczone
(3)
Placówka
Magazyn
(6)
Autor
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
(2)
Rok wydania
2020 - 2024
(2)
2010 - 2019
(4)
Kraj wydania
Polska
(3)
Wielka Brytania
(3)
Stany Zjednoczone
(2)
Język
angielski
(3)
polski
(3)
Temat
Konserwatorstwo
(2)
Malarstwo (szt.plast.)
(2)
Ochrona zabytków
(2)
Akademia Sztuk Pięknych im. Jana Matejki (Kraków)
(1)
Kultura
(1)
Parki i ogrody
(1)
Prace dyplomowe
(1)
Rzemiosło artystyczne
(1)
Rzeźba
(1)
Sztuka ogrodowa
(1)
Gatunek
Materiały konferencyjne
(2)
6 wyników Filtruj
Książka
W koszyku
Autor
Sunara Sagita Mirjam. Thorn Andrew. Aldhous Chris. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Aldrovandi Alfredo. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment Ban Matea. The Biedermeier cemetery of St Marx in Vienna: planning, management and treatment implementation Basten Nikki van. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Bortolussi Claudia. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project Brierley Liesa. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Coltharp Maria. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Defeyt Catherine. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Dolničar Rok. Conservation plan for the Forma Viva Sculpture Park in Kostanjevica na Krki Ekstroem Loekkegaard Anders. The restoration and care of zinc sculptures in the Baroque Garden of Frederiksborg Castle, Denmark Gómez Ubierna Marta. Conservation and documentation of site-specific collections Langenbacher Julia. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Langenbacher Julia. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Lewis Anthony. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Lowinger Rosa. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Makuc Semion Miladi. Conservation plan for the Forma Viva Sculpture Park in Kostanjevica na Krki Meštrić Vesna. Small SPark ignites big discussion: the sculpture park of the Vjenceslav Richter and Nada Kareš Richter Collection (Museum of Contemporary Art, Zagreb, Croatia) Meštrić Vesna. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project Michel Ellinor. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Olmstead Lois. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Pannunzio Elisa. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment Pavić Mirta. Small SPark ignites big discussion: the sculpture park of the Vjenceslav Richter and Nada Kareš Richter Collection (Museum of Contemporary Art, Zagreb, Croatia) Peko Neven. Summary of the panel discussion ‘Reviving neglected sculpture parks in Croatia’ Pliessnig Martin. The Biedermeier cemetery of St Marx in Vienna: planning, management and treatment implementation Rivenc Rachel. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Rivenc Rachel. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Sunara Sagita Mirjam. Summary of the panel discussion ‘Reviving neglected sculpture parks in Croatia’ Sunara Sagita Mirjam. The sculpture park in Sisak: in search of answers Thorn Andrew. Defining and preserving sculptural landscapes Trimble Brian. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Varvi Christina. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Vigna Luigi. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment Wella Serena. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project Wielocha Agnieszka. A museum collection in a public space Yrigaray Aida Marín. La Comella or the spirit of non-conservation: the Rufino Mesa Sculpture Garden Zanardi Bruno (1948- ). The eternal youth of Capalbio’s Monsters : a planned preventive conservation project
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 32212 (1 egz.)
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
Książka
W koszyku
Autor
Chylińska Marta. Niemcewicz Piotr (1960- ). Chylińska Marta. Application of polymer materials for filling losses in brass alloys Chylińska Marta. Implementacja mas plastycznych do uzupełniania ubytków w stopach mosiężnych Fuks Irma. Problemy technologiczno-konserwatorsko-restauratorskie w projekcie ekspozycji zespołu XVIII-wiecznych precjozów z kości słoniowej z kolekcji Muzeum Pałacu Króla Jana III w Wilanowie Fuks Irma. Technological, conservation and restoration problems in the exhibition design of the 18th century ivory jewels from the collection of the Museum of King Jan III's Palace at Wilanów Gajewska-Prorok Elżbieta. Engraved and cutting decoration techniques of baroque Silesian glass Gajewska-Prorok Elżbieta. Techniki rytowanej i szlifowanej dekoracji barokowego szkła śląskiego Hübner Milena. Analiza metodą fluoroscencyjnej spektometrii rentgenowskiej wytworów Pierre'a-Philippe'a Thomire'a w zbiorach Muzeum Pałacu Króla Jana III w Wilanowie Hübner Milena. The X-ray fluoroscence spectroscopy analysis of artworks by Pierre-Philippe Thomire from the collection of Museum of King Jan III's Palace at Wilanów Jamski Piotr (1972- ). Zabytkowe dzwony - stan zachowania, praktyki konserwatorskie, restauratorskie i perspektywy ochrony Jamski Piotr (1972- ). Antique bells - condition, conservation and restoration practices and protection perspectives Kaczkiełło Piotr. "Odlane ze spiżu białego i galwanicznie powleczone brązem", czyli o procesie technologicznym Fabryki Wyrobów Metalowych i Lakierowanych Karola Mintera działającej w Warszawie w latach 1828-1881 Kaczkiełło Piotr. "Odlane ze spiżu białego i galwanicznie powleczone brązem", about the technological process of the Metal Products Factory and Varnished Karol Minter operating in Warsaw in the years 1828-1881 Kasprzak Aleksandra J. Engraved and cutting decoration techniques of baroque Silesian glass Kasprzak Aleksandra J. Techniki rytowanej i szlifowanej dekoracji barokowego szkła śląskiego Koryciarz-Kitamikado Joanna. Traditional methods of the Japanese urushi lacquer conservation and restoration in modern Japan Koryciarz-Kitamikado Joanna. Tradycyjne metody konserwacji i restauracji japońskiej laki urushi we współczesnej Japonii Kozub Peter (1966- ). Application of 3D-models in the conservation and restoration of stone object Kozub Peter (1966- ). Przykłady zastosowania 3D-modeli w konserwacji i restauracji obiektów kamiennych Łuczak Tomasz. Antique bells - condition, conservation and restoration practices and protection perspectives Łuczak Tomasz. Zabytkowe dzwony - stan zachowania, praktyki konserwatorskie, restauratorskie i perspektywy ochrony Niemcewicz Piotr (1960- ). Preface Niemcewicz Piotr (1960- ). Przedmowa Podgórski Andrzej (chemia). Application of polymer materials for filling losses in brass alloys Podgórski Andrzej (chemia). Implementacja mas plastycznych do uzupełniania ubytków w stopach mosiężnych Rudy Maria. Artistic handicraft and conservation care Rudy Maria. Rzemiosło artystyczne a opieka konserwatorska Tomaszewska-Szewczyk Alina (1970-2021). "Odlane ze spiżu białego i galwanicznie powleczone brązem", czyli o procesie technologicznym Fabryki Wyrobów Metalowych i Lakierowanych Karola Mintera działającej w Warszawie w latach 1828-1881 Tomaszewska-Szewczyk Alina (1970-2021). "Odlane ze spiżu białego i galwanicznie powleczone brązem", about the technological process of the Metal Products Factory and Varnished Karol Minter operating in Warsaw in the years 1828-1881 Tomaszewska-Szewczyk Alina (1970-2021). Application of polymer materials for filling losses in brass alloys Tomaszewska-Szewczyk Alina (1970-2021). Implementacja mas plastycznych do uzupełniania ubytków w stopach mosiężnych Witkowska Karolina. Ceramika szkliwiona w architekturze i przestrzeni miejskiej, problematyka konserwatorska i restauratorska na przykładzie mozaiki autorstwa Stanisława Borysowskiego Witkowska Karolina. Glazed ceramic in architecture and urban space, conservation and restoration issue on the example of mosaic by Stanisław Borysowski Zaręba Anna Urszula. Ceramika szkliwiona w architekturze i przestrzeni miejskiej, problematyka konserwatorska i restauratorska na przykładzie mozaiki autorstwa Stanisława Borysowskiego Zaręba Anna Urszula. Glazed ceramic in architecture and urban space, conservation and restoration issue on the example of mosaic by Stanisław Borysowski
Indeks R0: BMNK
Materiały z konferencji naukowej, Toruń, 29 listopada 2019.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34741/1 (1 egz.)
Książka
W koszyku
Autor
Bogdanowska Monika (1962- ). Nowalińska Małgorzata. Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bártová Kateřina (1987- ). Restoration of book torsos Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Bernard Gabriel. International Klein Blue, a reconstruction Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bizoń Katarzyna. Riddles of the Greek Catholic church Botz Alexandra. Restoration of the Salviati Chandelier Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Esquivel Álvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Fekete Dóra. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Fiam Judit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology, wood identification and state of preservation Gonzáles Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Grabowska Joanna. Moisture in historical architectural structures Grachyova Ekaterina. Conservation of the icon "Baptism" Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Korza Eugine. Conservation of the icon "Baptism" Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kowalik Anna (sztuka). Taxidermy in contemporary art Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze "Christ Enters Jerusalem" vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Marecka Agnieszka. Pastel - an object with specific needs Masalska Aleksandra. Danger of using acrylic resins in oil painting Međeral Mirna. In Kraljević's shoes: research and conservation treatments conducted on the painting "The Satyr and the Peasant" by Miroslav Kraljević Michalik Izabela. Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow Mikó Edit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Owczarek Piotr. Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice, Mazowieckie voivodeship Płotek Michał (1988- ). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Potrawiak Maja. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Rădoi Elena. To fill or not to fill Robert Hortense. Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890, Paris Musée d'Orsay) Sitnik Joanna. Straightening of curled negative film strips Skarżyńska Magdalena. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Skarżyńska Magdalena. New exposition and conservation of the wall painting "Bishop Marianos under he protection the Mother of God and a Child" from the Faras cathedrall Skóra Magdalena. Research of lightfastness and qality of digital prints Skrzelowska Justyna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Slouková Lenka. Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings Stryczak Mateusz. Regeneration of varnish and binders used in painting Tauchmanova Renata. Adhesives in conservation of stone finishes Tiszai Rebeka. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Walczak Małgorzata (chemia). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Żarnowiecka Jagoda. Riddles of the Greek Catholic church Żygadło Andrzej. Riddles of the Greek Catholic church
Indeks R0: BMNK
Dod. s. tyt.: 3rd International Student Conference of Conservation and Restoration of Woorks of Art, Cracow, 17th - 19th March 2016
Tyt. z okł.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31402 (1 egz.)
Książka
W koszyku
Autor
Adamowicz Jarosław. Białek-Kostecka Dorota. Hola Aleksandra. Kieferling Roman Jacek. Korpal Grażyna (1945- ). Kosakowski Edward (sztuki piękne). Lempart-Geratowska Marta (1962- ). Płuska Ireneusz (1943- ). Sękowska Anna (1975- ). Borowska Magdalena (sztuka). Easel painting on canvas "Madonna with the Child" from the collection of the Museum of the John Paul II Catholic University of Lublin Borowska Magdalena (sztuka). Obraz sztalugowy na płótnie "Matka Boża z Dzieciątkiem" ze zbiorów Muzeum Katolickiego Uniwersytetu Lubelskiego Jana Pawła II Chodacka Magdalena. An attempt to reconstruct the technology and technique of the 15th century Venetian panel painting through creating a copy of the painting presenting St. Anthony the Great Chodacka Magdalena. Próba rekonstrukcji technologii i techniki XV-wiecznego weneckiego malarstwa tablicowego poprzez wykonanie kopii malowidła z przedstawieniem św. Antoniego Pustelnika Ciepielewska Dominika. Conservation and reconstruction of the missing fragments of the 19th century painting on canvas Ciepielewska Dominika. Konserwacja wraz z rekonstrukcją utraconych fragmentów XIX-wiecznego malowidła na podobraziu płóciennym Ciesielska Tanita. Problematyka konserwacji rzeźby alabastrowej na przykładzie "Zwiastowania" Jana Michałowicza z Muzeum XX. Czartoryskich Ciesielska Tanita. The issue of conservation treatment of alabaster sculpture as exemplified by Jan Michalowicz's "The Annunciation" from the XX Czartoryscy Museum Głowacka Monika. Recognition of a painting technique on a silk surface by painting a copy of a painting decoration from the first half of the 19th century Głowacka Monika. Rozpoznanie techniki malowania na podłożu jedwabnym poprzez namalowanie kopii dekoracji malarskiej pochodzącej z 1. połowy XIX wieku Gurtat Angelika. Problematyka konserwacji i rekonstrukcji ubytków zabytkowej ceramiki fajansowej szkliwionej na przykładzie japońskiej kadzielnicy z ok. 1880 roku Gurtat Angelika. The issue of conservation and reconstruction of losses in antique earthenware glazed ceramic as exemplified by a Japan censer from ca. 1880 Jeneralczyk-Fiołek Katarzyna. The issue of antique gothic objects arrangement in new space, as exemplified by the sculpture depicting Saint Anne from ca. 1410 from the All Saints Church in Kolbuszowa Jeneralczyk-Fiołek Katarzyna. Zagadnienie aranżacji zabytkowych obiektów gotyckich w nowej przestrzeni na przykładzie rzeźby przedstawiającej św. Annę Samotrzeć z ok. 1410 roku z kościoła pw. Wszystkich Świętych w Kolbuszowej Korta Kamila. Conservation of the 17th-century stained glass of St. James from the collection of the Jagiellonian University Museum Collegium Maius in Kraków Korta Kamila. Konserwacja XVII-wiecznego witrażu św. Jakub ze zbiorów Muzeum Uniwersytetu Jagiellońskiego Collegium Maius w Krakowie Krawczyk Martyna. Malowidła ścienne przeniesione z pałacu Sarny w Ścinawce Górnej Krawczyk Martyna. Murals transferred from the Sarny Palace in Ścinawka Górna Krzaklewska-Friso Barbara. Conservation and restoration of a violated painting of Madonna and Child of the Cracovian Hodegetria type from Iłża Krzaklewska-Friso Barbara. Konserwacja i restauracja sprofanowanego obrazu z przedstawieniem Matki Boskiej z Dzieciątkiem w typie Hodegetrii Krakowskiej z Iłży Kucharzyk Patrycja. Badania i konserwacja obrazu "Sacra Conversazione ze św. Mikołajem i św. Stanisławem" pochodzącego z gotyckiego kościoła pw. św. Michała Archanioła w Łękawicy koło Żywca Kucharzyk Patrycja. Research and conservation of the painting "Sacra Conversazione with St. Nicholas and St. Stanislaus" from the gothic church of St. Michael the Archangel in Łękawica near Żywiec Malczewski Maciej. Historical technology of making wavy and ripple mouldings and modern methods of their reconstruction Malczewski Maciej. Historyczna technologia wykonywania listew falistych i płomienistych oraz współczesne metody ich rekonstrukcji Mielcarek Jerzy. Conservation of a figure of Saint Florian from the Kraków Saint Mary's Basilica collection in the context of the character of damages of the wooden polychrome sculpture resultant from the place of exposition and storage Mielcarek Jerzy. Konserwacja figury św. Floriana ze zbiorów Bazyliki Mariackiej w Krakowie w kontekście specyfiki zniszczeń rzeźby drewnianej, polichromowanej, wynikającej z miejsca ekspozycji i przechowywania Milewska Sonia. Drugie życie dzieła sztuki Milewska Sonia. The second life of a work of art Sawoniuk Alicja. Reconstruction of the fragment of a baroque mural by Franciszek Eckstein from the southern part of the presbytery ceiling of the Jesuit church dedicated to Sts. Peter and Paul in Lviv Sawoniuk Alicja. Rekonstrukcja fragmentu barokowego malowidła ściennego autorstwa Franciszka Ecksteina z południowego spływu sklepiennego prezbiterium pojezuickiego kościoła pw. śś. Piotra i Pawła we Lwowie Skowronek Katarzyna. Conservation and arrangement of retable elements from the Chapel of Our Lady of the Rosary in the Basilica of Holy Trinity of the Dominican Order in Krakow: the painting "Man of Sorrows", reliquary frame in the form of a floral wreath, metal applications and a frame Skowronek Katarzyna. Konserwacja i aranżacja elementów nastawy ołtarzowej z kaplicy Matki Boskiej Różańcowej w kościele oo. Dominikanów w Krakowie: obrazu "Chrystus Boleściwy", oprawy relikwiarzowej w formie wieńca roślinnego, metalowych aplikacji oraz ramy Skubała Katarzyna. Conservation and restoration of the right wing of triptych "Holy Trinity - the Throne of Grace" from the parish church of St. Margaret in Dębno (district Brzesko) based on detailed technological research Skubała Katarzyna. Konserwacja i restauracja prawego skrzydła tryptyku "Świętej Trójcy - Tron Łaski" z kościoła parafialnego pw. św. Małgorzaty w Dębnie, pow. Brzeski, w oparciu o szczegółowe badania technologiczne Szalast-Dao Quy Gabriela. Double-sided painting of a processional banner from the collection of the Jagiellonian University Museum, dating back to the second quarter of the 19th century - conservation and exhibition issues Szalast-Dao Quy Gabriela. Dwustronne malowidło chorągwi procesyjnej ze zbiorów Muzeum Uniwersytetu Jagiellońskiego, datowanej na 2. ćwierć XIX wieku - problemy konserwatorskie i ekspozycyjne Szegda Joanna. Badania i konserwacja krzesła z 1. ćwierci XVIII wieku krytego kurdybanem ze zbiorów Muzeum Uniwersytetu Jagiellońskiego Collegium Maius w Krakowie Szegda Joanna. Research and conservation of a chair from the firts quarter of the 18th century, covered with cordwain, from the Jagiellonian University Museum collection in Kraków Szmit Monika. Konserwacja obrazu "Matki Boskiej Częstochowskiej" z Hecznarowic Szmit Monika. The conservation of "The Black Madonna of Czestochowa" painting from Hecznarowice Trysła Wojciech. Aesthetic conservation concept of polychrome wooden sculpture in the context of later overpaints on the example of gothic "Pietà" from the collection of the Jagiellonian University Museum Collegium Maius in Kraków Trysła Wojciech. Koncepcja konserwacji estetycznej polichromowanej rzeźby drewnianej w kontekście późniejszych nawarstwień na przykładzie gotyckiej "Piety" ze zbiorów Muzeum Collegium Maius Uniwersytetu Jagiellońskiego w Krakowie Zielińska Kamila. Możliwości i ograniczenia wybranych technik analitycznych w identyfikacji spoiw białkowych w malowidłach ściennych Zielińska Kamila. Possibilities and limitations of selected analytical techniques in the identification of protein binders in wall paintings Żygadło Andrzej. The impact of oil soaps and linoxides, filling the spaces between the painting and the support, on the process of preserving a double-sided painting on the galvanised steel support with the representation of "Our Lady of the Scapular of Mount Carmel" on the obverse and "The Christ blessing the children" on the reverse, owned by parish under the invocation of St Fabian and St Sebastian and Our Lady of the Scapular of Mount Carmel in Ostrów near Przeworsk Żygadło Andrzej. Wpływ mydeł olejowych i linoksydu, wypełniających przestrzenie pomiędzy malowidłem a podobraziem, na proces konserwacji dwustronnego obrazu na podobraziu ze stali ocynkowanej z przedstawieniem "Matki Boskiej Szkaplerznej z Góry Karmel" na awersie i "Chrystusa błogosławiącego dzieci" na rewersie, własność parafii pw. śś. Fabiana i Sebastiana oraz Matki Boskiej Szkaplerznej z Góry Karmel w Ostrowie koło Przeworska
Indeks R0: BMNK
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 28806/6 (1 egz.)
Pozycja została dodana do koszyka. Jeśli nie wiesz, do czego służy koszyk, kliknij tutaj, aby poznać szczegóły.
Nie pokazuj tego więcej