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Greiner-Wronowa Elżbieta (1951-2022)
(2)
Hradil David (1968- )
(2)
Hradilova Janka (1963- )
(2)
Paluszkiewicz Czesława
(2)
Ahn Sang Doo. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Arik Ruchan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
(1)
Baer Norbert S. (1938- )
(1)
Baka-Theis Małgorzata
(1)
Baka-Theis Małgorzata. Standardy i schematy metadanych w digitaizacji muzealiów w Polsce - przegląd
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Bednarz Ewelina. Niderlandzka kultura cyfrowa
(1)
Berger Gustav A. (1920-2006). Formulating adhesives for the conservation of paintings
(1)
Biemann Klaus (1926-2016)
(1)
Bierkowski Tomasz. Paradoksy polskiej komunikacji wizualnej
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Bilnicka Agata. Rola kluczowych etapów analizy w zrównoważonym rozwoju projektu
(1)
Borchert Till-Holger (1967- )
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Brommelle Norman S
(1)
Brzeziński Wojciech
(1)
Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Bykova Galina Zaharovna
(1)
Chay Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01
(1)
Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance
(1)
Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01
(1)
Chmielarz Agata (1979- ). Odpowiedzialna edukacja projektanta wzornictwa w kontekście zrównoważonego rozwoju
(1)
Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Choo Woong Kil. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
(1)
Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Chynał Piotr. Technologie przyszłości kontra zrównoważony rozwój interfejsu użytkownika
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Cort Louis Allison
(1)
Couvert Jacqueline
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Delbourgo Suzy. Application of the electron microprobe to the study of some Italian paintings from the fourteenth to the sixteenth century
(1)
Desrosiers Sophie (1951- )
(1)
Desrosiers Sophie (1951- ). Orsoio and Velluti: a new yarn for a new fabric?
(1)
Douglas Janet G
(1)
Drożdżal Katarzyna. Polskie miasta powinny postawić na pszczoły
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Duits Rembrandt (1966- )
(1)
Duits Rembrandt (1966- ). The role of velvet in renaissance painting
(1)
Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange ca. 1200-1700
(1)
Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
(1)
Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics
(1)
Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Ertl Thomas (1968- )
(1)
Ertl Thomas (1968- ). Uncouth headlesse thing come pacing downe the hill: velvet in late-medieval and early-modern sumptuary law
(1)
Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Feller Robert L. (1919-2018). Problems in the investigation of picture varnishes
(1)
Feller Robert L. (1919-2018). The relative solvent power needed to remove various aged solvent-type coatings
(1)
Fircks Juliane von (1969- )
(1)
Fircks Juliane von (1969- ). Black velvet: the account book of Wilhelm and Matthaus Runtinger and the transalpine trade in silks from Venice and Lucca before 1400
(1)
Flieder Francoise (1929-2017)
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
(1)
Frinta Mojmir Svatopluk (1932- ). On the punched decoration in mediaeval panel painting and manuscript illumination
(1)
Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis
(1)
Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
(1)
Gallo Fausta. The work of the biology laboratory Istituto di Patologia del Libro during the ten years from 1961 to 1972
(1)
Gay Marie Christine. Application of the staining method to cross-sections in the study of the media of various italian paintings of the fourteenth and fifteenth centuries
(1)
Gettens Rutherford J. (1900-1974). Japanese paintings - technical studies at the freer gallery of arts
(1)
Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
(1)
Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange ca. 1200-1700
(1)
Graaf J. A. van de
(1)
Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period 1550-1650
(1)
Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production methods and techniques
(1)
Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma)
(1)
Harley Rosamond Drusilla (1934- ). Artists' brushes - historical evidence from the sixteenth to the nineteenth century
(1)
Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
(1)
Hayward Maria
(1)
Hayward Maria. Velvet at the court of Henry VII
(1)
Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
(1)
Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Hulmer Eric C. Notes on the formulation and application of acrylic coatings
(1)
Indictor Norman
(1)
Ivanova A. V
(1)
Janus Aleksandra. Humanistyka cyfrowa muzea i historia ratownicza
(1)
Jett Paul
(1)
Joel Abraham
(1)
Johnson Ben B. Oriental mounting techniques in the conservation of Western prints and drawings
(1)
Jędrzejewska Anna Kornelia (1982- ). Narzędzia cyfrowe do badań nad dziejami piernikarstwa
(1)
Kawamura Yoshio. The spread of pottery miniatures in Han Dynasty China
(1)
Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
(1)
Kempski Mary. Who is the man in red and who painted him?
(1)
Kienzler Corinna
(1)
Kienzler Corinna. Technical aspects of Ottoman velvet weaving
(1)
Kilijańska Barbara. Technologie przyszłości kontra zrównoważony rozwój interfejsu użytkownika
(1)
Kim Gyu Ho. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
King Antoinette G. Conservation of the collage roses by Juan Gris
(1)
Kos Ilona
(1)
Kos Ilona. A puzzling cope from Lausanne Cathedral
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11 wyników Filtruj
Książka
W koszyku
Autor
Rudnicka Patrycja. Więckowska Marta. Bierkowski Tomasz. Paradoksy polskiej komunikacji wizualnej Bilnicka Agata. Rola kluczowych etapów analizy w zrównoważonym rozwoju projektu Chmielarz Agata (1979- ). Odpowiedzialna edukacja projektanta wzornictwa w kontekście zrównoważonego rozwoju Chynał Piotr. Technologie przyszłości kontra zrównoważony rozwój interfejsu użytkownika Drożdżal Katarzyna. Polskie miasta powinny postawić na pszczoły Kilijańska Barbara. Technologie przyszłości kontra zrównoważony rozwój interfejsu użytkownika Kotynia Kasjan. Polskie miasta powinny postawić na pszczoły Kozina Irma (1964- ). Ryzyko innowacyjności: koszty uboczne poszukiwania nowych rozwiązań w projektowaniu produktów Mucha Małgorzata. Odpowiedzialna edukacja projektanta wzornictwa w kontekście zrównoważonego rozwoju Nowak Agata. Polskie miasta powinny postawić na pszczoły Pietruszewska-Golba Natalia. Sześciobok - instrukcja obsługi Piętka Tomasz. Rola kluczowych etapów analizy w zrównoważonym rozwoju projektu Polończyk Daria. Rola kluczowych etapów analizy w zrównoważonym rozwoju projektu Przybył Łukasz. Polskie miasta powinny postawić na pszczoły Rojek-Adamek Paulina (1976- ). Design, dzieci i Minecraft Rudnicka Patrycja. Wartości a projektowanie dla zrównoważonego rozwoju Trzęsiok Beata. Rola kluczowych etapów analizy w zrównoważonym rozwoju projektu Urbańska Paulina. Sześciobok - instrukcja obsługi Więckowska Marta. Projektant - idealista czy pragmatyk
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 33434 (1 egz.)
Brak okładki
Książka
W koszyku
Nadb. z: "Art 2002 : 7th International Conference on Non-descructive Testing and Microanalysis for the Diagnostics and Conservation of the Cultural and Environmental Heritage : 2-6 June 2002, Antwerp, Belgium : proceedings".
Bibliogr. k. 8.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 13733 (1 egz.)
Książka
W koszyku
Bibliogr., netogr. przy art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 35152 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 9607 (1 egz.)
Książka
W koszyku
Autor
Brommelle Norman S. Smith Perry. Baer Norbert S. (1938- ). Berger Gustav A. (1920-2006). Formulating adhesives for the conservation of paintings Biemann Klaus (1926-2016). Bykova Galina Zaharovna. Delbourgo Suzy. Application of the electron microprobe to the study of some Italian paintings from the fourteenth to the sixteenth century Feller Robert L. (1919-2018). Problems in the investigation of picture varnishes Feller Robert L. (1919-2018). The relative solvent power needed to remove various aged solvent-type coatings Flieder Françoise (1929-2017). Frinta Mojmír Svatopluk (1932- ). On the punched decoration in mediaeval panel painting and manuscript illumination Gallo Fausta. The work of the biology laboratory, Istituto di Patologia del Libro, during the ten years from 1961 to 1972 Gay Marie Christine. Application of the staining method to cross-sections in the study of the media of various italian paintings of the fourteenth and fifteenth centuries Gettens Rutherford J. (1900-1974). Japanese paintings - technical studies at the freer gallery of arts Graaf J. A. van de. Harley Rosamond Drusilla (1934- ). Artists' brushes - historical evidence from the sixteenth to the nineteenth century Hulmer Eric C. Notes on the formulation and application of acrylic coatings Indictor Norman. Ivanova A. V. Joel Abraham. Johnson Ben B. Oriental mounting techniques in the conservation of Western prints and drawings King Antoinette G. Conservation of the collage roses by Juan Gris Lank Herbert. Picture varnishes formulated with resin MS2A Lazzarini Lorenzo (1947- ). Margaritoff Tasso. Removing successive layers of painting - further work Masschelein-Kleiner Liliane. Contribution to the study of aged proteinaceous media Mills John S. (1928- ). The gas chromatographic examination of paint media. Some examples of medium identification in paintings by fatty acid analysis Mills John S. (1928- ). The identification of paint media - an introduction Mokrecova Inna Pavlovna. Murrell Jim. The restoration of portrait miniatures Pas Monique de. Pemberton-Pigott Viola. Plahter Leif Einar (1929-2016). Plahter Unn (1936- ). Plesters Joyce. Plossi Zappalà Mariagrazia. Rabin Bernard. Radosavlević Vera. Rogers George de Witt. Stolow Nathan (1928- ). Watherston Margaret M. Weidner Marilyn Kemp. Weiss Norman R. White Raymond. Wilson William K. (1913-2003).
Indeks R0: BMNK
Materiały konferencji: International Institute for Conservation of Historic and Artistic Works zorg. w Lizbonie w październiku 1972.
Bibliogr. w przypisach przy ref. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24470 (1 egz.)
Książka
W koszyku
Autor
Cort Louis Allison. Douglas Janet G. Jett Paul. McCarthy Blythe Ellen. Salzman Chase Ellen. Ahn Sang Doo. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Arık Rüçhan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Chāy Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Choo Woong Kil. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production, methods and techniques Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma) Kawamura Yoshio. The spread of pottery miniatures in Han Dynasty China Kim Gyu Ho. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Koss Kerith. Analysis of Persian painted Minai Ware Kusimba Chapurukha Makokha. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Lee Young Eun. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Lei Yong. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Li Jiazhi. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Li Wei Dong. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Luo Hongjie. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Ma Qinglin. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Maccheroni Michael. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Mao Zhenwei. Technological innovation in the manufacture of white porcelain in North China Maske Andrew L. Defining a new type of Japanese "Folk" ceramic: Nishi Sarayama Ware McCarthy Blythe Ellen. Analysis of Persian painted Minai Ware Oka Rahul. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Pan Weibin (1969- ). Technological innovation in the manufacture of white porcelain in North China Pollard A. M. Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Pomper Linda Rosenfeld. Research on the question of dating Chinese Famille Noire Porcelain Salzman Chase Ellen. Analysis of Persian painted Minai Ware San Kosal. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sasaki Tatsuo. Mutual influence and imitation of Mesopotamian and Chinese ceramics in the Ninth Tenth centuries Smith Dylan. Analysis of Persian painted Minai Ware Sok Hun Ly. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sok Keo Sovannara. Rethinking Khmer ceramics and metal vessels through ancient inscriptions and Bas-Reliefs: Khmer ceramic typology through ancient words Song Yan. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Stamen Jeffrey P. Research on the question of dating Chinese Famille Noire Porcelain Tabata Yukitsugu (1972- ). Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Tatsumi Junitiro. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Wang Changsui. Technological innovation in the manufacture of white porcelain in North China Wang Changsui. The provenance of ancient Chinese proto-celadon Weiss Norman R. Research on the question of dating Chinese Famille Noire Porcelain Wen Rui (1980- ). Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Xue Bin. Technological innovation in the manufacture of white porcelain in North China Yao Zhengquan. Technological innovation in the manufacture of white porcelain in North China Yegingil Zehra. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Zhu Jian. The provenance of ancient Chinese proto-celadon Zhu Tiequan. Technological innovation in the manufacture of white porcelain in North China
Indeks R0: BMNK
Materiały konferencji zorg. w Freer Gallery of Art w Waszyngtonie, 27-29 września 2007 r.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24878 (1 egz.)
Książka
W koszyku
(Riggisberger Berichte / Abegg-Stiftung Riggisberg ; ISSN 1423-5579 ; 24)
Autor
Peter Michael. Desrosiers Sophie (1951- ). Duits Rembrandt (1966- ). Ertl Thomas (1968- ). Fircks Juliane von (1969- ). Hayward Maria. Kienzler Corinna. Kos Ilona. Lassalle Suzanne. Mackie Louise W. Monnas Lisa. Navarro Espinach Germán (1967- ). Nockert Margareta. Orsi Landini Roberta. Richter Jörg. Wetter Evelin (1969- ). Desrosiers Sophie (1951- ). "Orsoio" and "Velluti": a new yarn for a new fabric? Duits Rembrandt (1966- ). The role of velvet in renaissance painting Ertl Thomas (1968- ). Uncouth headlesse thing come pacing downe the hill: velvet in late-medieval and early-modern sumptuary law Fircks Juliane von (1969- ). Black velvet: the account book of Wilhelm and Matthäus Runtinger and the transalpine trade in silks from Venice and Lucca before 1400 Hayward Maria. Velvet at the court of Henry VII Kienzler Corinna. Technical aspects of Ottoman velvet weaving Kos Ilona. A puzzling cope from Lausanne Cathedral Lassalle Suzanne. "Orsoio" and "Velluti": a new yarn for a new fabric? Mackie Louise W. Pomp and grace: Ottoman velvets of the fifteenth century Monnas Lisa. Velvet connections: a fifteenth-century cope in the Boston Museum of Fine Arts Navarro Espinach Germán (1967- ). Fifteenth-century Spanish velvet production Nockert Margareta. Dated or undated: some velvet brocades in Swedish churches Orsi Landini Roberta. The technical data in the statutes: the problem of identifying the principal manufactures Peter Michael. Velvets of the fifteenth century: art, techniques, and business Richter Jörg. Velvets at the fairs of Geneva in the mid-fifteenth century: protagonists, trading practices, and assortment Wetter Evelin (1969- ). Designations for velvet in Central-European church inventories
Indeks R0: BMNK
Bibliogr. s. 215-228.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 25289 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24321 (1 egz.)
Brak okładki
Książka
W koszyku
Nadb. z: "Art 2002 : 7th International Conference on Non-descructive Testing and Microanalysis for the Diagnostics and Conservation of the Cultural and Environmental Heritage : 2-6 June 2002, Antwerp, Belgium : proceedings ".
Bibliogr. k. 8.
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Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: (N 2002 (3)) sygn. III 13732 (1 egz.)
Brak okładki
Książka
W koszyku
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Magazyn
Zapytaj bibliotekarza: Czas. III 1054/5 (1 egz.)
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