Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Arik Ruchan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
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Baer Norbert S. (1938- )
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Baka-Theis Małgorzata
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Baka-Theis Małgorzata. Standardy i schematy metadanych w digitaizacji muzealiów w Polsce - przegląd
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Bednarz Ewelina. Niderlandzka kultura cyfrowa
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Berger Gustav A. (1920-2006). Formulating adhesives for the conservation of paintings
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Biemann Klaus (1926-2016)
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Bierkowski Tomasz. Paradoksy polskiej komunikacji wizualnej
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Bilnicka Agata. Rola kluczowych etapów analizy w zrównoważonym rozwoju projektu
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Bykova Galina Zaharovna
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Chay Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01
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Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance
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Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01
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Chmielarz Agata (1979- ). Odpowiedzialna edukacja projektanta wzornictwa w kontekście zrównoważonego rozwoju
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Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
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Choo Woong Kil. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Chynał Piotr. Technologie przyszłości kontra zrównoważony rozwój interfejsu użytkownika
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Delbourgo Suzy. Application of the electron microprobe to the study of some Italian paintings from the fourteenth to the sixteenth century
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Desrosiers Sophie (1951- )
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Desrosiers Sophie (1951- ). Orsoio and Velluti: a new yarn for a new fabric?
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Drożdżal Katarzyna. Polskie miasta powinny postawić na pszczoły
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Duits Rembrandt (1966- )
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Duits Rembrandt (1966- ). The role of velvet in renaissance painting
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Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange ca. 1200-1700
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Ertl Thomas (1968- ). Uncouth headlesse thing come pacing downe the hill: velvet in late-medieval and early-modern sumptuary law
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Feller Robert L. (1919-2018). Problems in the investigation of picture varnishes
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Feller Robert L. (1919-2018). The relative solvent power needed to remove various aged solvent-type coatings
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Fircks Juliane von (1969- )
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Fircks Juliane von (1969- ). Black velvet: the account book of Wilhelm and Matthaus Runtinger and the transalpine trade in silks from Venice and Lucca before 1400
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Flieder Francoise (1929-2017)
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
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Frinta Mojmir Svatopluk (1932- ). On the punched decoration in mediaeval panel painting and manuscript illumination
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gallo Fausta. The work of the biology laboratory Istituto di Patologia del Libro during the ten years from 1961 to 1972
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Gay Marie Christine. Application of the staining method to cross-sections in the study of the media of various italian paintings of the fourteenth and fifteenth centuries
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Gettens Rutherford J. (1900-1974). Japanese paintings - technical studies at the freer gallery of arts
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange ca. 1200-1700
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Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period 1550-1650
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Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production methods and techniques
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Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma)
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Harley Rosamond Drusilla (1934- ). Artists' brushes - historical evidence from the sixteenth to the nineteenth century
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Hayward Maria. Velvet at the court of Henry VII
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Hulmer Eric C. Notes on the formulation and application of acrylic coatings
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Janus Aleksandra. Humanistyka cyfrowa muzea i historia ratownicza
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Johnson Ben B. Oriental mounting techniques in the conservation of Western prints and drawings
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Jędrzejewska Anna Kornelia (1982- ). Narzędzia cyfrowe do badań nad dziejami piernikarstwa
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Kawamura Yoshio. The spread of pottery miniatures in Han Dynasty China
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Kienzler Corinna. Technical aspects of Ottoman velvet weaving
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Kilijańska Barbara. Technologie przyszłości kontra zrównoważony rozwój interfejsu użytkownika
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Kim Gyu Ho. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
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King Antoinette G. Conservation of the collage roses by Juan Gris
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Kos Ilona. A puzzling cope from Lausanne Cathedral
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