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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
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Bomford David. Foreword
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Bomford David. Picture cleaning: positivism and metaphysics
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Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
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Buck Susan L. Cross-section microscopy analysis and fluorescent staining
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Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
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Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Cross Maureen. History and use of panels or other rigid supports for easel paintings
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
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Gottsegen Mark D. Twentieth-century grounds
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Hackney Stephen. Lining easel paintings
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Heilmann Christoph (1936- )
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Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Katlan Alexander. History of fabric supports
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Klein Peter. History and use of panels or other rigid supports for easel paintings
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Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
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Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
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Learner Thomas J. S. Modern paints
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Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
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Lowengard Sarah. Pigments in Western easel painting
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MacBeth Rhona. The technical examination and documentation of easel paintings
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Marvelde Mireille te. Lining easel paintings
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Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Mayer Debora D. Identification of textile fibres found in common painting supports
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Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
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McClure Ian. Framing and microclimate enclosures for panel paintings
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McGinn Mary. Health and safety concerns in the paintings conservation studio
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Michalski Stefan (konserwatorstwo). The lighting of easel paintings
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Myers Gay. Varnishing as part of the conservation treatment of easel paintings
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Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
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Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Nadolny Jilleen. History of visual compensation for paintings
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Nadolny Jilleen. Pigments in Western easel painting
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Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
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Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
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Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
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Ormsby Bronwyn. Twentieth-century grounds
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Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
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Phenix Alan. A brief survey of historical varnishes
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Phenix Alan. Removal of varnish: organic solvents as cleaning agents
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Polansky Lubos (1972- )
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Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
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Ramsay Barbara A. Travelling exhibitions and transporting paintings
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Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
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Rushfield Rebecca (1954- )
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Rushfield Rebecca (1954- ). Conservation organizations and professional standards
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Saunders David. Image documentation for paintings conservation
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Scharff Mikkel. Lining easel paintings
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Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
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Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
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Schroder Nele (1981- )
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Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
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Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
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Stavroudis Chris. Aqueous methods for the cleaning of paintings
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Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
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Stoner Joyce Hill (1946- ). International public outreach projects
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Stoner Joyce Hill (1946- ). Introduction
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Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
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Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
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Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
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Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
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Townsend Joyce H. A brief survey of historical varnishes
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Townsend Joyce H. Binding media
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