Sortowanie
Źródło opisu
Biblioteka Muzeum Narodowego
(33)
Forma i typ
Książki
(30)
Czasopisma
(2)
Dostępność
dostępne
(21)
wypożyczone
(7)
tylko na miejscu
(3)
Placówka
Magazyn
(27)
Księgozbiór podręczny
(3)
Dział
(1)
Autor
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Ambrose Kirk (1968- ). Emile Male
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Blume Dieter (1952- ). Picturing the stars - scientific iconography in the Middle Ages
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Boynton Susan (1966- ). Visual representation of music and sound
(2)
Brandhorst J. P. J. (1956- ). Iconclass
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Caviness Madeline Harrison (1938- ). Erotic iconography
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Clarke Sherman. Library of Congress subject headings
(2)
Cothren Michael Watt (1951- ). Iconography of light
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Daly Peter M. (1936- ). Andrea Alciato
(2)
Dekoninck Ralph. Anthropology of images
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Drysdall Denis L. Andrea Alciato
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Easton Martha. Feminist art history and medieval iconography
(2)
Fisher Celia. Flowers and plants the living iconography
(2)
Franceschini Chiara. Classifying image content in visual collections
(2)
Fuster-López Laura. Filling
(2)
Gerstel Sharon E. J. Iconography of light
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Grasman Edward (1953- ). Hans van de Waal a portrait
(2)
Hablot Laurent (1972- ). Heraldic imagery definition and principles
(2)
Hackney Stephen. Lining easel paintings
(2)
Hannavy John
(2)
Harris Anne F. Iconography of narrative
(2)
Hartnell Jack. Medicine's image
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holladay Joan A. Royal and imperial iconography
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Hourihane Colum (1955- )
(2)
Hourihane Colum (1955- ). Charles Rufus Morey and the Index of Christian Art
(2)
Hourihane Colum (1955- ). Medieval iconography an introduction
(2)
Huisstede Pieter van (1957- ). Aby M. Warburg
(2)
Katlan Alexander. History of fabric supports
(2)
Kim Susan M. Monstrous iconography
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Knell Simon J. (1955- )
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Lindquist Sherry C. M. (1946- ). Iconography of gender
(2)
Logemann Cornelia (1975- ). Ripa the trinciante
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Maraszak Emilie (1985- ). Adlophe-Napoleon Didron (Paris 1867-Hautvilliers 1906)
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
Mazzucco Katia. Fritz Saxl
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Mittman Asa Simon (1976- ). Monstrous iconography
(2)
Morrison Karl Frederick (1936- ). Liturgical iconography
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Pastan Elizabeth Carson (1955- ). Patronage
(2)
Patton Pamela Anne (1964- ). Other in the Middle Ages
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Petzold Andreas. Iconography of color
(2)
Rok wydania
2020 - 2024
(3)
2010 - 2019
(21)
2000 - 2009
(7)
1990 - 1999
(2)
Kraj wydania
Wielka Brytania
(31)
Stany Zjednoczone
(24)
Język
angielski
(33)
Temat
Konserwatorstwo
(8)
Sztuka
(6)
Muzealnictwo
(4)
Fotografia
(3)
Ochrona zabytków
(3)
Zbiory muzealne
(3)
Digitalizacja
(2)
Ikonografia
(2)
Ikonografia chrześcijańska
(2)
Malarstwo (szt.plast.)
(2)
Papier
(2)
Sztuka średniowieczna
(2)
Abstrakcjonizm
(1)
Archeologia
(1)
Architektura
(1)
Architektura sakralna
(1)
Architektura sakralna europejska
(1)
Balzac, Honoré de (1799-1850)
(1)
Broń
(1)
Brąz
(1)
Celuloza
(1)
Chemia
(1)
Działalność charytatywna
(1)
Dziecko
(1)
Film
(1)
Grafika
(1)
Grafika europejska
(1)
Grafika użytkowa francuska
(1)
Grandville, J. J. (1803-1847)
(1)
Ilustracje
(1)
Inhibitory korozji
(1)
Institute of Conservation (Londyn)
(1)
Kobieta
(1)
Korozja i erozja
(1)
Kościoły i kaplice
(1)
Książka
(1)
Kultura
(1)
Kultura dworska
(1)
Lamballe, Marie Thérèse Louise de Savoie-Carignan de (1749-1792)
(1)
Leighton of Stretton, Frederic Leighton (1830-1896)
(1)
Literatura
(1)
Malarstwo
(1)
Malarstwo europejskie
(1)
Maria (Matka Jezusa Chrystusa)
(1)
Mecenat
(1)
Miedź
(1)
Miłość
(1)
Morfologia matematyczna
(1)
Museum of Modern Art (Nowy Jork)
(1)
Opieka społeczna
(1)
Organizacje charytatywne
(1)
Placówki opiekuńczo-wychowawcze
(1)
Portrety
(1)
Przetwarzanie obrazów
(1)
Royal Armouries Museum (Leeds)
(1)
Rysunek
(1)
Rzemiosło artystyczne europejskie
(1)
Rzeźba
(1)
Rzeźba europejska
(1)
Społeczeństwo informacyjne
(1)
Stal
(1)
Sztuka angielska
(1)
Sztuka sakralna włoska
(1)
Sztuka włoska
(1)
Teledetekcja
(1)
Tworzywa sztuczne
(1)
Ubiór
(1)
Uzbrojenie
(1)
Woda
(1)
Wojsko
(1)
Wystawiennictwo
(1)
Zbiory biblioteczne
(1)
Zmartwychwstanie
(1)
Śmierć
(1)
Żelazo
(1)
Temat: czas
1701-
(4)
1801-
(4)
1401-
(3)
1501-
(3)
1601-
(2)
1901-
(2)
1001-
(1)
1101-
(1)
1201-
(1)
1301-
(1)
2001-
(1)
2001-0
(1)
201-
(1)
301-
(1)
401-
(1)
501-
(1)
601-
(1)
701-
(1)
801-
(1)
901-
(1)
Temat: miejsce
Europa Środkowo-Wschodnia
(1)
Litwa
(1)
Polska
(1)
Gatunek
Materiały konferencyjne
(2)
Czasopisma wojskowe angielskie
(1)
Dokumenty elektroniczne
(1)
Katalogi wystaw
(1)
33 wyniki Filtruj
Książka
W koszyku
(The Histories of Material Culture and Collecting 1700-1950 / red. serii Stacey J. Pierson)
Bibliogr. s. 216-226. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24100 (1 egz.)
Książka
W koszyku
Corsets and crinolines / Norah Waugh ; edited by Judith Dolan. - London ; New York : Routledge Taylor & Francis Group, 2018. - XVI, 189 s. : il. (w tym kolor.) ; 25 cm.
Temat
Indeks R0: BMNK
Tyt. okł.: Corsets & crinolines
Bibliogr. s. 175-177. Słownik terminów s. 171-174. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32145 (1 egz.)
Książka
W koszyku
Museums and the interpretation of visual culture / Eilean Hooper-Greenhill. - Digital printing. - London ; New York : Routledge Taylor & Francis Group, 2005. - XIV, 195 s. : il. ; 25 cm.
(Museum Meanings / ed. Eilean Hooper-Greenhill, Flora Kaplan ; 4)
Dodruk do wydania z 2000 roku.
Bibliogr. s. 176-190. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 21472 (1 egz.)
Brak okładki
Pozostałe zbiory
DVD
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: El 530 (1 egz.)
Książka
W koszyku
(Financial History Series ; 17)
Temat
Indeks R0: BMNK
Bibliogr. s. 243-258. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Dział
Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: Dział Nowoczesnego Polskiego M alarstwa i Rzeźby (Sukiennice) sygn. II 30831 (1 egz.)
Książka
W koszyku
Visual cultures of foundling care in Renaissance Italy / Diana Bullen Presciutti. - London ; New York : Routledge Taylor & Francis Group, 2018. - XVI, [2], 276 s., [8] s. tabl. : il. ; 25 cm.
(Visual Culture in Early Modernity / series editor: Allison Levy)
Bibliogr. s. 247-267. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32571 (1 egz.)
Książka
W koszyku
(British Art : histories and interpretations since 1700 / series editors: David Peters Corbett, Sarah Monks)
Bibliogr. s. 203-217. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 36060 (1 egz.)
Brak okładki
Czasopismo
W koszyku
Journal of the Institute of Conservation / ed. Shulla Jaques. - Abingdon, Oxfordshire : Routledge, 2009-. - il. (gł. kolor.) ; 30 cm.
Półrocz.
Stanowi kontynuację: Conservator
Tyt. wg okł.
Opis na podstawie: Vol. 32 (2009), no. 1.
Od vol. 34 (2011), no 1 red.: Janet Berry.
Od vol. 39 (2016), no 1 red.: Jonathan Kemp.
Zawartość zasobu KR 239 Czas. III 1205
Vol. 32 (2009), no 1
Vol. 33 (2010), no 1-2
Vol. 34 (2011), no 1-2
Vol. 35 (2012), no 1-2
Vol. 36 (2013), no 1-2
Vol. 37 (2014), no 1-2
Vol. 38 (2015), no 1-2
Vol. 39 (2016), no 1-2
Vol. 40 (2017), no 1-3
Vol. 41 (2018), no 1-3
Vol. 42 (2019), no 1-3
Vol. 43 (2020), no 1-3
Vol. 44 (2021), no 1-3
Vol. 45 (2022), no 1-3
Vol. 46 (2023), no 1-3
Vol. 47 (2024), no 1
Książka
W koszyku
(Leicester Readers in Museum Studies / ed. Simon J. Knell)
Bibliogr. po art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 28455 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 22751 (1 egz.)
Brak okładki
Czasopismo
W koszyku
Półr.
Vol. 1 (2004)-.
Tytuł poprzedni: Royal Armouries Yearbook.
Od vol. 9 (2012), no 2 kom. red.: D. W. Bailey [et al.].
Od vol. 10 (2013), no 1 kom. red.: Ian Bottomley [et al.].
Od vol. 13 (2016), no 1 red.: Graeme Rimer.
Od vol. 13 (2016), no 1 wyd.: Routledge. Taylor & Francis Group.
Zawartość zasobu KR 239 Czas. II 1391
Vol. 1 (2004), no 1-2
Vol. 2 (2005), no 1-2
Vol. 3 (2006), no 1-2
Vol. 4 (2007), no 1-2
Vol. 5 (2008), no 1-2
Vol. 6 (2009), no 1-2
Vol. 7 (2010), no 1-2
Vol. 8 (2011), no 1-2
Vol. 9 (2012), no 1-2
Vol. 10 (2013), no 1-2
Vol. 11 (2014), no 1-2
Vol. 12 (2015), no 1-2
Vol. 13 (2016), no 1-2
Vol. 14 (2017), no 1-2
Vol. 15 (2018), no 1-2
Vol. 16 (2019), no 1-2
Vol. 17 (2020), no 1-2
Vol. 18 (2021), no 1-2
Vol. 19 (2022), no 1-2
Książka
W koszyku
Bibliogr. po art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31125 (1 egz.)
Książka
W koszyku
The Routledge Companion to medieval iconography / edited by Colum Hourihane. - London ; New York : Routledge Taylor & Francis Group, 2017. - XXXII, 547 s., [8] s. tabl.kolor. : il. ; 26 cm.
Autor
Hourihane Colum (1955- ). Hourihane Colum (1955- ). Medieval iconography, an introduction Drysdall Denis L. Andrea Alciato Daly Peter M. (1936- ). Andrea Alciato Logemann Cornelia (1975- ). Ripa, the trinciante Maraszak Émilie (1985- ). Adlophe-Napoléon Didron (Paris 1867-Hautvilliers 1906) Russo Daniel (1956- ). Louis Réau Ambrose Kirk (1968- ). Émile Mâle Huisstede Pieter van (1957- ). Aby M. Warburg Mazzucco Katia. Fritz Saxl Wuttke Dieter (1929- ). Erwin Panofsky (1892-1968) Hourihane Colum (1955- ). Charles Rufus Morey and the Index of Christian Art Grasman Edward (1953- ). Hans van de Waal, a portrait Stirnemann Patricia (1945- ). Meyer Schapiro as iconographer Reeve Matthew M. Michael Camille's queer Middle Ages Dekoninck Ralph. Anthropology of images Franceschini Chiara. Classifying image content in visual collections Clarke Sherman. Library of Congress subject headings Brandhorst J. P. J. (1956- ). Iconclass Posthumus Etienne. Iconclass Vicelja Marina. Religious iconography Morrison Karl Frederick (1936- ). Liturgical iconography Wolter-von dem Knesebeck Harald (1964- ). Secular iconography Caviness Madeline Harrison (1938- ). Erotic iconography Harris Anne F. Iconography of narrative Szőnyi György Endre (1952- ). Political iconography and the emblematic way of seeing Blume Dieter (1952- ). Picturing the stars - scientific iconography in the Middle Ages Hartnell Jack. Medicine's image Pastan Elizabeth Carson (1955- ). Patronage Holladay Joan A. Royal and imperial iconography Valdez del Álamo Elizabeth. Iconography of architecture Hablot Laurent (1972- ). Heraldic imagery, definition, and principles Scully Diarmuid. Medieval maps and diagrams Lindquist Sherry C. M. (1946- ). Iconography of gender Easton Martha. Feminist art history and medieval iconography Petzold Andreas. Iconography of color Fisher Celia. Flowers and plants, the living iconography Gerstel Sharon E. J. Iconography of light Cothren Michael Watt (1951- ). Iconography of light Boynton Susan (1966- ). Visual representation of music and sound Patton Pamela Anne (1964- ). Other in the Middle Ages Strickland Debra Higgs (1958- ). Animal iconography Mittman Asa Simon (1976- ). Monstrous iconography Kim Susan M. Monstrous iconography
Indeks R0: BMNK
U dołu okł.: "An Ashgate Book".
Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: (H 7.04"04/14") sygn. III 22509 (1 egz.)
Książka
W koszyku
The Routledge Companion to medieval iconography / edited by Colum Hourihane. - London ; New York : Routledge Taylor & Francis Group, 2019. - XXXII, 547 s., [8] s. tabl. kolor. : il. ; 25 cm.
Autor
Hourihane Colum (1955- ). Hourihane Colum (1955- ). Medieval iconography, an introduction Drysdall Denis L. Andrea Alciato Daly Peter M. (1936- ). Andrea Alciato Logemann Cornelia (1975- ). Ripa, the trinciante Maraszak Émilie (1985- ). Adlophe-Napoléon Didron (Paris 1867-Hautvilliers 1906) Russo Daniel (1956- ). Louis Réau Ambrose Kirk (1968- ). Émile Mâle Huisstede Pieter van (1957- ). Aby M. Warburg Mazzucco Katia. Fritz Saxl Wuttke Dieter (1929- ). Erwin Panofsky (1892-1968) Hourihane Colum (1955- ). Charles Rufus Morey and the Index of Christian Art Grasman Edward (1953- ). Hans van de Waal, a portrait Stirnemann Patricia (1945- ). Meyer Schapiro as iconographer Reeve Matthew M. Michael Camille's queer Middle Ages Dekoninck Ralph. Anthropology of images Franceschini Chiara. Classifying image content in visual collections Clarke Sherman. Library of Congress subject headings Brandhorst J. P. J. (1956- ). Iconclass Posthumus Etienne. Iconclass Vicelja Marina. Religious iconography Morrison Karl Frederick (1936- ). Liturgical iconography Wolter-von dem Knesebeck Harald (1964- ). Secular iconography Caviness Madeline Harrison (1938- ). Erotic iconography Harris Anne F. Iconography of narrative Szőnyi György Endre (1952- ). Political iconography and the emblematic way of seeing Blume Dieter (1952- ). Picturing the stars - scientific iconography in the Middle Ages Hartnell Jack. Medicine's image Pastan Elizabeth Carson (1955- ). Patronage Holladay Joan A. Royal and imperial iconography Valdez del Álamo Elizabeth. Iconography of architecture Hablot Laurent (1972- ). Heraldic imagery, definition, and principles Scully Diarmuid. Medieval maps and diagrams Lindquist Sherry C. M. (1946- ). Iconography of gender Easton Martha. Feminist art history and medieval iconography Petzold Andreas. Iconography of color Fisher Celia. Flowers and plants, the living iconography Gerstel Sharon E. J. Iconography of light Cothren Michael Watt (1951- ). Iconography of light Boynton Susan (1966- ). Visual representation of music and sound Patton Pamela Anne (1964- ). Other in the Middle Ages Strickland Debra Higgs (1958- ). Animal iconography Mittman Asa Simon (1976- ). Monstrous iconography Kim Susan M. Monstrous iconography
Indeks R0: BMNK
Bibliogr. w przypisach. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 33522 (1 egz.)
Książka
W koszyku
Autor
Richmond Alison. Bracker Alison Lee. Ashley-Smith Jonathan (1946- ). The basis of conservation ethics Avrami Erica. Heritage, values, and sustainability Bauerová Zuzana (1974- ). A critical reflection on Czechoslovak conservation-restoration: its theory and methodological approach Bracker Alison Lee. Introduction Brajer Isabelle. The concept of authenticity expressed in the treatment of wall paintings in Denmark Cane Simon. Why do we conserve? Developing understanding of conservation as a cultural construct Caple Chris (1958- ). The aims of conservation Clavir Miriam (1948- ). Conservation and cultural significance Clifford Helen (1962- ). The problem of patina: thoughts on changing attitudes to old and new things Eastop Dinah. The cultural dynamics of conservation principles in reported practice Enote Jim. Conservation, access and use in a museum of living culture Fiske Tina. White Walls: installations, absence, iteration and difference Hoeniger Cathleen Sara (1958- ). The development of principles in paintings conservation: case studies from the restoration of Raphael's art Jokilehto Jukka (1938- ). Conservation principles in the international context Kaminitz Marian A. Conservation, access and use in a museum of living culture Kemp Jonathan (1920- ). Practical ethics v2.0 Molotch Harvey Luskin (1940- ). The challenge of installation art Muñoz Viñas Salvador (1963- ). Minimal intervention revisited Pye Elizabeth. Archaeological conservation: scientific practice or sociel process? Quam Curtis. Conservation, access and use in a museum of living culture Rée Jonathan (1948- ). Auto-Icons Richmond Alison. Introduction Scott Marcelle. Ethics and practice: Australian and New Zealand conservation context Smith Catherine. Ethics and practice: Australian and New Zealand conservation context Stanley-Price Nicholas (1947- ). The reconstruction of ruins: principles and practice Sterrett Jill. Contemporary museums of contemporary art West W. Richard (1943- ). Conservation, access and use in a museum of living culture Wharton Glenn. The challenge of installation art Yatsattie Eileen. Conservation, access and use in a museum of living culture
Indeks R0: BMNK
Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 36459 (1 egz.)
Książka
W koszyku
(Routledge Art History and Visual Studies Companions)
Autor
Brown Kathryn J. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25671 (1 egz.)
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
W koszyku
Autor
Dickerman Leah (1964- ). Dickerman Leah (1964- ). Inventing abstraction Dickerman Leah (1964- ). Vasily Kandinsky, without words Dickerman Leah (1964- ). Abstraction in 1936: cubism and abstract art at the Museum of Modern Art Affron Matthew. Contrasts of colours, contrasts of words Affron Matthew. Fernand Léger: metallic sensations Affron Matthew. Decoration and abstraction in Bloomsbury Bois Yve-Alain (1952- ). Pablo Picasso: the cadaqués experiment Bois Yve-Alain (1952- ). Piet Mondrian: toward the abolition of form Bois Yve-Alain (1952- ). 3 De Stijl models Chlenova Masha. Early Russian abstraction, as such Chlenova Masha. 0.10 Coen Ester. Giacomo Balla: the most luminous abstraction Cox Christoph (1965- ). Music, noise, and abstraction Damisch Hubert (1928-2017). On the movie DeLue Rachael Ziady. With color DeLue Rachael Ziady. Against the circle Foster Hal (1955- ). Sense and non-sense Franko Mark. Danced abstraction: Rudolf von Laban Franko Mark. Danced abstraction: Mary Wigman Gale Matthew. Vorticism: planetary abstracion Galison Peter (1955- ). Concrete abstraction Gough Maria (1961- ). Spatial object Gough Maria (1961- ). Language of revolution Gough Maria (1961- ). Abstract environment Hauptman Jodi (1964- ). Léopold Survage's paper cinema Hauptman Jodi (1964- ). Parole in libertà Hughes Gordon (1965- ). Abstraction chez Delaunay Joselit David. Painting stripped bare Kaes Anton (1945- ). Absolute film Lang David (1957- ). Colors and games: music and abstraction, 1909 to 1912 Laxton Susan. White shadows: photograms around 1922 Lowry Glenn D. (1954- ). Abstraction in 1936: Barr's diagrams Michaud Philippe-Alain (1961- ). Rhythmus 21 and the genesis of filmic abstraction Suchan Jarosław (1966- ). Early abstraction in Poland Tattersall Lanka. Mr. Kupka among verticals Tattersall Lanka. Color grid Taylor Michael R. (1966- ). Francis Picabia: abstraction and sincerity Shore Marguerite. Herman Jeanine. Kemp-Welch Klara.
Indeks R0: BMNK
Katalog wystawy: Museum of Modern Art, Nowy Jork, 23 grudnia 2012 - 15 kwietnia 2013 r.
Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24257 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
Książka
W koszyku
(European Federation of Corrosion Publications, ISSN 1354-5116 ; no. 48)
Autor
Beranger Gérard. Dillmann Philippe. Matthiesen Henning. Piccardo Paolo. Degrigny Christian. Examination and conservation of historical and archaeological metal artefacts: a European overview Santarini Gérard. Corrosion behaviour of low-alloy steels: from ancient past to far future Bertholon Régis (1959- ). Archaeological metal artefacts and conservation issues: long-term corrosion studies Neff D. Contribution of iron archaeological artefacts to the estimation of average corrosion rates and the long-term corrosion mechanisms of low-carbon steel buried in soil Vega Enrique. Contribution of iron archaeological artefacts to the estimation of average corrosion rates and the long-term corrosion mechanisms of low-carbon steel buried in soil Dillmann Philippe. Contribution of iron archaeological artefacts to the estimation of average corrosion rates and the long-term corrosion mechanisms of low-carbon steel buried in soil Descostes M. Contribution of iron archaeological artefacts to the estimation of average corrosion rates and the long-term corrosion mechanisms of low-carbon steel buried in soil Bellot-Gurlet Ludovic. Contribution of iron archaeological artefacts to the estimation of average corrosion rates and the long-term corrosion mechanisms of low-carbon steel buried in soil Beranger Gérard. Contribution of iron archaeological artefacts to the estimation of average corrosion rates and the long-term corrosion mechanisms of low-carbon steel buried in soil Pons E. Electrochemical study of steel artefacts from World War I: contribution of A.C. impedance spectroscopy and chronoamperometry to describe the bahaviour of the corrosion layers Lemaitre C. Electrochemical study of steel artefacts from World War I: contribution of A.C. impedance spectroscopy and chronoamperometry to describe the bahaviour of the corrosion layers David Daniel. Electrochemical study of steel artefacts from World War I: contribution of A.C. impedance spectroscopy and chronoamperometry to describe the bahaviour of the corrosion layers Crusset D. Electrochemical study of steel artefacts from World War I: contribution of A.C. impedance spectroscopy and chronoamperometry to describe the bahaviour of the corrosion layers Vega Enrique. Species transport in the corrosion products of ferrous archaeological analogues: a contribution to the modelling of long-term iron corrosion mechanisms Dillmann Philippe. Species transport in the corrosion products of ferrous archaeological analogues: a contribution to the modelling of long-term iron corrosion mechanisms Berger Pascal (1960- ). Species transport in the corrosion products of ferrous archaeological analogues: a contribution to the modelling of long-term iron corrosion mechanisms Fluzin Philippe. Species transport in the corrosion products of ferrous archaeological analogues: a contribution to the modelling of long-term iron corrosion mechanisms Chitty Walter-John. Long-term behaviour of iron embadded in concrete: from the characterisation of archaeological analogues to the verification of the oxygen reduction as the limiting step for corrosion rate Huet Bruno. Long-term behaviour of iron embadded in concrete: from the characterisation of archaeological analogues to the verification of the oxygen reduction as the limiting step for corrosion rate Dillmann Philippe. Long-term behaviour of iron embadded in concrete: from the characterisation of archaeological analogues to the verification of the oxygen reduction as the limiting step for corrosion rate L'Hostis Valérie (1976- ). Long-term behaviour of iron embadded in concrete: from the characterisation of archaeological analogues to the verification of the oxygen reduction as the limiting step for corrosion rate Beranger Gérard. Long-term behaviour of iron embadded in concrete: from the characterisation of archaeological analogues to the verification of the oxygen reduction as the limiting step for corrosion rate Idrissi Chbihi Hamzaoui Hassane (1956- ). Long-term behaviour of iron embadded in concrete: from the characterisation of archaeological analogues to the verification of the oxygen reduction as the limiting step for corrosion rate Maréchal L. Study of the atmospheric corrosion of iron by ageing historical artefacts and contemporary low-alloy steel in a climatic chamber: comparison with mechanistic modelling Perrin S. Study of the atmospheric corrosion of iron by ageing historical artefacts and contemporary low-alloy steel in a climatic chamber: comparison with mechanistic modelling Dillmann Philippe. Study of the atmospheric corrosion of iron by ageing historical artefacts and contemporary low-alloy steel in a climatic chamber: comparison with mechanistic modelling Santarini Gérard. Study of the atmospheric corrosion of iron by ageing historical artefacts and contemporary low-alloy steel in a climatic chamber: comparison with mechanistic modelling Memet Jean-Bernard. Corrosion of metallic artefacts in seawater: descriptive analysis Réguer Solenn (1979- ). Contribution of local and structural characterisation for studies of the corrosion mechanisms related to the presence of chlorine on archaeological ferrous artefacts Dillmann Philippe. Contribution of local and structural characterisation for studies of the corrosion mechanisms related to the presence of chlorine on archaeological ferrous artefacts Susini Jean. Contribution of local and structural characterisation for studies of the corrosion mechanisms related to the presence of chlorine on archaeological ferrous artefacts Loeper-Attia Marie-Anne. Proposal to describe reactivated corrosion of archaeological iron objects Angelini Emma. Simulation of corrosion processes of buried archaeological bronze artefacts Rosalbino F. Simulation of corrosion processes of buried archaeological bronze artefacts Grassini S. Simulation of corrosion processes of buried archaeological bronze artefacts Ingo Gabriel Maria. Simulation of corrosion processes of buried archaeological bronze artefacts Caro Tilde de. Simulation of corrosion processes of buried archaeological bronze artefacts Mathis François. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Salomon Joseph. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Pagès-Camagna Sandrine. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Dubus Michel (1956- ). Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Robcis Dominique. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Aucouturier Marc. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Descamps Sophie. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Delange Elisabeth. Corrosion patina or intentional patina: contribution of non-destructive analyses to the surface study of copper-based archaeological objects Piccardo Paolo. Tin and copper oxides in corroded archaeological bronzes Mille Benoît. Tin and copper oxides in corroded archaeological bronzes Robbiola Luc. Tin and copper oxides in corroded archaeological bronzes Kreislová Kateřina‏ ‎ (1963-‏ ). Corrosion problems and reconstruction of the copper roof on Queen Anna's Summer Palace, Prague Knotková Dagmar (1930- ). Corrosion problems and reconstruction of the copper roof on Queen Anna's Summer Palace, Prague Číhal Vladimír (1929- ). Corrosion problems and reconstruction of the copper roof on Queen Anna's Summer Palace, Prague Had Jiri. Corrosion problems and reconstruction of the copper roof on Queen Anna's Summer Palace, Prague Matthiesen Henning. Long-term corrosion of iron at the waterlogged site of Nydam in Denmark: studies of environment, archaeological artefacts and modern analogues Gregory David. Long-term corrosion of iron at the waterlogged site of Nydam in Denmark: studies of environment, archaeological artefacts and modern analogues Sørensen Brigit. Long-term corrosion of iron at the waterlogged site of Nydam in Denmark: studies of environment, archaeological artefacts and modern analogues Hilbert Lisbeth Rischel. Long-term corrosion of iron at the waterlogged site of Nydam in Denmark: studies of environment, archaeological artefacts and modern analogues Sjögren Lena. On-line corrosion monitoring of indoor atmospheres LeBozec Nathalie. On-line corrosion monitoring of indoor atmospheres Rocca E. Corrosion inhibitors for metallic artefacts: temporary protection Galtayries A. Surface characterisation of corrosion inhibitors on bronzes for artistic casting Mongiatti A. Surface characterisation of corrosion inhibitors on bronzes for artistic casting Marcus Philippe (1953- ). Surface characterisation of corrosion inhibitors on bronzes for artistic casting Chiavari C. Surface characterisation of corrosion inhibitors on bronzes for artistic casting Chiavari C. Influence of microstructure and composition on corrosion of lead-rich organ pipes Dinoi C. Influence of microstructure and composition on corrosion of lead-rich organ pipes Martini C. Influence of microstructure and composition on corrosion of lead-rich organ pipes Prandstraller D. Influence of microstructure and composition on corrosion of lead-rich organ pipes Poli G. Influence of microstructure and composition on corrosion of lead-rich organ pipes Mirambet François. Contribution of local and structural characterisation for studies of the corrosion mechanisms related to the presence of chlorine on archaeological ferrous artefacts Mirambet François. Corrosion inhibitors for metallic artefacts: temporary protection
Indeks R0: BMNK
U dołu k. tyt.: Published for the European Federation of Corrosion by Woodhead Publishing and Maney Publishing on behalf of The Institute of Materials, Minerals & Mining.
Materiały z konf., Nicea, 12-16 września 2004.
Bibliogr. przy rozdz. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 32021 (1 egz.)
Pozycja została dodana do koszyka. Jeśli nie wiesz, do czego służy koszyk, kliknij tutaj, aby poznać szczegóły.
Nie pokazuj tego więcej