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Aurenhammer Hans H. Venetian painting in the age of Titian
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Bayer Andrea (1957- ). Catalogue
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Berger Friederike. The art of clothing oneself must be popularized: the artistic reform dress as an ideal an aesthetic and consumer culture
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Block Jane. A hothouse for symbolist art. The exhibitions of Les XX and La Libre Esthetique
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Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform
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Brodrecht Maja (1980- ). Across borders. Book and illustration art between Belgium and the German-speaking World
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Deseyve Yvette. Awakened from a marble sleep. On symbolist sculpture in Belgium
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Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated
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Draguet Michel (1964- ). The symbolist moment. Reflections on its origins in Belgium
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Dunkerton Jill (1952- ). Painting techniques in sixteenth-century Venice
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Eclercy Bastian (1978- )
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Ewers-Schultz Ines
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Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear
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Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900
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Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau
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Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume
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Fleischer Martina. Catalogue
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Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900
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Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900
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Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network
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Gleis Ralph (1973- )
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Gleis Ralph (1973- ). Between morbidity and decadence. Belgian symbolism
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Goodrow Gerard A. (1964- )
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Hahn Juliane. Skirt and rib: bodies in the gaze
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Hall Cynthia
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Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk
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Holzhey Magdalena
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Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation
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Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences
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Ilchman Frederick. Catalogue
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Jolly Anna (1967- )
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Korner Hans (1951- ). Meaning as sound. On symbolism as a European phenomenon
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Neumann Antje (1974- ). The fairies have strewn flowers along the way: the textile designer and Gesamtkunstler Henry van de Velde and his Weimar circle
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Saviello Julia. Catalogue
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Scheer Thorsten (1961- ). Deeds not words: on the political iconography of women's dress
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Smet Johan de (1970- ). Relived past. The reception of the middle ages in Belgian symbolism
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Thonnissen Karin (1951- ). The Omega Workshops: painting in space
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4 wyniki Filtruj
Książka
W koszyku
(Die Textilsammlung der Abegg-Stiftung ; Bd. 8)
Bibliogr. s. 385-389. Słownik terminów s. 382-384. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 23570 (1 egz.)
Książka
W koszyku
Bibliogr. s. 256-269 i przy notach katalogowych.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24222 (1 egz.)
Książka
W koszyku
Katalog wystawy: Alte Nationalgalerie, Berlin, 18 września 2020 - 17 stycznia 2021.
Bibliogr. w przypisach do art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 25312 (1 egz.)
Książka
W koszyku
Autor
Ewers-Schultz Ines. Holzhey Magdalena. Lindberg Steven. Saunders Bronwen. Wynne Christopher. Berger Friederike. "The art of clothing oneself must be popularized": the artistic reform dress as an ideal, an aesthetic, and consumer culture Brandstätter Christian (1943- ). The Wiener Werkstätte and the fashion reform Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated Ewers-Schultz Ines. "Antineutral clothing for men": the artistic reform of men's wear Ewers-Schultz Ines. The dress as a work of art, beauty as a weapon, and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900 Ewers-Schultz Ines. "The essential thing is the individual adaptation to the wearer": Anna Muthesius's Das Eigenkleid der Frau Ewers-Schultz Ines. "The highest intelligence in the freest body!": modern dance as a symbiosis of body and costume Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900 Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and "new style" in women's clothing around 1900 Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network Hahn Juliane. Skirt and rib: bodies in the gaze Heiser Christiane (1970- ). "A miracle how preciously the people here understand their work in silk": Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk Holzhey Magdalena. "Since not all women, even if they have taste, are able to invent suitable ornaments": women and their clothes between decoration and emancipation Holzhey Magdalena. "The artistic elevation of women's dress": Krefeld 1900 and its consequences Neumann Antje (1974- ). "The fairies have strewn flowers along the way": the textile designer and Gesamtkünstler Henry van de Velde and his Weimar circle Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform Scheer Thorsten (1961- ). "Deeds not words": on the political iconography of women's dress Thönnissen Karin (1951- ). The Omega Workshops: painting in space
Indeks R0: BMNK
Publ. tow. wystawie: "Tailored for freedom : the artistic dress around 1900 in fashion, art and society", Kunstmuseen Krefeld, Kaiser Wilhelm Museum, October 12, 2018-February 24, 2019.
Bibliogr. w przypisach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24027 (1 egz.)
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