SOWA OPAC : Katalog Biblioteki Muzeum Narodowego w Krakowie

Ukryj filtry

Sortowanie

Źródło opisu

Biblioteka Muzeum Narodowego

(2)

Forma i typ

Książki

(2)

Dostępność

dostępne

(1)

wypożyczone

(1)

Placówka

Magazyn

(2)

Autor

Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion

(1)

Balch Pippa

(1)

Bordt Nele. Observations on Rudolf Swoboda’s painting technique

(1)

Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia

(1)

Brooks Mary M. Indisputable authenticity: engaging with the real in the museum

(1)

Pokaż więcej ...

Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship

(1)

Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings

(1)

Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art

(1)

Costaras Nicola

(1)

Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings

(1)

Coutinho Barbara. How to keep what was intended to be temporarily functional?

(1)

Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia

(1)

Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship

(1)

El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon

(1)

Ferreira Joana Lia. How to keep what was intended to be temporarily functional?

(1)

Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry

(1)

Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Glanville Helen

(1)

Gordon Rebecca

(1)

Gordon Rebecca. Identifying and pursuing authenticity in contemporary art

(1)

Gordon Rebecca. Real life questions of authenticity

(1)

Hermens Erma (1958- )

(1)

Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists

(1)

Jones Ceri (1964- ). Bringing the past to life?

(1)

Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon

(1)

Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon

(1)

Lennard Frances

(1)

Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Lowry Kate

(1)

Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists

(1)

Macaro Gabriella. The Barbizon paintings at the National Gallery London: a technical study

(1)

Macedo Rita. How to keep what was intended to be temporarily functional?

(1)

Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century

(1)

Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center

(1)

Mulholland Richard. And I know damned-well what he wanted: deliberate alteration and interpretations of intent in several late sculptures by David Smith

(1)

Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia

(1)

O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery

(1)

Penney Caron. Rediscovering the Unicorn tapesries

(1)

Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture

(1)

Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Rajgopal Uthra. Dressing up for the Preston Guild: a very admirable and correct costume!

(1)

Ramos Ana Maria. How to keep what was intended to be temporarily functional?

(1)

Sa Susana Franca de. How to keep what was intended to be temporarily functional?

(1)

Saltmarsh Polly

(1)

Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture

(1)

Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique

(1)

Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century

(1)

Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century

(1)

Sinclair Ross. Real life questions of authenticity

(1)

Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris

(1)

Sperber Roxanne. The retouching practices of John Linnell: technique patronage and practice from two works in the Yale Center for British Art

(1)

Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study

(1)

Straub Michaela. The conservation and research of two paintings by Alfred East RA

(1)

Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation

(1)

Sutcliffe Victoria

(1)

Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists

(1)

Veldink Suzanne. George Hendrik Breitner at work: new insights

(1)

Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate

(1)

Woltman Nienke. George Hendrik Breitner at work: new insights

(1)

Woodcock Sally. Alteration restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen

(1)

Wright Adele. Method cannot govern everything. Delacroix: mid-century modern master

(1)

Pokaż mniej ...

Rok wydania

2010 - 2019

(2)

Kraj wydania

Wielka Brytania

(2)

Język

angielski

(2)

Temat

Konserwatorstwo

(1)

Malarstwo europejskie

(1)

Sztuka

(1)

Temat: czas

1801-

(1)

1901-

(1)

2001-0

(1)

Gatunek

Materiały konferencyjne

(2)

2 wyniki Filtruj

Książka

W koszyku

A changing art : nineteenth-century painting practice and conservation / edited by Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe and Polly Saltmarsh. - London : Archetype Publications : The British Association of Paintings Conservator-Restorers, 2017. - IX, 133 s. : il. (gł. kolor.) ; 25 cm.

Autor

Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master

Temat

Konserwatorstwo Malarstwo europejskie

Gatunek

Materiały konferencyjne.

Indeks R0: BMNK

Bibliogr. przy art.

aktualnie wypożyczona

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Wszystkie egzemplarze są obecnie wypożyczone: sygn. II 31515 (1 egz.)

Książka

W koszyku

Authenticity and replication : the "real thing" in art and conservation : proceedings of the international conference held at the University of Glasgow, 6-7 December 2012 / edited by Rebecca Gordon, Erma Hermens and Frances Lennard. - London : Archetype Publications, 2014. - IX, 214 s. : il. (gł. kolor.) ; 25 cm.

Autor

Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation

Temat

Sztuka

Gatunek

Materiały konferencyjne.

Indeks R0: BMNK

Bibliogr. przy ref.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: sygn. II 31639 (1 egz.)