Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Bushart Magdalena (1957- ). Intermedialitat um 1500. Wechselwirkungen zwischen Druckgraphik und Malerei in der Kunst der Durerzeit
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Emmerling Erwin (1952- )
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Gruber Christian (1939- )
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Jaeger Susanne (1964- )
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Jurgens Christian. Die Leipziger Gliederpuppe des Meisters IP. Naturwissenschaftliche Untersuchungen
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Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Kocsis Alexandra. Parallelfaltenstil und partielle Polychromie. Zur innovativen Formensprache des Meisters HL
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Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
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Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
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Kuhlenthal Michael. Lustrieren lasieren lackieren. Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
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Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
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Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Pelludat Inga. Das Cuivillies-Theater in Munchen
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Pelludat Inga. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Richter Jan Friedrich (1969- )
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Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
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Richter Mark. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
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Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
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Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddaus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
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Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
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Richter Mark. Coloured glazes on metal leaf: definition and terminology
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Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Richter Mark. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Richter Mark. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773)
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Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany Austria and Switzerland (c. 1600-1780)
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Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
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Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomunster
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Richter Mark. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
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Richter Mark. The red glazed drapes in the Cuivillies-Theatre: results of the scientific examination
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Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Schafer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections
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Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl Bad Wiessee
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Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773)
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Soding Ulrich (1957- ). Faltenkunst um 1500. Naturstudium Expressionismus und individuelle Manier
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Stadlober Margit. Strukturismus - ein Vorschlag zur Neubenennung des Donaustils
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Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Trinkert Julia (1983- )
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Trinks Stefan. Sonnenuntergang als pathosformel. Erscheinungsformen eines expressiven Stilmittels bei Altdorfer Durer und Manuel gen. Deutsch
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Tripps Johannes (1962- ). Zwischen Imagination und Wirklichkeit. Reflexe liturgischen Spiels in den Architekturzeichnungen Wolf Hubers
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Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Vlachos Stavros. Forcierte Lichtwirkungen in Darstellungen der Auferstehung Christi um 1500
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Weniger Matthias (1962- ). Monochromie als Anstoβ zur Entwicklung einer neuen Formensprache. Die Fantastischen Welten und die Thesen von Michael Baxandall
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Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sunching
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Weymann Elisabeth. Die Gliederpuppen des Meisters IP. Ein skulpturales Erbe der Proportionslehre Albert Durers
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Wolf Stefan. Das Cuivillies-Theater in Munchen
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