Baija Hubert (1953- )
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Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents
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Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Berg Klaas Jan van den (1964- ). Modern oil paints
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Birkenbeul Ina. Consolidation of flaking paint and ground
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Bisacca George. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Consolidation of flaking paint and ground
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Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
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Bolnes Catharina (1631-1687). The estate inventory of Catharina Bolnes
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Bomford David. Foreword
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Bomford David. Picture cleaning: positivism and metaphysics
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Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
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Bouvier Pierre (tłumacz)
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Breare Caitlin. The technical examination and documentation of easel paintings
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Buck Susan L. Cross-section microscopy analysis and fluorescent staining
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Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
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Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Cornelis Bart. Musical appeal
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Cross Maureen. History and use of panels or other rigid supports for easel paintings
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Cushman Matthew. Aqueous methods for the cleaning of paintings
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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DeGhetaldi Kristin. Recommending materials to artists
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Dibbits Taco (1968- ). Foreword
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Digney-Peer Shawn. The imitative retouching of easel paintings
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Druzik James. The lighting of easel paintings
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Duijn Esther Emmy van (1973- )
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Emmerling Erwin (1952- )
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Filedt Kok Jan Piet (1943- )
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Finn Clare. Written documentation for paintings conservation
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frissen Bente. Johannes Vermeer. List of works with provenance and literature
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Fuster-López Laura. Filling
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gottsegen Mark D. Recommending materials to artists
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Gottsegen Mark D. Twentieth-century grounds
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Gritt Stephen. The imitative retouching of easel paintings
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Gruber Christian (1939- )
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Hackney Stephen. Lining easel paintings
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
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Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art
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Hutchings Jeremy. The sustainable conservation management of exhibitions
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Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Katlan Alexander. History of fabric supports
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Keune Katrien. Research into and analysis of the materials of easel paintings
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Klein Peter. History and use of panels or other rigid supports for easel paintings
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Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
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Kneepkens Indra (1979- )
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Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
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Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
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Kuhlenthal Michael. Lustrieren lasieren lackieren. Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
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Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
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Learner Thomas J. S. Modern paints
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Lee Judith. Modern oil paints
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Lee Judith. Removal of varnish: organic solvents as cleaning agents
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Levenson Rustin S. (1947- ). Emergency preparedness and recovery
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Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
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