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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Clarricoates Rhiannon
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Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Dowding Helen
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Gent Alexandra
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Keith Larry
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Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Lee Judith. Colour change and modern paints; an overview
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Ormsby Bronwyn. Colour change and modern paints; an overview
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Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
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Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Sheldon Libby. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Spring Marika. Fading darkening browning blanching: a review of our current understanding of colour change and its consequences in old master paintings
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Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Syson Luke
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Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Townsend Joyce H. Microfading: a useful tool for paintings conservators?
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Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Wadum Jorgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 18319 (1 egz.)
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Autor
Clarricoates Rhiannon. Dowding Helen. Gent Alexandra. Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Keith Larry. Colour change and restoration Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Lee Judith. Colour change and modern paints; an overview Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Ormsby Bronwyn. Colour change and modern paints; an overview Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Rae Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Sheldon Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Spring Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Townsend Joyce H. Microfading: a useful tool for paintings conservators? Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Wadum Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Indeks R0: BMNK
Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
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1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 31511 (1 egz.)
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