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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
(2)
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5 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 17987 (1 egz.)
Książka
W koszyku
Autor
Frings Jutta (1963- ). Willinghöfer Helga. Giardina Andrea (1949- ). Römische Identität Gros Pierre (1939- ). Stadt und die Organisation des Reichsgebietes Scheid John. Religionen der Römer in der Kaiserzeit Cosme Pierre (1965- ). Römische Armee an der Peripherie des Reiches Cosme Pierre (1965- ). Donauprovinzen Peška Jaroslav (1960- ). Königsgrab der älteren Römischen Kaiserzeit bei Mušov in Südmähren/Tschechische Republik Fischer Thomas. Römische Grenze gegen die Germanen in den germanischen Provinzen, Raetien und Nordicum vom 1. bis zum 3. Jahrhundert n. Chr. Schuster Jan. Germanen zwischen Rhein und Weichsel in der älteren Kaiserzeit (1. und 2. Jahrhundert n. Chr.) Bemmann Jan (1961- ). Jüngere Römische Kaiserzeit zwischen Rhein und Weichsel Mączyńska Magdalena (1945- ). Frühvölkerwanderungszeitliche Hortfund aus Łubiana, Kr. Kościerzyna (Pommern) Kasprzycka Maria. Gräberfeld von Weklice (Polen) Stasiełowicz Grzegorz. Gräberfeld von Weklice (Polen) Van Ossel Paul (1954- ). Siedlungsformen der Germanen Carnap-Bornheim Claus von (1957- ). Krieg in der germanischen Gesellschaft Becker Mathias. Germanische Fürstengrab von Gommern Simek Rudolf (1951- ). Religion der Germanen - Literarische Quellen Bemmann Jan (1961- ). Opferplätze und -funde im mittel- und nordeuropäischen Barbaricum Bursche Aleksander (1956- ). Entwicklung der Handelsbeziehungen zwischen Rom und den Barbaren Chauvot Alain. Römischen Barbarendarstellungen Janniard Sylvain. Militärische Krise des Reiches von Decius bis Probus (251-282) Rivière Yann. Stabilisierung des Römischen Reiches Heather Peter J. (1960- ). Konsolidierung des Limes Halbertsma Ruurd (1958- ). Helm von Deurne (Niederlande) Lee Alan Douglas (1958- ). Diplomatie zwischen Rom und den Barbaren Cracco Ruggini Lellia (1931- ). Römer und Barbaren in der Spätantike Harmony Durofil Héloïse (1970- ). Barbarische Machtgruppen im 4. Jahrhundert Modéran Yves (1955-2010). Kontrollierte Einwanderung von Barbarengruppen in das Römische Reich Quast Dieter (1963- ). Fund von Wolfsheim Stickler Timo (1971- ). Hunnen in Asien Schmauder Michael Rudolf Wilhelm (1964- ). Hunnen "Ut turbo montibus celsis - gleich dem Wirbelwind aus den hohen Bergen" Heather Peter J. (1960- ). Wanderung der Goten Roberto Umberto (1969- ). Theodosius und die Barbaren Salamito Jean-Marie. Plünderung Roms (410) und die Reaktion der Zeitgenossen Vannesse Michaël (1980- ). Zerfall der Grenzen im Westen Zecchini Giuseppe (1952- ). Attila und das Reich der Hunnen Tomka Péter (1940- ). Hunnische Fundkomplex von Pannonhalma (Ungarn) Gabuev Tamerlan Aleksandrovič. Hunnenzeitliches Fürstengrab aus dem Kaukasusgebiet Pilet Christian. Schatz von Airan/Moult, Département Calvados (Normandie) Rettner Arno (1963- ). Romanen des 5. und 6. Jahrhunderts in Deutschland unter besonderer Berücksichtigung von Südbayern Ivanišević Vujadin (1958- ). Nördliche Illyrien im 5. und 6. Jahrhundert Kazanski Michel. Nördliche Illyrien im 5. und 6. Jahrhundert Quast Dieter (1963- ). Pannonien im 5. Jahrhundert Oanţă-Marghitu Rodica. Nekropole von Apahida (Rumänien) Stuppner Alois. Oberleiserberg bei Ernstbrunn - ein Herrschaftszentrum des 5. Jahrhunderts n. Chr. im mittleren Donauraum Ajbabin Aleksandr Il'ič. Krim in der Spätantike (Ende 4.-6. Jahrhundert) Zaseckaâ Irina Petrovna. Bosporus (Kerč) in der Zeit der Völkerwanderung Motta Daniela (1970- ). Untergang des Weströmischen Reiches (455-476 n. Chr.) Goltz Andreas (1970- ). Barbarische "Kaisermacher" und das Weströmische Reich Dumézil Bruno (1976- ). Bekehrung der Barbaren Delogu Paolo (1940- ). Neuen römisch-barbarischen Königreiche Brogiolo Gian Pietro (1946- ). Reich der Ostgoten in Italien Aimone Marco. Schatz von Desana (Italien) Porena Pierfrancesco (1968- ). Theoderich der Grosse in Italien Sotinel Claire. Arianismus und Katholizismus in Ravenna Glaser Franz (1950- ). Goten und der Arianismus im Alpen-Adria-Raum Moreau Dominic (1978- ). Diplomatischen Bezichungen zwischen den Barbarenherrschern und dem Bischof von Rom Gillett Andrew. Diplomatische Dokumente aus den barbarischen Königreichen Gillett Andrew. Diplomatie zwischen den barbarischen Königreichen und Konstantinopel Youinou Frédéric (1977- ). Rex und sein Hofstaat in den romano-barbarischen Königreichen (5.-7. Jahrhundert) Brogiolo Gian Pietro (1946- ). Städte auf dem Territorium der barbarischen Königreiche (5.-7. Jahrhundert) Augenti Andrea (1964- ). Ravenna, die Hauptstadt der Ostgoten Lizzi Testa Rita. Christentum und die Kultur der Spätantike Cavallo Guglielmo (1938- ). Schriftwesen und Buchkultur bei Römern und Barbaren Orlandi Silvia. Epigraphik der römisch-barbarischen Zeit Gregori Gian Luca. Epigraphik der römisch-barbarischen Zeit Le Jan Régine (1945- ). Römisch-barbarische Familie Huck Olivier. Gesetzgebung der Barbaren Arslan Ermanno A. Wirtschaft, Steuern und Münzwesen in den römisch-barbarischen Königreichen Dumézil Bruno (1976- ). Kirche in den neuen Königreichen Azzara Claudio (1964- ). Mönchtum Delogu Paolo (1940- ). Auf dem Weg zu einem grösseren Europa Pohl Walter (1953- ). Barbarische Identität und Ethnogenese
Indeks R0: BMNK
Bibliogr. s. 314-331.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 22326 (1 egz.)
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(ICOMOS, Hefte des Deutschen Nationalkomitees ; 40)
Autor
Borig Janelle. Schädler-Saub Ursula (1955- ). Ziesemer John (1965- ). Basile Giuseppe (1942-2013). La restituzione del testo pittorico nel ciclo di Giotto alla Capella Scrovegni a Padova e nei dipinti murali della Basilica Superiore di San Francesco in Assisi Baumer Ursula. Stabilität und Wiederablösbarkeit von Retuschen auf Gemälden - eine Betrachtung aus materialtechnischer Sicht Brajer Isabelle. Dilemmas in the restoration of wall paintings: conflicts between ethics, aesthetics, functions and values illustrated by examples from Denmark Brambilla Barcilon Pinin. Il trattamento delle lacune, un esempio attuale: il restauro del Cenacolo Ciatti Marco (1955- ). Il Laboratorio di Restauro della Fortezza da Basso a Firenze e gli sviluppi della metodologia del restauro di Umberto Baldini. Esempi attuali di restauro pittorico dei dipinti mobili Goltz Michael von der (1956- ). Überlegungen zum Umgang mit historischen Ergänzungen und Retuschen in der Gemälderestaurierung Hack Ute. Ästhetische Ansprüche an eine Restaurierung: Wunsch und Wirklichkeit Hartwieg Babette (1958- ). Heile Welt? Die Präsentation fragmentierter Kunstwerke im Museum - Vier Beispiele aus dem Niedersächsischen Landesmuseum Hannover Heimberg Bruno. Die Restaurierung der Münchener Dürer-Gemälde nach dem Säureattentat von 1988 Jakobs Dörthe (1959- ). Zur Präsentation fragmentarisch überlieferter Wandmalerein ind Raumfassungen Koller Johann. Stabilität und Wiederablösbarkeit von Retuschen auf Gemälden - eine Betrachtung aus materialtechnischer Sicht Koller Manfred (1941- ). Fragment und Alterswert - zum Ästhetizismus in Restaurierung und Denkmalpflege seit dem 18. Jahrhundert Lanfranchi Mariarosa (1962- ). La "riscoperta" di due facciate rinascimentali fiorentine. Recenti esperienze dell'Opificio delle Pietre Dure nel trattamento delle lacune per le pitture murali e decorazioni affini Lipp Wilfried. "In restauro" - Assoziationen zu einer Metapher Nejedlý Vratislav. Zur Entwicklung der Gemälderetusche in den tschechischen Ländern im 20. Jahrhundert Parronchi Agnese (1957- ). Prioritá conservative nel restauro monumentale e loro incidenza estetica Perusini Giuseppina. Il dibattito sulla reintegrazione della scultura lignea policroma dal 1950 ad oggi ed i restauri italiani Pursche Jürgen (1943- ). Edelmetall, Buntmetall - Altmetall? Die Restaurierungsproblematik metallischer Fassungen auf Stuck Reichwald Helmut F. (1937-2014). Kriegszerstörte Kirchen in Nowogrod und Umgebung - Beispiele zum Umgang mit Wandmalereifunden Ringer Cornelia. Grau im Hier und Jetzt oder "Rückkehr ins Mittelalter"? Ergebnisse der restauratorischen Untersuchung des Rosenheimer Altaraufsatzes Schädler-Saub Ursula (1955- ). Italia und Germania: die italienischen Restaurierungstheorien und Retuschiermethoden und ihre Rezeption in Deutschland Schaible Volker. Das Maschinenzeitalter in der Gemälderestaurierung Springob Caroline. Der Weissenburger Altar im Bayerischen Nationalmuseum, seine Restaurierung und Präsentation unter ästhetischen Gesichtspunkten Tomaszewski Andrzej (1934-2010). Ars Perennis: Autor - Kunstwerk - Restaurator Trampedach Kirsten. Treatment and presentation of fragmentary medieval wall paintings in Denmark Treek Peter van. Aktuelle Entwicklungen bei der Präsentation fragmentarisch überlieferter Glasmalereien und Mosaiken Weskott Hanne. Alles nur Fassade: der Einfluss von Zeitgeschmack und Gegenwartskunst auf die Restaurierungsästhetik
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 26532 (1 egz.)
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
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Bibliogr. s. 765-866. Indeks.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: sygn. III 23047 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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