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Biblioteka Muzeum Narodowego
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Berger Friederike. The art of clothing oneself must be popularized: the artistic reform dress as an ideal an aesthetic and consumer culture
(1)
Biger Pierre-Henri. Vrais et faux langages de l'eventail
(1)
Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform
(1)
Bucher Danijela (1978- )
(1)
Calonder Nikkibarla. Lagerund und Ausstellung von Fachern im Schweizerischen Nationalmuseum. Ein Erfahrungsbericht
(1)
Chery Aurore (1982- ). Iconographie des reines sur les eventails et les ecrans a mains dans la France du XVIIIe siecle. Marie Leszczynska et Marie-Antoinette
(1)
Cugy Pascale (1984- ). La Dame paroist badiner avec son Eventail gu'elle porte au coin de sa bouche. Les eventails dans la gravure de mode sous Louis XIV
(1)
Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated
(1)
Dutoit Genevieve. Les eventails decores avec des euvres d'Angelica Kauffmann a la fin du XVIIIe siecle
(1)
Ewers-Schultz Ines
(1)
Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear
(1)
Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900
(1)
Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau
(1)
Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume
(1)
Fleischmann-Heck Isa. Facher des 18. Jahrhunderts mit Spitzendekor. Modische accessories und transferobjekte
(1)
Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900
(1)
Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900
(1)
Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network
(1)
Hahn Juliane. Skirt and rib: bodies in the gaze
(1)
Hassard Kirsty. Martha Gamble Sarah Ashton and their contemporaries. Female fan makers and publishers in eighteenth-century London
(1)
Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk
(1)
Holzhey Magdalena
(1)
Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation
(1)
Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences
(1)
Kammerl-Baum Christl. Bildersprache auf Fachern. Uberlegungen zu ikonografischen und formalen Aspekten anhand von Alexander- und Coriolanus-Darstellungen
(1)
Keller Isabel (1986- ). Lagerund und Ausstellung von Fachern im Schweizerischen Nationalmuseum. Ein Erfahrungsbericht
(1)
Kitson Mary. Typical imagery of the Grand Tour Fan Leaf
(1)
Krellig Heiner. Souvenir der Grand Tour. Ein Facher mit einer Erinnerung an Venedig
(1)
Lam Suet May. From ephemeral to eternal. Unfolding early modern 'fashion' for Asia
(1)
Letourmy-Bordier Georgina (1973- ). De Coriolan a la rosiere de Salency. Les nouveaux heros et l'incarnation de la vertu representes sur les eventails au XVIIIe siecle
(1)
Lindberg Steven
(1)
Neumann Antje (1974- ). The fairies have strewn flowers along the way: the textile designer and Gesamtkunstler Henry van de Velde and his Weimar circle
(1)
Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform
(1)
Reichardt Rolf. Bildkompositionen revolutionarer Faltfacher in Frankreich (1789-1794)
(1)
Ruppen Fabienne
(1)
Saunders Bronwen
(1)
Scheer Thorsten (1961- ). Deeds not words: on the political iconography of women's dress
(1)
Semal Mathilde. L'indispensable monture de l'eventail veritable attribut social? La richesse des montures de la collection Preciosa (Musee Art & Histoire Bruxelles)
(1)
Thonnissen Karin (1951- ). The Omega Workshops: painting in space
(1)
Volmert Miriam
(1)
Volmert Miriam. Introduction
(1)
Volmert Miriam. Ruins to take away. Roman Grand Tour Fand and eighteenth-century souvenir culture
(1)
Voltz Yolaine. Principes generaux et particularites de la restauration d'eventails
(1)
Wynne Christopher
(1)
Rok wydania
2020 - 2024
(1)
2010 - 2019
(1)
Kraj wydania
Niemcy
(2)
Język
angielski
(2)
Temat
Ubiór
(2)
Kaiser Wilhelm Museum
(1)
Secesja
(1)
Tkaniny
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Wachlarz
(1)
Temat: czas
1801-
(1)
1901-
(1)
2001-
(1)
Gatunek
Katalogi wystaw
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2 wyniki Filtruj
Książka
W koszyku
Autor
Ewers-Schultz Ines. Holzhey Magdalena. Lindberg Steven. Saunders Bronwen. Wynne Christopher. Berger Friederike. "The art of clothing oneself must be popularized": the artistic reform dress as an ideal, an aesthetic, and consumer culture Brandstätter Christian (1943- ). The Wiener Werkstätte and the fashion reform Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated Ewers-Schultz Ines. "Antineutral clothing for men": the artistic reform of men's wear Ewers-Schultz Ines. The dress as a work of art, beauty as a weapon, and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900 Ewers-Schultz Ines. "The essential thing is the individual adaptation to the wearer": Anna Muthesius's Das Eigenkleid der Frau Ewers-Schultz Ines. "The highest intelligence in the freest body!": modern dance as a symbiosis of body and costume Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900 Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and "new style" in women's clothing around 1900 Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network Hahn Juliane. Skirt and rib: bodies in the gaze Heiser Christiane (1970- ). "A miracle how preciously the people here understand their work in silk": Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk Holzhey Magdalena. "Since not all women, even if they have taste, are able to invent suitable ornaments": women and their clothes between decoration and emancipation Holzhey Magdalena. "The artistic elevation of women's dress": Krefeld 1900 and its consequences Neumann Antje (1974- ). "The fairies have strewn flowers along the way": the textile designer and Gesamtkünstler Henry van de Velde and his Weimar circle Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform Scheer Thorsten (1961- ). "Deeds not words": on the political iconography of women's dress Thönnissen Karin (1951- ). The Omega Workshops: painting in space
Indeks R0: BMNK
Publ. tow. wystawie: "Tailored for freedom : the artistic dress around 1900 in fashion, art and society", Kunstmuseen Krefeld, Kaiser Wilhelm Museum, October 12, 2018-February 24, 2019.
Bibliogr. w przypisach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24027 (1 egz.)
Książka
W koszyku
Autor
Bucher Danijela (1978- ). Ruppen Fabienne. Volmert Miriam. Biger Pierre-Henri. Vrais et faux langages de l'éventail Calonder Nikkibarla. Lagerund und Ausstellung von Fächern im Schweizerischen Nationalmuseum. Ein Erfahrungsbericht Chéry Aurore (1982- ). Iconographie des reines sur les éventails et les écrans à mains dans la France du XVIIIe siècle. Marie Leszczynska et Marie-Antoinette Cugy Pascale (1984- ). "La Dame paroist badiner avec son Eventail gu'elle porte au coin de sa bouche." Les éventails dans la gravure de mode sous Louis XIV Dutoit Geneviève. Les éventails décorés avec des œuvres d'Angelica Kauffmann à la fin du XVIIIe siècle Fleischmann-Heck Isa. Fächer des 18. Jahrhunderts mit Spitzendekor. Modische accessories und transferobjekte Hassard Kirsty. Martha Gamble, Sarah Ashton and their contemporaries. Female fan makers and publishers in eighteenth-century London Kammerl-Baum Christl. Bildersprache auf Fächern. Überlegungen zu ikonografischen und formalen Aspekten anhand von Alexander- und Coriolanus-Darstellungen Keller Isabel (1986- ). Lagerund und Ausstellung von Fächern im Schweizerischen Nationalmuseum. Ein Erfahrungsbericht Kitson Mary. Typical imagery of the Grand Tour Fan Leaf Krellig Heiner. Souvenir der Grand Tour. Ein Fächer mit einer Erinnerung an Venedig Lam Suet May. From ephemeral to eternal. Unfolding early modern 'fashion' for Asia Letourmy-Bordier Georgina (1973- ). De Coriolan à la rosière de Salency. Les nouveaux héros et l'incarnation de la vertu représentés sur les éventails au XVIIIe siècle Reichardt Rolf. Bildkompositionen revolutionärer Faltfächer in Frankreich (1789-1794) Semal Mathilde. L'indispensable monture de l'éventail, véritable attribut social? La richesse des montures de la collection Preciosa (Musée Art & Histoire, Bruxelles) Volmert Miriam. Introduction Volmert Miriam. Ruins to take away. Roman Grand Tour Fand and eighteenth-century souvenir culture Voltz Yolaine. Principes généraux et particularités de la restauration d'éventails
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34910 (1 egz.)
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