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Albrecht Florian. Dischpleter giessen. Kunsttechnologische Studien zu Herstellungsverfahren fur farbige Steinimitationen aus Holzspanen
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Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
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Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
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Anglos D. Integrated approach to the study and preservation of painting using laser light technology
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Anselmi C. Modern painted palimpsests
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Arenas Alatorre Jesus. Material study of the Codex Colombino
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Baglioni P. Maya mural paintings in Calakmul
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Bailey Gregory H. Designing nature
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Bartoll Jens (1968- ). Uber den Informationsgehalt instrumenteller Analyse. Ein Fallbeispiel aus der Roentgen-Werkstatt
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Basile Giuseppe (1942-2013). Burri project
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Baumer Ursula
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Bellucci Roberto. Underdrawing in paintings
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Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
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Berrie Barbara Hepburn. Vibrant surface
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Bommel Maarten R. van
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Bommel Maarten R. van. (Ultra) high performace liquid chromatography. Full characterisation of organic colorants
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Bommel Maarten R. van. After the fact
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Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Bommel Maarten R. van. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
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Bommel Maarten R. van. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains
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Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Boonstra Jaap. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
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Broschke Grit. Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben. Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertafelung der Gebruder Spindler im Potsdamer Neuen Palais
(1)
Broschke Ralf. Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben. Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertafelung der Gebruder Spindler im Potsdamer Neuen Palais
(1)
Brunetti Brunetto Giovanni
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Brunetti Brunetto Giovanni. Colours of indigenous memory
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Bruys Pol. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century
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Buti David. Colours of indigenous memory
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Carrasco Vargas R. Maya mural paintings in Calakmul
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Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
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Casadio Francesca. Vibrant surface
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Castro Rita. Colour in medieval Portuguese manuscripts
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Chastang Yannik. Maintaining the colour. 18th century marquetry discolouration and historical furniture finishes in France
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Chelazzi David. Maya mural paintings in Calakmul
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Chelazzi David. Unveiling the artistic technique of the Florentine Codex
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Chiantore Oscar. Outdoor painted surfaces in contemporary art
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Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
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Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
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Cordeiro Baqueiro M. Maya mural paintings in Calakmul
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Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Crook Jo (1963- ). John Hoyland
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Daffara Claudia. Modern painted palimpsests
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Dahm K. Vibrant surface
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Daveri Alessia. Burri project
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De Cesare G. Burri project
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De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Dietemann Patrick
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Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
(1)
Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Doherty Brenda. Modern painted palimpsests
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Domenici Davide (1968- ). Colours of indigenous memory
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Duin Paul van (1956- ). Fifty shades of brown. How colourful was furniture in the past?
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Eifler Frieder. Das Holz wahrend des Wachsens zu farben. Historische Durchfarbeverfahren an saftfrischem Holz
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Emmerling Erwin (1952- )
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Engelhardt Clara von. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Ernst Richard R. Science and art - my two passions
(1)
Falcón Tatiana. Material study of the Codex Colombino
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Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Fantini Enrica. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains
(1)
Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
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Filtenborg Troels (1951- ). As time passed by came sunset
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Fontana Raffaella. Modern painted palimpsests
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Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
(1)
Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
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Frosinini Cecilia. Underdrawing in paintings
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Fukunaga Kaori. Designing nature
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Gallegos Damasia. Argentinean murals
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Giorgi R. Unveiling the artistic technique of the Florentine Codex
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Glanville Helen. Mens agitat molem
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Gruber Christian (1939- )
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Grzywacz Cecily M. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Hale Charlotte (1959- ). Designing nature
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Heginbotham Arlen. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Hernandez Eumelia. Material study of the Codex Colombino
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Hofenk de Graaff Judith H
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Huber Jurgen. True colours. A quest to find the original appearance of French marquetry on three case studies
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Hughes Gary. From green to black. Revelations of colour in the marquetry of Jean Francois Oeben
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Iazurlo Paola. Burri project
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Janssen Hans (1954- ). After the fact
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Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Magazyn
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Książka
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Są egzemplarze dostępne do wypożyczenia: III 21431 (1 egz.)
Książka
W koszyku
Autor
Michaelsen Hans (1946- ). Albrecht Florian. "Dischpleter giessen". Kunsttechnologische Studien zu Herstellungsverfahren für farbige Steinimitationen aus Holzspänen Bartoll Jens (1968- ). Über den Informationsgehalt instrumenteller Analyse. Ein Fallbeispiel aus der Roentgen-Werkstatt Bommel Maarten R. van. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century Bommel Maarten R. van. (Ultra) high performace liquid chromatography. Full characterisation of organic colorants Bommel Maarten R. van. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains Boonstra Jaap. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century Bruys Pol. Flowers from Holland. Antique Dutch furniture with later added marquetry from the late 19th and early 20th century Broschke Grit. "Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben". Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertäfelung der Gebrüder Spindler im Potsdamer Neuen Palais Broschke Ralf. "Ganz boesiert mit ausgelegter Arbeit von Holz und mit verschiedenen Farben". Rekonstruktionsversuch zur einstigen Farbenpracht einer Vertäfelung der Gebrüder Spindler im Potsdamer Neuen Palais Chastang Yannik. Maintaining the colour. 18th century marquetry discolouration and historical furniture finishes in France Duin Paul van (1956- ). Fifty shades of brown. How colourful was furniture in the past? Eifler Frieder. "Das Holz während des Wachsens zu färben". Historische Durchfärbeverfahren an saftfrischem Holz Engelhardt Clara von. From green to black. Revelations of colour in the marquetry of Jean François Oeben Fantini Enrica. Unravelling the colour palette. The reconstruction and analysis of synthetic colour stains Grzywacz Cecily M. From green to black. Revelations of colour in the marquetry of Jean François Oeben Heginbotham Arlen. From green to black. Revelations of colour in the marquetry of Jean François Oeben Huber Jürgen. "True colours". A quest to find the original appearance of French marquetry on three case studies Hughes Gary. From green to black. Revelations of colour in the marquetry of Jean François Oeben Metcalfe Jack. Synthetic dyestuffs versus historical wood stains. The use of commercially available dyed veneers on the replica of the Diana and Minerva commode by Thomas Chippendale Michaelsen Hans (1946- ). "Dischpleter giessen". Kunsttechnologische Studien zu Herstellungsverfahren für farbige Steinimitationen aus Holzspänen Michaelsen Hans (1946- ). Gestocktes Holz - spalted wood. Verwendung pilzmodifizierter Hölzer als farbiges Gestaltungsmittel im Kunsthandwerk der Gegenwart Michaelsen Hans (1946- ). "Sechs Kisten Tischlerarbeit von Neuwied". Markieterie- und Färbetechniken am frühklassizistischen Möbelensemble der Roentgen-Werkstatt im Schloss Wörlitz Pape Hans-Werner. "Sechs Kisten Tischlerarbeit von Neuwied". Markieterie- und Färbetechniken am frühklassizistischen Möbelensemble der Roentgen-Werkstatt im Schloss Wörlitz Piening Heinrich (1960- ). From green to black. Revelations of colour in the marquetry of Jean François Oeben Schulz Henrik. Über den Informationsgehalt instrumenteller Analyse. Ein Fallbeispiel aus der Roentgen-Werkstatt Smith Michael. From green to black. Revelations of colour in the marquetry of Jean François Oeben
Indeks R0: BMNK
Bibliogr. s. 302-312.
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Autor
Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Berrie Barbara Hepburn. Vibrant surface Casadio Francesca. Vibrant surface Dahm K. Vibrant surface Strumfels Y. Vibrant surface Tedeschi M. Vibrant surface Walsh John (1937- ). Vibrant surface Bommel Maarten R. van. After the fact Janssen Hans (1954- ). After the fact Spronk Ron (1957- ). After the fact Marte Fernando. Argentinean murals Gallegos Damasia. Argentinean murals Rosado Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Teixeira Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Souza Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Patti Mattia. Modern painted palimpsests Anselmi C. Modern painted palimpsests Doherty Brenda. Modern painted palimpsests Daffara Claudia. Modern painted palimpsests Fontana Raffaella. Modern painted palimpsests Rosi Francesca (1977- ). Burri project De Cesare G. Burri project Iazurlo Paola. Burri project Daveri Alessia. Burri project Vagnini Manuela. Burri project Valentini F. Burri project Basile Giuseppe (1942-2013). Burri project Ormsby Bronwyn. John Hoyland Learner Thomas J. S. John Hoyland Crook Jo (1963- ). John Hoyland Smithen Patricia. John Hoyland Rava Antonio. Outdoor painted surfaces in contemporary art Chiantore Oscar. Outdoor painted surfaces in contemporary art Mirabile Antonio. Elusive nd transitory materials in contemporary drawings Moretti Patrizia. Elusive nd transitory materials in contemporary drawings Presciutti Federica. Elusive nd transitory materials in contemporary drawings
Indeks R0: BMNK
Bibliogr. przy rozdz. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31075 (1 egz.)
Książka
W koszyku
(Studien aus dem Institut für Baugeschichte, Kunstgeschichte, Kunst und Design, Restaurierung mit Architekturmuseum Technische Universität München, Fakultät für Architektur)
Autor
Emmerling Erwin (1952- ). Kühlenthal Michael. Richter Mark. Baumer Ursula. Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Boon Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Dietemann Patrick. Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history Dodinet Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Gruber Christian (1939- ). Grundmann Günther. Horst Jerre van der. Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Keune Katrien. Küffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts Kühlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Kühlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Kühlenthal Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko Kühlenthal Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft Mach Martin. Moser-Seiberl Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee Moser-Seiberl Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Pelludat Inga. Das Cuivilliés-Theater in München Rapp Klaus. Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria) Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland) Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Richter Mark. Coloured glazes on metal leaf: definition and terminology Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Richter Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Richter Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773) Richter Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780) Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Schäfer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773) Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee Stege Heike (1970- ). Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Tucic Vojislav. Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching Wolf Stefan. Das Cuivilliés-Theater in München
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