Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
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Bainbridge Abigail. Preface
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Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
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Baldwin Jessica. Retrieved from the rubble: reconstructing Ireland's lost archive
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Banou Penelope. Oil media on paper: reflections on condition assessment in a new context
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Basilake Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research
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Bennett William (konserwacja książek)
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Bilale Marietta. Capabilities and prospects of radiography for the study of icons
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Bourbopoulou Hrusa. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments
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Bowens Jen. Contemporary paper sculptures and their conservation: an artist survey
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Branopoulou Lena. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Brown David. Retrieved from the rubble: reconstructing Ireland's lost archive
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Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries
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Camerini Ilaria. Red rot and nano collagen: a work in progress research on leather consolidation
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Coppola Floriana. Verba volant scripta manent? (Words fly texts remain?)
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Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George
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Crooks Peter. Retrieved from the rubble: reconstructing Ireland's lost archive
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Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos
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Doulgerides Mihales. Capabilities and prospects of radiography for the study of icons
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Doulgerides Mihales. Identification of the binding media of a Postbyzantine icon using gas-chromatography
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Esser Laura. Paper at a distance: conservation in the time of the COVID-19 pandemic
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Etinhof Olga. The Virgin of Vladimir and the Veneration of the Virgin of Blachernai in Russia
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Fantidou Demetra. The use of holographic methods in the study of the conservation of Byzantine icons
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Fotakes Konstantinos. The use of holographic methods in the study of the conservation of Byzantine icons
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Gordon Dillian. The icon of the Virgin Glykophilousa in the Benaki Museum Athens (inv. no 2972): The Verres Eglomises
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Haritos Apostolos. Capabilities and prospects of radiography for the study of icons
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Helman Susannah. Reconsidering Captain Cook at the National Library of Australia
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Henderson Jane. Inconvenient questions and the question of neutrality
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Hrusoulakes Giannes. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
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Huynh Hoa. Connect conserve and (de)colonise: conservators reflect on the colonial links in W.D. Campbell's Aboriginal carvings
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Ioakeimoglou Elene. Identification of the binding media of a Postbyzantine icon using gas-chromatography
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Jinxiang Qiu. A licence to conserve: cultural diversity as a practical asset in conservation
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Kalavrezou Ioli. Interpreting carving techniques and styles in Steatite icons
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Kalliga Alexandra-Elene
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Kalliga Alexandra-Elene. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Kaminari Agathi Anthoula. Study and documentation of an icon of Saint George by Angelos using infrared reflectography
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Karapanagiotis Ioannis. Analysis of organic and inorganic materials and their application on icons by Angelos
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Kim Meejung (1969- ). A licence to conserve: cultural diversity as a practical asset in conservation
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Knoetze Daniele. Paper at a distance: conservation in the time of the COVID-19 pandemic
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Kosek Joanna M. A licence to conserve: cultural diversity as a practical asset in conservation
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Kouzele Kelle. The icon of the Virgin Glykophilousa (inv. no 2972) in the Benaki Museum: Contribution to the study of the Icon with Optical microscopy scanning elector microscopy and X-Ray microanalysis
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Kusunoki Kyoko. A licence to conserve: cultural diversity as a practical asset in conservation
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Lawler-Dormer Keyeele. Connect conserve and (de)colonise: conservators reflect on the colonial links in W.D. Campbell's Aboriginal carvings
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Lirette Morgane. The role of conservation in the development of the British Library Green Network
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Maguire Henry (1943- ). Observations on the icons of the west facade of San Marco in Venice
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Mahaon-Doulgeride Aggelike. Capabilities and prospects of radiography for the study of icons
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Malea Aikaterine. The mosaic icons in the Xenophontos Monastery Mt Athos: Technological analysis of the Tesserae
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Maniates Giannes. The mosaic icons in the Xenophontos Monastery Mt Athos: Technological analysis of the Tesserae
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Marabini Valentina. A licence to conserve: cultural diversity as a practical asset in conservation
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McGinn Isabelle. Paper at a distance: conservation in the time of the COVID-19 pandemic
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McGuire Claire. Inspiring and informing development: advocating for culture in sustainable development
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Milanou Kalupso. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Milanou Kalupso. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): A Technical analysis
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Miller Ann-Marie. Born in lockdown. Impact heritage: setting up a community interest company to improve diversity and access to funding in the cultural heritage sector
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Minopoulou Elpida. Analysis of organic and inorganic materials and their application on icons by Angelos
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Moutzoures Kuriakos. Capabilities and prospects of radiography for the study of icons
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Mpikiares Demetres. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
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Mponarou Antonia. The use of holographic methods in the study of the conservation of Byzantine icons
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Murray Pamela. Foreword
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Muzart Marya. Conserving Dunhuang manuscripts at the British Library: how do we avoid dissociation?
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Papadopoulou Amalia. The Adventures of a Byzantine Icon from Thessaloniki: Conservational considerations
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Papamastorakes Titos (1961-2010). The Display of accumulated wealth in luxury icons: Gift-giving from the Byzantine aristocracy to God in the twelfth century
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Patnickij Urij A. Two icons of the Virgin Eleousa attributed to Nicolaos Lamboudis of Sparta
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Perdikare Elene. The contribution of digital image-processing to the identification of pigments
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Perdikari Jenny. An alternative approach to the life of the icon The Virgin Kardiotissa
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Popova Ol'ga Sigizmundovna (1938- ). The Icon of Christ Pantokrator in the Byzantine Museum Athens and Byzantine Art of the second quarter of the fourteenth century
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Reid Zoe. Retrieved from the rubble: reconstructing Ireland's lost archive
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Rokofullou Elsa. Capabilities and prospects of radiography for the study of icons
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Sawicki Rachel. Reconsidering Captain Cook at the National Library of Australia
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Sevcenko Nancy Patterson (1939- ). Marking Holy Time: the Byzantine Calendar Icons
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Smirnova Engelina Sergeevna (1932- ). Eleventh-Century Icons from St. Sophia Cathedral in Novgorod and the problem of the Altar Barrier
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Soteropoulou Sofia. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
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Sotiras Matthias. A licence to conserve: cultural diversity as a practical asset in conservation
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Stevens Ruth. Born in lockdown. Impact heritage: setting up a community interest company to improve diversity and access to funding in the cultural heritage sector
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Strate Aggelike. Fourteenth-century Icons in the district of Serres
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Strlic Matija. Verba volant scripta manent? (Words fly texts remain?)
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Stuart John. The Deposition of the Virgin's Sash and Robe the Protection of the Mother of God (Pokrov) and the Blachernitissa
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Tablakes Giannes. Dating of two mosaic icons in the Xenophontos Monastery on Mt Athos
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Terlixe Agne-Basileia. Identification of the binding media of a Postbyzantine icon using gas-chromatography
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Tornare Bibe. The use of holographic methods in the study of the conservation of Byzantine icons
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Tourta Anastasia. The Adventures of a Byzantine icon from Thessaloniki: Artistic considerations
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Watson Ian. Born in lockdown. Impact heritage: setting up a community interest company to improve diversity and access to funding in the cultural heritage sector
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Weiss Carol. A licence to conserve: cultural diversity as a practical asset in conservation
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Zafeiropoulos Basiles. The use of holographic methods in the study of the conservation of Byzantine icons
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