Mixing and matching : approaches to retouching paintings

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Mixing and matching : approaches to retouching paintings / edited by Rebecca Ellison, Patricia Smithen and Rachel Turnbull. - London : Archetype Publications : in association with the Icon Paintings Group : British Association of Paintings Conservator-Restorers (BAPCR), 2010. - IX, 179 s. : il. (gł. kolor.) ; 25 cm.

Autor

Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?

Temat

Malarstwo (szt.plast.)

Gatunek

Materiały konferencyjne.

Indeks R0: BMNK

Status dostępności:

Magazyn

Wszystkie egzemplarze są obecnie wypożyczone: II 31514 (1 egz.)

Strefa uwag:

Uwaga ogólna

Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.

Uwaga dotycząca bibliografii

Bibliogr. przy ref.