Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Baatz Wolfgang. Studying the artistic process
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Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Bargellini Clara. Painting on copper in Spanish America
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Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
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Barrett Sylvana. An integrated approach for the study of painting techniques
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Bartova Katerina (1987- ). Restoration of book torsos
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Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Bernard Gabriel. International Klein Blue a reconstruction
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Bizoń Katarzyna. Riddles of the Greek Catholic church
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Bogdanowska Monika (1962- )
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Botz Alexandra. Restoration of the Salviati Chandelier
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Boust Clotilde. To acquire a good name
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Bowron Edgar Peters (1943- ). Brief history of European oil paintings on copper 1560-1775
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Brookes Anna. De/re-constructing Turner for research projects at Tate
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Bucklow Spike. Impossible recipes
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Burgio Lucia. To acquire a good name
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Casanova Conseicao. Study of Portugese 18th-century manuscript
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Caspers Charlotte. De/re-constructing Turner for research projects at Tate
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
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Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
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Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Darrah Josephine A. Connections and coincidences: three pigments
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De Angelis Roberta. Tracing the history of wall paintings through visual documents
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Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology
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Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Doherty Tiarna. Oudry's painted menagerie
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Dubois Helene. Master's own hand?
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Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas
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Esquivel Alvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Eyb-Green Sigrid. Studying the artistic process
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Fardi Theodora. Tracing the history of wall paintings through visual documents
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Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Federspiel Beate Knuth. Questions about medieval gesso grounds
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Fekete Dóra. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Fiam Judit. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Freitas Ana. Study of Portugese 18th-century manuscript
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Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years
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Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s
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Glanville Helen. Varnish grounds viewing distance and lighting: some notes on seventeenth-century Italian painting technique
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Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology wood identification and state of preservation
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Gonzales Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Grabowska Joanna. Moisture in historical architectural structures
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Grachyova Ekaterina. Conservation of the icon Baptism
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Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903)
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Hackney Stephen. De/re-constructing Turner for research projects at Tate
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Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s)
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Hermens Erma (1958- ). En plein soleil
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Horovitz Isabel. Materials and techniques of European paintings on copper supports
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Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel Winchester Cathedral
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Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections
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Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique
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Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique
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Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest
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Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Katz Melissa R. William Holman Hunt and the Pre-Raphaelite technique
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Kirby Jo. Paul Delaroche: a case study of academic painting
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Kitlitschka Werner (1938- ). Studying the artistic process
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Komanecky Michael K. Artists' views of the miner's world
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Korza Eugine. Conservation of the icon Baptism
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Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kowalik Anna (sztuka). Taxidermy in contemporary art
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Kroustallis Stefanos. Art for war
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Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze Christ Enters Jerusalem vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project
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Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase
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Kutzke Hartmut. A la recherche du pigment perdu
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Kyllonen-Kunnas Paivi. Challenging the material
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Lautenschlager Manfred. Virtues and vices in late medieval art productions
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Lerwill Andrew. De/re-constructing Turner for research projects at Tate
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Lopes Joao A. Copper pigments in medieval times
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Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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MacDonald Margaret F. (1944- ). En plein soleil
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Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap
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Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate
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Marecka Agnieszka. Pastel - an object with specific needs
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