Alexander Jonathan James Graham (1935- ). Homeless and marginalised: a leaf from the Ghistelles Hours
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Augustyn Wolfgang (1957- )
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Augustyn Wolfgang (1957- ). Wie man Geschichte erfindet: Der Friede von Venedig (1177) im Bild - Realitat und politische Projektion
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Ayers Tim (1958- ). Collegiate identity and the art of Lancastrian reform: The stained glass of Merton College Oxford in the early fifteenth century
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Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Bartova Katerina (1987- ). Restoration of book torsos
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Baxter Ron. Speech and writing in the Gospels of Matilda of Canossa
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Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Bernard Gabriel. International Klein Blue a reconstruction
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Berthod Bernard (1952- ). L'apparition de la dentelle ecclesiastique l'exemple des rochets de Saint Francois de Sales
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Bestle-Hofmann Verena (1982- ). Eine typologisch instrumentierte Bilderfolge zum Leben des heiligen Benedikt
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Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Bickley Anthea. The Bal Blanc held at Cliffe Castle on December 19th 1884
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Bizoń Katarzyna. Riddles of the Greek Catholic church
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Bogaerts Ilse. Uniforms and beyond
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Bogdanowska Monika (1962- )
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Botz Alexandra. Restoration of the Salviati Chandelier
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
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Buran Dusan (1969- ). The Crucifixion in Kezmarok - a little-known masterpiece by Master Paul of Levoca
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Canevari Angiola. Un disegno licenzioso di Pietro Testa: gli amori di pan e venere
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Cannon Joanna (1951- ). An enigmatic Italian panel painting of the Crucifixion in the Narodni galerie Prague
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Carque Bernd (1967- ). Historisches Erzahlen fur den Konigshof. Zum Verhaltnis von Stil und Geschichtskultur in Jean Fouquets Grandes Chroniques de France
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Cavazzini Patrizia. Il modello dei Baccanali nel collezionismo Romano del Seicento. Antonio Barberini dosso dossi e il camerino della pittura di Alfonso I d'Este
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Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
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Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
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Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
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Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
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Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow
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Cleaver Laura. Marginal imagery in Ralph de Diceto’s History
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Cockx Romy. Introduction: Fashion Museum of Hasselt - MMH
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Coldstream Nicola. Eleanor of Castile and the New Jerusalem
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Coppens Marguerite. Les meandres d'une reconversion. La dentelle d'Alencon 1830-1850
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Dahren Lena. Folklore bobbin made borders compared to bobbin made borders and edgings of gold and silver in the Fashion of Early Modern Time
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Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology
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Demoen Eve. Introduction: Fashion Museum of Hasselt - MMH
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Doleżyńska-Sewerniak Ewa (1977- )
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Doleżyńska-Sewerniak Ewa (1977- ). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research
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Doleżyńska-Sewerniak Ewa (1977- ). The painting workshop of Szymon Czechowicz (1689-1775) - selected issues
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Doleżyńska-Sewerniak Ewa (1977- ). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
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Doleżyńska-Sewerniak Ewa (1977- ). Warsztat Szymona Czechowicza (1689–1775) – wybrane zagadnienia
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Doyle Kathleen (1958- ). Bernard of Clairvaux's Apologia as a work of Medieval rhetoric
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Ebert-Schifferer Sybille (1955- )
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Esgain Caroline. Dentelles anciennes dentelles mecaniques et tulle Robes habillees des annees 1950 et 1960 au Musee du Costume et de la Dentelle
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Esquivel Alvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Farinella Vincenzo (1957- ). I Baccanali di Alfonso I d'Este
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Fekete Dóra. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Fiam Judit. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Fitta-Spelina Agnieszka. Architect's workshop. A new object and a historic building - similarities and differences in project work
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Fitta-Spelina Agnieszka. Warsztat architekta. Obiekt nowy a obiekt zabytkowy – podobieństwa i różnice w pracy projektowej
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Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Fusconi Giulia. Un disegno licenzioso di Pietro Testa: gli amori di pan e venere
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Gandin Alice (1973- ). Les Lefebure artistes et industriels de la dentelle - 1829-1932
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Gastel Joris van (1977- ). Titian's tenderness in translation. The sculpted putto between Rome Antwerp and Amsterdam
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Gauthier Catherine (1979- ). Les costumes de Manneken-Pis. Histoire et conservation d'une collection insolite au Musee de la Ville de Bruxelles
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Giełdoń-Paszek Aleksandra (1961- ). Around the didactic aspects of the artist's workshop carving in wood
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Giełdoń-Paszek Aleksandra (1961- ). Wokół zagadnień dydaktyki warsztatu artysty rzeźbiącego w drewnie
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Ginzburg Carignani Silvia (1962- ). La prima riscoperta dei Baccanali: il ruolo di annibale carracci e di Giovanni Battista Agucchi
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Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology wood identification and state of preservation
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Gonzales Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Grabowska Joanna. Moisture in historical architectural structures
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Grachyova Ekaterina. Conservation of the icon Baptism
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Grant Lindy (1952- ). Gold bezants on the altar: Coronation imagery in the Bibles Moralisees
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Grant Lindy (1952- ). Time and the princess: salvation history in the Psalter of Blanche of Castile
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Grochowska-Angelus Anna. Obrazy i ich ramy. Rola artysty w wyborze opraw
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Grochowska-Angelus Anna. Paintings and their frames. The role of artists in choosing them
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Hackspiel-Mikosch Elisabeth. Politics of lace: the trousseau of Archduches Maria Josepha (1719)
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Hamburger Jeffrey F. (1957- ). Bloody Mary: traces of the peplum cruentatum in Prague - and in Strasbourg?
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Heffernan Sandra. Capturing and promoting transparency in lace
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Henwood-Nivet Sophie. Creer la dentelle: l'exemple d'Henry Ball esquisseur en dentelle a Calais dans les annees 1920
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Hlavackova Konstantina. La dentelle en Republique tcheque: etat des lieux et bref apercu historique
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Hobelleitner David Franz. Papstreihen als visualisierte Vergangenheit
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Holzmeier Nadine. Historiographie und Kartographie. Jerusalem und Rom in der Chronologia magna des Paolino Veneto
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Ivo Sigrid (1961- ). Lace fashion and transparency: it is all in the bag. A stroll through the collection of the Museum of Bags and Purses (Tassenmuseum Hendrikje)
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Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections
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Jasiński Mateusz. Caravaggistic revolution in the way of building the picture
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Jasiński Mateusz. Rewolucja caravaggionistyczna w sposobie budowania obrazu
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Joosten Andrea (1968- ). The art of lace: a 17-th century Italian pattern book in the library of the Hamburger Kunsthalle
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Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique
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Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique
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Kaczmarska Małgorzata. Impact of new technologies on the practice of an artist based on David Hockney's work and the author's own experience as a painter
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Kaczmarska Małgorzata. Wpływ nowych technologii na praktykę artysty malarza na podstawie twórczości Davida Hockneya i działalności artystycznej autorki
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Kalicki Bernard (1840-1884)
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Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Karbacher Ursula (1955- ). Les produits semi-finis comme Trend-Setter de la mode
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Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest
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Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Kata Eurydyka. Material typography or tools in the work of a typographer and designer
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Kata Eurydyka. Typografia materialna czyli narzędzia w pracy typografa i projektanta
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Kauffmann Claus Michael (1931- ). The Meaning of Biblical Imagery in Churches: Is the Liturgy the Answer?
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