Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute
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Beltran-Rubio Laura. Covered in much fine lace: dress in the Viceroyalty of New Granada
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Bergdoll Barry. Frames of colour
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Bergeijk Herman van (1954- ). Rationalism soul and form
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Bevivino Michael Ann. A rampage by vandals: the history and destruction of the plaster casts of the National College of Art and Design of Ireland
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Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva
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Bollók Adam. Enthralled by national ornament
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Bonnin Talbot Annabel. Ahead of the curve: A. Blackborne & Co. and the late nineteenth-century British lace industry
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Bruna Denis. Lace an economic factor in France during the reign of Louis XIV
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Cambon Pierre (1955- ). Korean collection in Paris
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Chrościcki Juliusz A. (1942-2024). O roli sztuki w dyplomacji epoki nowożytnej
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Chrościcki Juliusz A. (1942-2024). On the role of art in the diplomacy of the modern era
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Cormack Emma. Fashion and the lace industries in France Belgium and England 1800-1900
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Cormack Emma. Introduction: Threads of power
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David Gyula. Innovation or experiment?
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De Fraeye Mark (1949- ). San-shin the Mountain God – Korea’s eternal spirit
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Descalzo Lorenzo Amalia (1955- ). The triumph of lace: Spanish portraiture in the sixteenth and seventeenth centuries
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DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution
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Dosch Annina. Lace in St. Gallen today: tradition and innovation at Forster Rohner and Jakob Schlaepfer
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Dąbrowski Józef (1940-2019). Hanji Paper – Unique technologies of ancient Korean craft
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Długosz Magdalena (1981- ). Sarmatism in Polish applied arts and architecture at the turn of nineteenth century
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Fabianowska Anne-Marie
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Feliks Anna. The interiors of the Embassy in Berlin after repairs in 1934-1939
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Feliks Anna. Wnętrza gmachu Ambasady RP w Berlinie po remoncie w latach 1934-1939
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Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value
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Groning Gert (1944- ). The Heewon 희원 where the pungryu 풍류 can be perceived - an outstanding example of garden culture in Korea
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Helman-Ważny Agnieszka (1974- ). Hanji Paper – Unique technologies of ancient Korean craft
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Hohti Erichsen Paula (1968- ). Monstrous ruffs and elegant trimmings: lace and lacemaking in early modern Italy
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Holm Henrik (1964- ). The (mis)performance of cast collections
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Howard Jeremy. Nursing the ciphers and chimeras of orientalist presence and absence in the architecture around 1900
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Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University
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Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art
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Jekely Zsombor (1970- )
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Karl Barbara. Lace and status: luxury power and control in early modernity
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Katona Julia. Oriental architecture and decoration in architecture training and art instruction
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Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile
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Kennedy Beccy. Orienting and disorienting contemporary Korean art
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Kerekgyartó Bela (1949- ). Struggle for modern architecture in Vienna and Budapest
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Keseru Katalin (1947- ). Oeuvre of the architect Odon Lechner (1845-1914) and research on Lechner
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Kopszak Piotr. Designing modernity
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Kos Ilona. A source of inspiration: the Leopold Ikle collection in St. Gallen
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Królikowska-Dziubecka Marzena. Drawings in diplomatic service at the court of king Stanisław August Poniatowski
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Królikowska-Dziubecka Marzena. Rysunki w służbie dyplomacji na dworze króla Stanisława Augusta Poniatowskiego
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Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang an architect from South Korea
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Kuchtówna Lidia (1940- ). Karol Frycz a scenographer in the diplomatic service
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Kuchtówna Lidia (1940- ). Karol Frycz scenograf w służbie dypolmatyczne
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Kuhnke Monika. Between tradition and modernity. The Polish diplomatic missions in Ankara and Sofia
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Kuhnke Monika. Między tradycją a nowoczesnością. Gmachy poselstw Rzeczypospolitej Polskiej w Ankarze i Sofii
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Laskowska Elżbieta (1969- ). The World Europe and ...us. The foreign policy of Interwar Poland in the eyes of Polish cartoonists
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Laskowska Elżbieta (1969- ). Świat Europa i ...My. Polityka zagraniczna Drugiej Rzeczypospolitej w oczach polskich karykaturzystów
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Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity
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Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
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Lewandowska Katarzyna
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Leśniakowska Marta. Reality and fantasy. Politicised architecture: embassy designs
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Leśniakowska Marta. Rzeczywistość i fantazja. Polityczność architektury ambasad
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Luba Iwona. Artistic policy in the interwar period - Polish art exhibitions in the Soviet Union and the Third Reich
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Luba Iwona. Polityka artystyczna MSZ w Drugiej Rzeczpospolitej - na przykładzie wystaw sztuki polskiej w ZSRR i w III Rzeszy
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Majda Tadeusz (1951- ). Official arrival in Istambul of Polish envoys and their audiences with the Grand Vizier and Sultan - the iconography of such arrivals
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Majda Tadeusz (1951- ). Uroczyste wjazdy do Stambułu posłów Rzeczpospolitej i ich audiencje u wielkiego wezyra i sułtana
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Majer Michele. Fashion and the lace industries in France Belgium and England 1800-1900
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Majer Michele. Introduction: Threads of power
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Malinowski Jerzy (1950- ). Wstęp
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Marek Michaela (1956-2018). Berlin Kunstgewerbemuseum
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Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections
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Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries
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Melendez Mariselle (1964- ). A disire of being distinguished by an elegany dress in universal: clothing status and convenience in eighteenth-century Spanish America
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Middleton James. A prodigious excess: lace in new Spain and Peru ca. 1600-1800
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Miller Lesley Ellis. Lace a la mode in France ca. 1690-1790
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Moriniere Soline (1988- ). The fate of cast collection in French education: between destruction and abandonment
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Muradin Jeno. Museum of Industry in Kolozsvar and its collections
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Muthesius Stefan (1939- ). Genuineness and oldness
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Naeyoung Ryu. Yun Duseo Korean scholar-painter precursor in painting of the Sirhak movement
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Oldewurtel Ulfert. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
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Omilanowska-Kiljańczyk Małgorzata (1960- ). Polish romm na Uniwersytecie w Pittsburgu i rola polskiego konsulatu w tje realizacji
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Omilanowska-Kiljańczyk Małgorzata (1960- ). The Polish Clasroom at the University of Pittsburgh and the role of the Polish consulate in its creation
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Ormen Catherine. Fashion and lace since 1900
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Osiecka-Samsonowicz Hanna. Jerzy Ossoliński's embassy of obedience on the occasion of the election of Urban VIII as Pope in the light of archival and iconographic sources
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Osiecka-Samsonowicz Hanna. Poselstwo obediencyjne Jerzego Ossolińskiego do papieża Urbana VIII w świetle źródeł archiwalnych i ikonograficznych
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Payne Emma M. From pillar to post: calssical casts at the British Museum
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Pearson Stephanie. Falling between the cracks: UC Berkeley's plaster casts
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Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne
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Pinatel Christiane. Destruction of plaster casts in workshops and collections of important French institution in th 19th and 20th centuries
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Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea
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Prugel Roland. Good taste on display
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Rabe Britta. Verkauft verschenkt zerstort. Vergessen? Die Frankfurter Abguss-Sammlung9en): Versuch einer Rekonstruktion
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Rabinowitz Adam. Museum od ancient art or white elephant? The battle collection of plaster casts at the Unievrsity of Texas at Austin
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Rosset Tomasz Feliks de (1958- )
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Sarmany-Parsons Ilona (1949- ). Odon Lechner
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Schorner Hadwiga. Von systematischer Vernachlassigung bis absichtlicher Zerstorung: Gipsabgusse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert
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Schreiter Charlotte. Burnt destroyed sold lost: the fate of cast collections in the 18th and 19th centuries
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