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Source
National Museum in Krakow Library
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Form of Work
Książki
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Status
available
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Branch
Magazyn
(1)
Author
Chasjanowa Lejła S. (1963- ). Do we need a Russian Academy in Rome? Henryk Siemiradzki and art education
(1)
Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome
(1)
Dobrowolski Witold (1939-2019). Programme related content in the The judgment of Paris by Henryk Siemiradzki
(1)
First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki
(1)
Gerc Lidia. Thinks like Dante handles paints like Boccaccio. About Henryk Siemiradzki in Vienna
(1)
Haake Michał. Realism and figuralism. On Christ and the Harlot by Henryk Siemiradzki
(1)
Karpova Tatʹana Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence
(1)
Klimov Pavel U. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg)
(1)
Kluczewska-Wójcik Agnieszka (1960- )
(1)
Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display
(1)
Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice
(1)
Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki
(1)
Malinowski Jerzy (1950- ). Introduction
(1)
Markova Nina Kirillovna. Some ideas about A French artist of the time of Louis XV paints the portrait of a Marquise by Henryk Siemiradzki
(1)
Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art
(1)
Nitka Maria
(1)
Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's Phryne
(1)
Okoń Waldemar (1953- ). Siemiradzki and the three bards
(1)
Ormond Leonee (1940- ). Frederic Leighton and the poets
(1)
Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse
(1)
Rosales Rodriguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's fetishization of sight
(1)
Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions
(1)
Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
(1)
Year
2020 - 2024
(1)
Country
Poland
(1)
Language
English
(1)
Subject
Akademizm (szt.plast.)
(1)
Malarstwo polskie
(1)
Siemiradzki, Henryk (1843-1902)
(1)
Subject: time
1801-
(1)
Subject: place
Rzym
(1)
Genre/Form
Materiały konferencyjne
(1)
1 result Filter
Book
In basket
(Conferenze / Accademia Polacca delle Scienze ; ISSN 0239-8605 ; 145)
Author
Kluczewska-Wójcik Agnieszka (1960- ). Nitka Maria. Chasjanowa Lejła S. (1963- ). "Do we need a Russian Academy in Rome?" Henryk Siemiradzki and art education Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome Dobrowolski Witold (1939-2019). Programme related content in the "The judgment of Paris" by Henryk Siemiradzki First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki Gerc Lidia. "Thinks like Dante, handles paints like Boccaccio". About Henryk Siemiradzki in Vienna Haake Michał. Realism and figuralism. On "Christ and the Harlot" by Henryk Siemiradzki Karpova Tatʹâna Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence Klimov Pavel Û. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg) Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki Malinowski Jerzy (1950- ). Introduction Markova Nina Kirillovna. Some ideas about "A French artist of the time of Louis XV paints the portrait of a Marquise" by Henryk Siemiradzki Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's "Phryne" Okoń Waldemar (1953- ). Siemiradzki and the three bards Ormond Leonée (1940- ). Frederic Leighton and the poets Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse Rosales Rodríguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's "fetishization of sight" Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
Indeks R0: BMNK
Materiały z międzynarodowej konferencji naukowej, 7-9 listopada 2018 r., Rzym.
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Magazyn
There are copies available to loan: sygn. II 34738 (1 egz.)
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