Sorting
Source
National Museum in Krakow Library
(3)
Form of Work
Książki
(3)
Status
available
(3)
Branch
Magazyn
(3)
Author
Adam Anikó
(1)
Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Arendt Ada
(1)
Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive
(1)
Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart
(1)
Brosens Koenraad (1974- ). Slow digital art history and KUbism: or situation awareness and the promise of open-World games
(1)
Brown Kathryn J
(1)
Brown Kathryn J. Feminist digital art history
(1)
Bryson Anna
(1)
Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Bydzovska Lenka (1956- )
(1)
Cardoso Bruno. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
(1)
Carvalho Rosario Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
(1)
Champion Erik. Art history heritage games and virtual reality
(1)
Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art
(1)
Cranston Jodi (1969- ). Mapping paintings or how to breathe life into provenance
(1)
Danyi Orsolya
(1)
De Vincentis Stefania. Digital languages for art history: audience engagement virtual and augmented reality
(1)
Decimo Marc (1958- )
(1)
Dohring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification
(1)
Drucker Johanna (1952- ). Blind spot: information visualization and art history
(1)
Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images
(1)
Eigl Steffen. Berlin as the avant-garde centre or a dream of the new life. Perspectives on art and European collaboration after 1918
(1)
Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context
(1)
Fletcher Pamela M. (1967- ). Digital methods and the study of the art market
(1)
Foka Anna (1981- ). Art history heritage games and virtual reality
(1)
Forgacs Eva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926
(1)
Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial
(1)
Goodyear Anne Collins. The art-historical catalogue in the digital era
(1)
Helmreich Anne (1963- ). Digital methods and the study of the art market
(1)
Hodge Nicholas
(1)
Impett Leonardo. Analyzing gesture in digital art history
(1)
Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums
(1)
Jaskot Paul B. (1963- ). Digital methods and the historiography of art
(1)
Jeffs Amy. Digital 3D modeling for the history art
(1)
Jimerson Lauren. Social media in the art histiry classroom
(1)
Joyeux-Prunel Beatrice (1977- )
(1)
Joyeux-Prunel Beatrice (1977- ). Digital humanites for a spatial global and social history of art
(1)
Joyeux-Prunel Beatrice (1977- ). Paris for central European avant-gardes. What kind of a reception?
(1)
Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors
(1)
Kandemir Baris. Computerized analysis of paintings
(1)
Kane Steve
(1)
Keens Alexandra
(1)
Kessler Erwin. Printed networks. Romanian avantgarde magazines
(1)
Kiss-Szeman Zsófia (1964- ). Kosice as a model modernist city
(1)
Klinke Harald. The digital transformation of art history
(1)
Kovacs Anna Zsófia (1982- )
(1)
Krebs Sophie (1961- )
(1)
Krmelj Vesna
(1)
Kruljac Vesna
(1)
Kundracikova Barbora (1986- )
(1)
Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland
(1)
Lacourt Jeanne-Bathilde
(1)
Lahoda Vojtech (1955-2019). New art in the last days of mankind
(1)
Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World
(1)
Leigh Allison (1983- ). Social media in the art history classroom
(1)
Leitao Ines. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
(1)
Levy Sophie (1967- )
(1)
Li Jia. Computerized analysis of paintings
(1)
Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art
(1)
Lodder Christina (1948- ). Constructivist dimension
(1)
Luther Anne. Digital provenance open access and data-driven art history
(1)
Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors
(1)
Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind
(1)
Mihaly Arpad
(1)
Mitchell Elspeth. Feminist digital art history
(1)
Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Nagy Ladislav (1974- )
(1)
Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World
(1)
Pusztai Tunde
(1)
Rodriguez-Ortega Nuria. Image processing and compute vision in the field of art history
(1)
Rosa Javier de la. Curation content creation: computer approches to fine arts
(1)
Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
(1)
Rydiger Monika (1961- ). City space dynamics. Symphony of a metropolis
(1)
Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification
(1)
Sarkady Krisztina
(1)
Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks
(1)
Snyder Lisa M. Research process publication and pedagogy: reconstructing the World's Columbian Exposition of 1893
(1)
Soucek Martin (1964- )
(1)
Srp Karel (1958- )
(1)
Srp Karel (1958- ). Discoverers of new beauties. Devetsil between Life II and the Frony anthology
(1)
Srp Karel (1958- ). Unstable Central Europe
(1)
Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource
(1)
Suarez Juan-Luis. Curation content creation: computer approches to fine arts
(1)
Subotić Irina (1942- ). Zenit as ideological foundation of the 1924 International Exhibition of New Art
(1)
Travnicek Jiri (1960- ). And so they've gone and killed our Central Europe... On the history of a concept
(1)
Truyen Fred. Slow digital art history and KUbism: or situation awareness and the promise of open-World games
(1)
Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations
(1)
Varkonyi Gyorgy (1951- ). The keen-sighted. The evolution of the Hungarian avant-garde
(1)
Vascon Luca Nicolo. Digital languages for art history: audience engagement virtual and augmented reality
(1)
Viszóki Agnes
(1)
Vojvodik Josef. The dynamics of exsplosion of art at the centre of Europa (1908-1928)
(1)
Wang James Z. (1972- ). Computerized analysis of paintings
(1)
Wayne Kenneth (1961- )
(1)
Wellington Robert J. (1954- ). Metadata material culture and global art history
(1)
Werkner Patrick (1953- ). Kineticism
(1)
White Martin. A service-orientation and open-source approach to developing virtual museums
(1)
Wittlich Petr (1932- ). Ars una
(1)
Year
2020 - 2024
(1)
2010 - 2019
(2)
Country
Hungary
(1)
Czech Republic
(1)
United Kingdom
(1)
United States
(1)
Language
English
(2)
Hungarian
(1)
Subject
Awangarda (lit., sst.)
(1)
Digitalizacja
(1)
Galéria Mesta Bratislavy
(1)
Janus Pannonius Múzeum
(1)
Magyar Nemzeti Galéria (Budapeszt)
(1)
Malarstwo włoskie
(1)
Międzynarodowe Centrum Kultury (Kraków)
(1)
Modigliani, Amadeo (1884-1920)
(1)
Muzealnictwo
(1)
Muzeum umění (Ołomuniec)
(1)
Rysunek włoski
(1)
Rzeźba włoska
(1)
Sztuka
(1)
Sztuka europejska
(1)
Subject: time
1901-
(2)
2001-
(1)
Genre/Form
Katalogi wystaw
(2)
3 results Filter
Book
In basket
Author
Arendt Ada. Bryson Anna. Hodge Nicholas. Nagy Ladislav (1974- ). Srp Karel (1958- ). Viszóki Ágnes. Bydžovská Lenka (1956- ). Danyi Orsolya. Eigl Steffen. Berlin as the avant-garde centre, or a dream of the new life. Perspectives on art and European collaboration after 1918 Eigl Steffen. Between self-stylisation and international breakthrough. Some aspects of the major art exhibitions of the 1910s in European context Forgács Éva (1947- ). Internationalism and its technicalities. The Hungarian avant-garde's outreach to international art 1919-1926 Joyeux-Prunel Béatrice (1977- ). Paris for central European avant-gardes. What kind of a reception? Jozefacka Anna. Cubism goes East. Kahnweiler's Central European network of agents and collectors Kessler Erwin. Printed networks. Romanian avantgarde magazines Kiss-Szemán Zsófia (1964- ). Košice as a model modernist city Krmelj Vesna. Kruljac Vesna. Kundračíková Barbora (1986- ). Kurc-Maj Paulina. The style of the present. The beginnings of the constructivist avant-garde in Poland Lahoda Vojtěch (1955-2019). "New art" in the "last days of mankind" Lodder Christina (1948- ). Constructivist dimension Mahler Luise. Cubism goes East. Kahnweiler's Central European network of agents and collectors Mansbach Steven A. (1950- ). Toward an art of redemption modern mankind Pusztai Tünde. Rydiger Monika (1961- ). City, space, dynamics. Symphony of a metropolis Souček Martin (1964- ). Srp Karel (1958- ). Discoverers of new beauties. Devětsil between Life II and the Frony anthology Srp Karel (1958- ). Unstable Central Europe Subotić Irina (1942- ). Zenit as ideological foundation of the 1924 International Exhibition of New Art Trávníček Jiří (1960- ). "And so they've gone and killed our Central Europe..." On the history of a concept Várkonyi György (1951- ). "The keen-sighted". The evolution of the Hungarian avant-garde Vojvodík Josef. The dynamics of exsplosion of art at the centre of Europa (1908-1928) Werkner Patrick (1953- ). Kineticism Wittlich Petr (1932- ). Ars una Żak Natalia (1984- ). Towards new art. Prefigurations of avant-garde tendencies in the work of Polish artists
Genre/Form
Indeks R0: BMNK
Katalog wystaw: Muzeum umění, Ołomuniec, 20 września 1918 - 27 stycznia 2019, Międzynarodowe Centrum Kultury, Kraków, 5 marca - 9 czerwca 2019, Galéria mesta Bratislavy, 28 czerwca - 27 października 2019, Janus Pannonius Múzeum, Pécs, 29 listopada 2019 - 1 kwietnia 2020.
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: III 24843, III 24844 (2 egz.)
Book
In basket
(Routledge Art History and Visual Studies Companions)
Author
Brown Kathryn J. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: III 25671 (1 egz.)
The item has been added to the basket. If you don't know what the basket is for, click here for details.
Do not show it again