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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Ambrose Kirk (1968- ). Emile Male
(2)
Banik Gerhard
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Blume Dieter (1952- ). Picturing the stars - scientific iconography in the Middle Ages
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Boynton Susan (1966- ). Visual representation of music and sound
(2)
Brandhorst J. P. J. (1956- ). Iconclass
(2)
Bruckle Irene (1960- )
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Caviness Madeline Harrison (1938- ). Erotic iconography
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Clarke Sherman. Library of Congress subject headings
(2)
Cothren Michael Watt (1951- ). Iconography of light
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Cross Maureen. History and use of panels or other rigid supports for easel paintings
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Daly Peter M. (1936- ). Andrea Alciato
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Daniels Vincent
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Dekoninck Ralph. Anthropology of images
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Drysdall Denis L. Andrea Alciato
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Easton Martha. Feminist art history and medieval iconography
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Fisher Celia. Flowers and plants the living iconography
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Franceschini Chiara. Classifying image content in visual collections
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Fuster-López Laura. Filling
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Gerstel Sharon E. J. Iconography of light
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Grasman Edward (1953- ). Hans van de Waal a portrait
(2)
Hablot Laurent (1972- ). Heraldic imagery definition and principles
(2)
Hackney Stephen. Lining easel paintings
(2)
Hannavy John
(2)
Harris Anne F. Iconography of narrative
(2)
Hartnell Jack. Medicine's image
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holladay Joan A. Royal and imperial iconography
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Hourihane Colum (1955- )
(2)
Hourihane Colum (1955- ). Charles Rufus Morey and the Index of Christian Art
(2)
Hourihane Colum (1955- ). Medieval iconography an introduction
(2)
Huisstede Pieter van (1957- ). Aby M. Warburg
(2)
Katlan Alexander. History of fabric supports
(2)
Kim Susan M. Monstrous iconography
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Knell Simon J. (1955- )
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Lindquist Sherry C. M. (1946- ). Iconography of gender
(2)
Logemann Cornelia (1975- ). Ripa the trinciante
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Maraszak Emilie (1985- ). Adlophe-Napoleon Didron (Paris 1867-Hautvilliers 1906)
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
Mazzucco Katia. Fritz Saxl
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
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Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Mittman Asa Simon (1976- ). Monstrous iconography
(2)
Morrison Karl Frederick (1936- ). Liturgical iconography
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Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
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Nadolny Jilleen. Pigments in Western easel painting
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Noble Petria. Ageing and deterioration of traditional oil and tempera paints
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Oddy William Andrew (1942- )
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Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
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Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
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Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
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Ormsby Bronwyn. Twentieth-century grounds
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Pastan Elizabeth Carson (1955- ). Patronage
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33 wyniki Filtruj
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Bibliogr. przy art. Słownik terminów s. 492-526. Indeks.
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(British Art : histories and interpretations since 1700 / series editors: David Peters Corbett, Sarah Monks)
Bibliogr. s. 203-217. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: II 36060 (1 egz.)
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(Routledge Series in Conservation and Museology)
Autor
Lennard Frances. Red. Ewer Patricia. Red. Mina Laura. Red. Barlow Alexandra. Preserving materials and preserving meaning: Marie Watt's "Untitled" ("Dream Catcher"), 2014 Batt Cathy M. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Blair Kate. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Brennan Julia M. Teaching preventive conservation and textile treatments in Asia and Africa Britton Nancy. Beyond hope: upholstery and textile conservation collaborations Burgio Lucia. The conservation of two plated jacks - the importance of work-based learning Chamberlin Rosie. The analysis and stitch support treatment of a suspected tin-weighted silk child's dress Cimò Marta. The restoration of the tapestry "Battle of Roncevaux" from the Museo Nazionale del Bargello in Florence: a bridge between tradition and innovation Cirrincione Claudia. The restoration of the tapestry "Battle of Roncevaux" from the Museo Nazionale del Bargello in Florence: a bridge between tradition and innovation Clark Karen. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Clindaniel Jon. Documentation as conservation: the treatment of an archaeological Andean khipu Collinge Rachael. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Cook Rosie H. #textileconservation: an informal community of practice on social media Coppinger Ann. Material evidence: assessing risk in the collection of the Museum at the Fashion Institute of Technology Cotté Sabine. The conservation of three painted soft sculptures by Mirka Mora: three different outcomes Devenport Jim. The Esh Winning miners' banner project - conservation involvement in a community initiative Eastop Dinah. Fit for a princess? Material culture and the conservation of Grace Kelly's wedding dress Eaton Linda. Conservation and connoisseurship Emery Norman. The Esh Winning miners' banner project - conservation involvement in a community initiative Enckevort Jennifer van. The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history Flecker Lara. Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Garside Paul. The analysis and stitch support treatment of a suspected tin-weighted silk child's dress Gentle Nicola. Preserving information: two beds with textile hangings dating from the seventeenth century Gill Kathryn. The conservation of four 1760s chairs: revealing and reinstating original upholstery features during in-situ treatment Gillions Beth. The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history Giuntini Christine. Traditional dress: the evolution of exhibition display methods in response to curatorial interpretations Golbourn Claire. Project planning and management Grice-Venour Aimée. New conservation practices for a nineteenth-century chenille carpet at the National Trust Textile Conservation Studio Grimshaw Kelly. Conservation of an Aubusson rug Guidess Gretchen. To reveal and not obscure: balancing conservation and visual access Hackett Joanne. Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Haldane Elizabeth Anne. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Haldane Elizabeth Anne. Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Hanson Robin. Beyond hope: upholstery and textile conservation collaborations Heald Susan. Partnership in the preservation of cultural heritage at the National Museum of the American Indian Hey Melinda. Conservation of an Aubusson rug Hillyer Lynda. Foreword to the first edition Hillyer Lynda. Progress in adhesive techniques - the conservation of two Coptic tunics at the Victoria and Albert Museum Howard Sarah. Working with synthetic fibres: the response of textile conservation to twentieth-century dress Hughes Helen M. Institutional developments and their effect on conservation policies: the Cambusnethan bog burial coat Irvin Kate. Inherent vice, or: how I learned to stop worrying and love shattered silk Johnson-Dibb Rebecca. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Jordan Maria. Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view Kaldany Mary. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Kataoka Masumi. A study of the microenvironment within pressure mounts Keefe Anna Rose. Inherent vice, or: how I learned to stop worrying and love shattered silk Kite Marion. Modern textile conservation at the Victoria and Albert Museum: roots, evolution and rapid changes Lehrecke Barbara. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Lennard Frances. Defining features of the TCC's MA Textile Conservation programme 1999-2009 Marko Ksynia. Project planning and management McLaughlan Fiona. The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol McLean Catherine C. The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art McLeod Miriam. Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland Meneses Lozano Hector Manuel. Considerations on backlit systems for display of cotton textiles Mina Laura. Conversations about teaching textile conservation: forming a community of practice Montegut Denyse. Conversations about teaching textile conservation: forming a community of practice Morris Bernice. Fit for a princess? Material culture and the conservation of Grace Kelly's wedding dress O'Connor Sonia A. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Orbell Claire. The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol Orfeur Kate. Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view Orlofsky Patsy. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Osmond Lauren. The adhesive treatment of an early nineteenth-century straw-embroidered silk net dress Pardo Cecilia. Documentation as conservation: the treatment of an archaeological Andean khipu Peacock Elizabeth E. The conservator's eye: bringing an additional perspective to textile artefacts Pearce Sara. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Peranteau Anne. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Peranteau Anne. The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol Peterson-Grace Jacquelyn. Monitoring light-induced change in textiles at The Colonial Williamsburg Foundation Peterson-Grace Jacquelyn. The conservation of two plated jacks - the importance of work-based learning Rendell Caroline. Preventive conservation solutions for textile collections Rendell Caroline. The Esh Winning miners' banner project - conservation involvement in a community initiative Ripley Georgina. Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland Roberts Zoe. The broadening of conservation boundaries: a personal perspective Rode Nicole. Documentation as conservation: the treatment of an archaeological Andean khipu Rossignoli Guia. A successful intertwining. Non-destructive analysis informing conservation projects at the Textile Department of the Opificio delle Pietre Dure Rumsey Kloë. The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history Sato Moe. Identification of plastics and improvement of their storage at the Kyoto Costume Institute Scaturro Sarah. Conservators curating exhibitions Scaturro Sarah. Foreword to the second edition Schmalz Susan R. The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art Scott Chris. The Esh Winning miners' banner project - conservation involvement in a community initiative Shewry Louise. Conservation of an Aubusson rug Silence Patricia. Preventive conservation at The Colonial Williamsburg Foundation Smith Emma. The conservation of two plated jacks - the importance of work-based learning Smith Katy. The adhesive treatment of an early nineteenth-century straw-embroidered silk net dress Smith Katy. The conservation of two plated jacks - the importance of work-based learning Stephens Morwena. Hosting pre-programme work placements in colour and 3-D Stephens Morwena. Repatriation of Chief Crowfoot's Regalia to the Siksika Nation - a conservator's involvement Stern Benjamin. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Sutcliffe Howard. Moving on: the transition from museum conservation to private practice Takami Mika. Developing a short-term intensive training course in textile conservation for non-conservation museum professionals in Jordan Takami Mika. Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view Te Kanawa Rangi. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Thompson Karen. Conversations about teaching textile conservation: forming a community of practice Thompson Libby. The Bacton altar cloth - the lost dress of Elizabeth I? How collaboration can inform both curatorial research and conservation treatment Tinker Zenzie. Back from black - contrasting approaches to the cleaning and conservation of historic fixed wall hangings at Knole Triolo Licia (1979- ). A successful intertwining. Non-destructive analysis informing conservation projects at the Textile Department of the Opificio delle Pietre Dure Trupin Deborah Lee. Conversations about teaching textile conservation: forming a community of practice Urick Jessica. Inherent vice, or: how I learned to stop worrying and love shattered silk Westerman Bulgarella Mary. The conservation and replication of the banner-covered ceiling in the Stibbert Museum, Florence, Italy Yui Kaoru. The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art
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Bibliogr. przy rozdz. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 27546 (1 egz.)
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(Routledge Key Guides)
Bibliogr. po art. Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 26652 (1 egz.)
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Wyd. nowe, po raz pierwszy opublik. w 2008 w wydawnictwie Butterworth-Heinemann.
Bibliogr. po rozdz. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: III 23424 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 22751 (1 egz.)
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(Financial History Series ; 17)
Bibliogr. s. 243-258. Indeks.
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Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: Dział Nowoczesnego Polskiego Malarstwa i Rzeźby (Sukiennice) sygn. II 30831 (1 egz.)
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U góry okł.: "An Ashgate Book".
Bibliogr. s. 181-192. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 22511 (1 egz.)
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(Routledge Art History and Visual Studies Companions)
Autor
Brown Kathryn J. Red. Ahmad Walid. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Assonitis Alessio (1970- ). The expanding role of digitized collections: the Medici Archive Bartosch Christina. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Baur Christl. Art with a lifespan: digital technologies and the preservation of bioart Brosens Koenraad (1974- ). Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Brown Kathryn J. Feminist digital art history Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Cardoso Bruno. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Carvalho Rosário Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Champion Erik. Art history, heritage games, and virtual reality Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art Cranston Jodi (1969- ). Mapping paintings, or how to breathe life into provenance De Vincentis Stefania. Digital languages for art history: audience engagement, virtual and augmented reality Dot Anna (1991- ). Noise management in the archival ecosystem: debating principles for classification Döhring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Drucker Johanna (1952- ). Blind spot: information visualization and art history Du Preez Amanda. Approching Aby Warburg and digital art history: thinking through images Fletcher Pamela M. (1967- ). Digital methods and the study of the art market Foka Anna (1981- ). Art history, heritage games, and virtual reality Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial Goodyear Anne Collins. The art-historical catalogue in the digital era Helmreich Anne (1963- ). Digital methods and the study of the art market Impett Leonardo. Analyzing gesture in digital art history Jackson Ben (1975- ). A service-orientation and open-source approach to developing virtual museums Jaskot Paul B. (1963- ). Digital methods and the historiography of art Jeffs Amy. Digital 3D modeling for the history art Jimerson Lauren. Social media in the art histiry classroom Joyeux-Prunel Béatrice (1977- ). Digital humanites for a spatial, global, and social history of art Kandemir Baris. Computerized analysis of paintings Klinke Harald. The digital transformation of art history Langmead Alison. Pointers and proxies: thoughts on the computational modeling of phenomenal World Leigh Allison (1983- ). Social media in the art history classroom Leitão Inês. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party Li Jia. Computerized analysis of paintings Lincoln Matthew D. Tangled metaphors: network thinking and network analysis in the history of art Luther Anne. Digital provenance, open access, and data-driven art history Mitchell Elspeth. Feminist digital art history Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World Rodríguez-Ortega Nuria. Image processing and compute vision in the field of art history Rosa Javier de la. Curation, content, creation: computer approches to fine arts Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915 Santa Olalla Pablo. Noise management in the archival ecosystem: debating principles for classification Sekelj Sanja. Qualitative approches to network analysis in art history: research on contemporary artists' networks Snyder Lisa M. Research, process, publication, and pedagogy: reconstructing the World's Columbian Exposition of 1893 Stanford Emma. A field guide to digital surrogates: evaluating and contextualizing a rapidly changing resource Suárez Juan-Luis. Curation, content, creation: computer approches to fine arts Truyen Fred. Slow digital art history and KUbism: or, situation awareness and the promise of open-World games Tsiang Katherine R. (1949- ). Digital imaging projects for Asian art and visual culture: transcultural mediations and collaborations Vascon Luca Nicolò. Digital languages for art history: audience engagement, virtual and augmented reality Wang James Z. (1972- ). Computerized analysis of paintings Wellington Robert J. (1954- ). Metadata, material culture, and global art history White Martin. A service-orientation and open-source approach to developing virtual museums Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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A practical guide to costume mounting / Lara Flecker ; published with association with Victoria & Albert Museum. - London ; New York : Routledge Taylor & Francis Group, 2013 (Wrocław : Amazon Fulfillment Poland). - XIV, 260 s. : il. kolor. ; 25 cm.
Bibliogr. s. 249-250. Indeks.
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(Routledge Archaeologies of the Viking World)
Autor
Gruszczyński Jacek (1980- ). Red. Jankowiak Marek. Red. Shepard Jonathan. Red. Adamczyk Dariusz (1966- ). Trading networks, warlords and hoarders: Islamic coin flows into Poland in the Viking Age Brink Stefan. Slavery in medieval Scandinavia: some points of departure Carlsson Dan (1946- ). Gotland: silver island Gruszczyński Jacek (1980- ). Hoards, silver, context and the Gotlandic alternative Gustafsson Ny Björn (1975- ). From the foreign to the familiar: the arrival and circulation of silver in Gotlandic society Howard-Johnston James. The fur trade in the early middle ages Jankowiak Marek. Dirham flows into northern and eastern Europe and the rhythms of the slave trade with the Islamic world Jansson Ingmar. Gotland viewed from the Swedish mainland Kilger Christoph. Silver hoards and society on Viking-Age Gotland: some thoughts on the relationship between silver, long-distance trade and local communities Kulešov Vâčeslav S. Coin circulation in early Rus and the dynamics of the druzhinas Marshall Alexander. The dynamics of the drugs trade: a model for the study of the medieval trade in slaves? Östergren Majvor (1950- ). Hoards and their archaeological context: three case studies from Gotland Roach Andrew P. The dynamics of the drugs trade: a model for the study of the medieval trade in slaves? Screen Elina M. Coins as an indicator of communications between the British Isles and Scandinavia in the Viking Age Sheehan John. Viking-Age bullion from southern Scandinavia and the Baltic region in Ireland Shepard Jonathan. Why Gotland? Skre Dagfinn (1954- ). Some reflections on Gotland: slavery, slave-traders, and slave-takers Svedjemo Gustav. Social structures and landscape: Gotland’s silver hoards in the context of settlements Ingvardson Gitte Tarnow (1972- ). Silver hoarding on Bornholm and Gotland: hoards as windows onto Viking-Age life Widerström Per (1967- ). Was there life before death? The Viking settlements on Gotland Woods Andrew R. Viking economies and the Great Army: interpreting the precious metal finds from Torksey, Lincolnshire Wyatt David. Reading between the lines: tracking slaves and slavery in the early middle ages
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