Albrecht Marya (1988- ). The Versatile style of Jan Steen: how he varies the preparations of his composition during his career and according to the subject
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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Baert Barbara (1967- )
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Baum Katja von. Master or assistant? - painted alterations in the Pleydenwurff workshop
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Blauensteiner Bjorn (1981- ). Under- and overdrawing in the Pulkau altarpiece: new insights into a stylistic enigma
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two "new" paintings by Jan de Beer - technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Campos Pedro. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Candeias António (1955- ). The drawing hand of a Portuguese mannerist painter
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Cruz António Joao (1963- ). The drawing hand of a Portuguese mannerist painter
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Currie Christina. The Arbroath Sermon of Saint John the Baptist after Pieter Bruegel the Elder: a rare pastiche
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Delaney John K. (1961- ). The underdrawing of the Lamentation of Christ revisited
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Derks Kirsten (1992- ). Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions
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Derks Kirsten (1992- ). The underdrawing of the Lamentation of Christ revisited
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Dooley Kathryn A. The underdrawing of the Lamentation of Christ revisited
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l'Universite ms. A2)
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Dąbrowa Edward (1949- )
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Eckstein Lisa. Master or assistant? - painted alterations in the Pleydenwurff workshop
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Espin Elsa. The Northern way: engraving success in Catalan painting around 1500
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Ewing Dan. Two new paintings by Jan de Beer - technical studies connoisseurship and provenance research
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Fasce Michela. In the manner of... Genoese Antoon Van Dyck: technique design development
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Felix Valter. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Firea Ciprian (1975- ). A 'Nuremberg' workshop in remote Transylvania? Investigations on early sixteenth-century altarpieces painted in Sighisoara/Schassburg
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Freitas Renato. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Fucker Beate. Master or assistant? - painted alterations in the Pleydenwurff workshop
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Gafa Sarah Yeomans. The technique of Filippo Paladini: a case study of his sixteenth-century wall paintings at Verdala Palace Buskett Malta
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship" and the Master of the Turin Adoration
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Gerken Mareike. Elsheimer's creative process: new research on the Frankfurt altarpiece of the True Cross
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Girometti Stefania (1987- ). Michele Desubleo's self-portrait as Saint Luke: technique in context and the creation of a maniera
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Gąsior Agnieszka (1971- )
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hennen Sofia. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Hirschfelder Dagmar (1973- ). Master or assistant? - painted alterations in the Pleydenwurff workshop
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Horsch Markus (1960- )
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Janssens Koen H. A. Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions
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Kajiya Elizabeth. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Kemperdick Stephan (1960- ). Hugo van der Goes's idiosyncrasies and maniera in visible and in infrared light
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Klein Koerkamp Joyce. Alla maniera di Gerard David? Stylistic irregularities in Ambrosius Benson's Oeuvre
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Knuvener Peter (1976- )
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Kollandsrud Kaja (1963- )
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Kroesen Justin E. A. (1975- )
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Lipiński Edward (1930- )
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Mateu Sara. The Phoebus Nativity: A close look into the workshop of Memling
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Melo Helena Pinheiro de. The drawing hand of a Portuguese mannerist painter
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Meloni Sabrina. The Versatile style of Jan Steen: how he varies the preparations of his composition during his career and according to the subject
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Pimenta Andre. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Pollmer-Schmidt Almut (1979- ). Elsheimer's creative process: new research on the Frankfurt altarpiece of the True Cross
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Pottasch Carol (1958- ). The underdrawing of the Lamentation of Christ revisited
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Rizzutto Marcia de Almeida. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Rodwell Warwick (1947- )
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Roller Stefan (1961- )
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Sauerberg Marie Louise
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Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Seccaroni Claudio. Michele Desubleo's self-portrait as Saint Luke: technique in context and the creation of a maniera
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Serendan Cristina. A 'Nuremberg' workshop in remote Transylvania? Investigations on early sixteenth-century altarpieces painted in Sighisoara/Schassburg
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Snickt Geer van der. Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions
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Steele Marcia. Three versions of Andrea del Sarto's Sacrifice of Isaac: technical research and comparative study
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Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Talon Celine. Palettes as indicators of technique and style in Northern self-portraits
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Valadas Sara Sofia Galhano. The drawing hand of a Portuguese mannerist painter
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Valvekens Patrick (1956-2012)
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