Baan Laszló (1961- ). Foreword
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Foldi Eszter (1971- )
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Amao Damarice (1984- ). Surrealist photography in 1929: redrawing its boundaries rethinking critical issues
(1)
Baan Laszló (1961- ). Pal Szinyei Merse - past and present
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Bacsa Ildikó. Exhibited artworks
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Bakos Katalin. Art deco posters for decoration pleasure and representation
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Bakos Katalin. Beyond styles. Visual sources of Hungarian art deco poster art
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Barki Gergely (1970- )
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Baselitz Georg (1938- ). Paper through artists' eyes. Conversation with Georg Baselitz
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Behar Henri (1940- ). Paradoxes of the Second Manifesto of Surrealism
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Bekefi Eszter. National and international art. Biedermeier art and its reception in Hungary
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Bellak Gabor. Mihaly Munkacsy's worth past and present
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Bellak Gabor. The world of Gyula Czimra
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Benova Katarina (1972- ). Dominik Skutezky: from Venice to the copper smelters
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Bicskei Eva (1969- ). Exhibited artworks
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Bloede Myriam. 1929 a fixed-explosive year: looking back at the journals
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Bodnar Szilvia (1955- ). Albrecht Durer. Italian innovations North of the Alps
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Bodnar Szilvia (1955- ). In the magic circle of the arts and sciences. The Prague court of Rudolf II
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Bodnar Szilvia (1955- ). The beginnings. Drawings and prints between the fourteenth and early sixteenth centuries
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Bodor Kata (1978- ). Departures. Seceding from academic conventions withdrawing from mainstream society
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Bodor Kata (1978- ). Francisco Goya. Modernised traditions
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Bodor Kata (1978- ). Pablo Picasso. The lord of lines
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Bodor Kata (1978- ). The last spledour of art academies
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Bodor Kata (1978- ). The myth of the here and now
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Bodor Kata (1978- ). William Hogarth and the art of moralising with humor
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Bonnet Alain. L'Academie frappee par le naturalisme
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Bódi Kinga (1981- ). Antoni Tapies. The human and the material
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Bódi Kinga (1981- ). Joseph Beuys and the great German post-war generation
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Bódi Kinga (1981- ). Paper through artists' eyes. Conversation with Dóra Maurer
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Bódi Kinga (1981- ). Paper through artists' eyes. Conversation with Georg Baselitz
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Bódi Kinga (1981- ). Rational thinking abstract forms constructive images
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Bódi Kinga (1981- ). The dynamism of the line
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Bódi Kinga (1981- ). Venice in teh 18th century. The flourishing export of art
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Canonne Xavier (1960- ). Varietes: surrealism in 1929
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Carrier David (1944- ). Putting abstraction in touch with reality: the achievement of Sean Scully
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Chenieux-Gendron Jacqueline (1939- ). 1929 a fixed-explosive year: looking back at the journals
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Csizmadia Krisztina. The towers of Budapest Mexico New York and Atlantis. Art deco in the oeuvre of Geza Maróti
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Danto Arthur Coleman (1924-2013). Sean Scully and the art of painting
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Drienyovszki Zsófia. Exquisite women's work. Kató Lukats and Illi Szirmai: two women artists at the forefront of Hungarian advertising design in the 1930s
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Dsupin Luca. Goupil and his clients: Delaroche Gerome Breton and Munkacsy
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Farkas Zsuzsa. Molnar József fenykepeszeti muhelye es hagyateka
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Farkas Zsuzsa. Molnar József photography studio and his legacy
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Farkas Zsuzsa. The effects of photography on visual culture in the period between 1880-1900
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Feher David (1987- ). Architectures of light (walls and landlines)
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Feher David (1987- ). Behind the wall: figures and grounds in the art of Sean Scully
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Feher David (1987- ). Figure abstract and vice versa. The Madonna Series
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Feher David (1987- ). Figure/abstract: early experiments from the 1960s
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Feher David (1987- ). Hidden narratives: after the turning point of 1981
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Feher David (1987- ). In dialogue #1: soft edges (Scully and Bonnard)
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Feher David (1987- ). In dialogue #2: fields of colour (Scully and Van Gogh)
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Feher David (1987- ). Sensual constructions: works from the 1980s and 1990s
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Feher David (1987- ). Supergrids: works from the 1970s
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Feher David (1987- ). The passenger: an introduction
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Feher David (1987- ). Uninsideout
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Feher David (1987- ). Windows and figures
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Feher David (1987- ). Works on paper: pastels and watercolours
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Ferkai Andras (1953- ). Cinema architecture and interiors 1912-1940
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Ferkai Andras (1953- ). High-rise towers on paper. Budapest utopias
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Ferkai Andras (1953- ). Symphony of a metropolis. The Budapest streetscape
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Foldi Eszter (1971- ). A genre born out of a technique. The revival of artistic printmaking
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Foldi Eszter (1971- ). Colour lithography at the turn of th century
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Foldi Eszter (1971- ). Different interpretations of naturalist painting reality mentality style: the forms of naturalist visual representation
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Foldi Eszter (1971- ). József Rippal-Rónai. Thinking in drawing
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Foldi Eszter (1971- ). Naturalism or genre painting? At the Servant Agency by Istvan Csók
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Foldi Eszter (1971- ). The Revue in Budapest
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Foldi Eszter (1971- ). The black Venus: Josephine Baker in Budapest
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Foldi Eszter (1971- ). The experience of nature
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Forgacs Eva (1947- ). I work with rational madness
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Foudral Benjamin (1990- ). Les Petits Bastiens beiges. La jeune Belgique artistique face au naturalisme francais
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Fuleki Lilla. Exhibited artworks
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Gat Janos. Istvan Farkas: dreams and visions
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Godolle Matyas (1976- ). Exhibited artworks
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Gonda Zsuzsa (1958-2023). Henri de Toulouse-Lautrec. Master of lithography
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Gorgen Annabelle (1969- ). The last snapshot: 1929 in the Weimar Republic and the reception of surrealism
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Gosztonyi Ferenc. Communion with nature. On the naturalism of Karoly Ferenczy
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Grovier Kelly (1968- ). Breathing mirrors: Sean Scully and the art of metaphor
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Gyani Gabor (1950- ). Body culture physical exercise and sport - art deco
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Gyani Gabor (1950- ). The cult of cars motorbikes and flying
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Gyani Gabor (1950- ). The social context of art deco
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Gyergyadesz Laszló (1947- ). From Andrassy Avenue to the Cifra Palace. The Wolfner-Farkas-Glucks Collection in the Katona József Museum of Kecskemet
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Harambourg Lydia (1947- ). Istvan Farkas: a modernist of the Ecole de Paris
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Hessky Orsolya (1965- ). An era of changes (1770-1830)
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Hessky Orsolya (1965- ). Miklós Barabas. From Italy to Pest
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Hessky Orsolya (1965- ). The allure of Rome
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Hessky Orsolya (1965- ). The emergence of naturalism in contemporary press
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