Sortowanie
Źródło opisu
Biblioteka Muzeum Narodowego
(3)
Forma i typ
Książki
(3)
Dostępność
dostępne
(2)
wypożyczone
(1)
Placówka
Magazyn
(3)
Autor
Alexander David (1937- ). English colour-printed stipple engravings 1774-1800
(1)
Banham Rob. Colour for commerce: letterpress-printed ephemera in Britain 1700-1830
(1)
Berger Sidney E. (1944- ). Bringing colour to books and objects with decorated paper in the long 18th century
(1)
Christoforou Dionysia. From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe
(1)
Cloonan Michele Valerie (1955- ). Bringing colour to books and objects with decorated paper in the long 18th century
(1)
Cook Karen Severud (1943- ). The contribution of a la poupee inking to natural history illustration in France 1800-70
(1)
Ferguson Patricia F. Colour printing on English ceramics 1751-70
(1)
Foulon Pierre-Jean (1948- )
(1)
Gonzalez Victor (1988- ). From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe
(1)
Grasselli Margaret Morgan (1951- )
(1)
Grasselli Margaret Morgan (1951- ). Multiple-plate colour prints and the problems of disappearing inks missing plates and variant impressions
(1)
Grasselli Margaret Morgan (1951- ). Printed paintings and engraved drawings: technical innovations in colour printing in 18-th century France
(1)
Grasselli Margaret Morgan (1951- ). Tools machines and techniques for colour printing in 18th-Century Europe
(1)
Greene Susan W. (1942- ). Early dye-patterned colour on calico in Europe 1600-1840
(1)
Grimsditch Herbert Borthwick (1898- )
(1)
Hoisington Rena M. (1971- ). Francois Philippe Charpentier and the development of aquatint in France in the 1760s
(1)
Janse Geert-Jan (1944- ). Anne Allen Jean Pillement and the development of a la poupee prinnting in France
(1)
Le Bitouze Corinne (1962?- )
(1)
Le Bitouze Corinne (1962?- ). The market for colour prints in Paris at the end of the 18th century
(1)
Mapes Phillippa (1963?- ). Printed wallpaper in England in the long 18th century
(1)
Mullen Manon van der (1985?- ). From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe
(1)
Nicoliello Alice (1988- ). Colour orinting in late 18-th century Italy: Edouard and Louis Dagoty 1770-1800
(1)
Nurse Julia (1970?- ). Colouring the body: printed colour in medical treatises during the long 18th century
(1)
Palandri Chiara (1960- ). A Voyage pittoresque in Norway through colour prints 1789-c. 1815
(1)
Phillips Michael (1940- ). William Blake's colour printing: methods and materials
(1)
Pichon Leon (1876-1956)
(1)
Savage Elizabeth (1981- )
(1)
Savage Elizabeth (1981- ). Colour printing inks and colour inking in 18th-Century Europe
(1)
Savage Elizabeth (1981- ). Tools machines and techniques for colour printing in 18th-Century Europe
(1)
Seifert Christian Tico (1968- ). John Baptist Jackson: printing chiaroscuro and colour woodcuts in Paris Venice and London
(1)
Spadaccini Benedetta (1982- ). Coloured prints in imitation of old master drawings in 18th-century Italy: Anton Maria Zanetti the Elder Benigni Bossi Francesco Roasaspina and their contemporaries
(1)
Stijnman Ad (1957- ). Anatomy to embroidery: intaglio colour-printed illustrations in European books and periodicals 1700-1850
(1)
Stijnman Ad (1957- ). Colour letterpress in Europe in the long 18th century: a first survey
(1)
Tetermazova Zalina Valer'evna (1987?- ). Between painting and graphic arts: colour printmaking in Russia 1750s-1800s
(1)
Turner Simon (1952- ). Elisha Kirkall and his proposals for printing in chiaroscuro natural colours and tints 1720-40
(1)
Twyman Michael (1934- ). Innovation and tradition in early 19th-century colour printing
(1)
Twyman Michael (1934- ). The beginnings of commercial colour printing in Europe 1835-40
(1)
Rok wydania
2020 - 2026
(1)
1990 - 1999
(1)
1920 - 1929
(1)
Kraj wydania
Wielka Brytania
(2)
Belgia
(1)
Język
angielski
(2)
francuski
(1)
Temat
Ilustracje francuskie
(2)
Druk wielobarwny
(1)
Drukarstwo
(1)
Książka
(1)
Temat: czas
1801-
(2)
1701-
(1)
1901-
(1)
3 wyniki Filtruj
Brak okładki
Książka
W koszyku
The new book-illustration in France / by Léon Pichon ; transl. from the French by Herbert B. Grimsditch. - London : The Studio, 1924 (London : Herbert Reiach). - VII, 168 s. : il. (w tym kolor.) ; 29 cm.
"The Studio. Special number" ; Winter 1924.
Cena: 7/b porto 2/b = 10.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 3612 (1 egz.)
Brak okładki
Książka
W koszyku
(Monographies du Musée Royal de Mariemont ; 10)
Bibliogr. s. 118-123. Indeksy.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 10678 (1 egz.)
Książka
W koszyku
(Proceedings of the British Academy, ISSN 0068-1202 ; 263)
Autor
Grasselli Margaret Morgan (1951- ). Red. Savage Elizabeth (1981- ). Red. Alexander David (1937- ). English colour-printed stipple engravings, 1774-1800 Banham Rob. Colour for commerce: letterpress-printed ephemera in Britain, 1700–1830 Berger Sidney E. (1944- ). Bringing colour to books and objects with decorated paper in the long 18th century Le Bitouzé Corinne (1962?- ). Christoforou Dionysia. From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe Cloonan Michèle Valerie (1955- ). Bringing colour to books and objects with decorated paper in the long 18th century Cook Karen Severud (1943- ). The contribution of a la poupee inking to natural history illustration in France, 1800-70 Ferguson Patricia F. Colour printing on English ceramics, 1751-70 Gonzalez Victor (1988- ). From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe Grasselli Margaret Morgan (1951- ). Multiple-plate colour prints and the problems of disappearing inks, missing plates, and variant impressions Grasselli Margaret Morgan (1951- ). Printed paintings and engraved drawings: technical innovations in colour printing in 18-th century France Grasselli Margaret Morgan (1951- ). Tools, machines, and techniques for colour printing in 18th-Century Europe Greene Susan W. (1942- ). Early dye-patterned colour on calico in Europe, 1600-1840 Hoisington Rena M. (1971- ). Francois Philippe Charpentier and the development of aquatint in France in the 1760s Janse Geert-Jan (1944- ). Anne Allen, Jean Pillement, and the development of a la poupee prinnting in France Le Bitouzé Corinne (1962?- ). The market for colour prints in Paris at the end of the 18th century Mapes Phillippa (1963?- ). Printed wallpaper in England in the long 18th century Mullen Manon van der (1985?- ). From colour theory to colour oractice: printmakers in pursuit of the ideal pigments in 18th-century Europe Nicoliello Alice (1988- ). Colour orinting in late 18-th century Italy: Edouard and Louis Dagoty, 1770-1800 Nurse Julia (1970?- ). Colouring the body: printed colour in medical treatises during the long 18th century Palandri Chiara (1960- ). A Voyage pittoresque in Norway through colour prints, 1789-c. 1815 Phillips Michael (1940- ). William Blake's colour printing: methods and materials Savage Elizabeth (1981- ). Colour printing inks and colour inking in 18th-Century Europe Savage Elizabeth (1981- ). Tools, machines, and techniques for colour printing in 18th-Century Europe Seifert Christian Tico (1968- ). John Baptist Jackson: printing chiaroscuro and colour woodcuts in Paris, Venice, and London Spadaccini Benedetta (1982- ). Coloured prints in imitation of old master drawings in 18th-century Italy: Anton Maria Zanetti the Elder, Benigni Bossi, Francesco Roasaspina, and their contemporaries Stijnman Ad (1957- ). Anatomy to embroidery: intaglio colour-printed illustrations in European books and periodicals, 1700-1850 Stijnman Ad (1957- ). Colour letterpress in Europe in the long 18th century: a first survey Tetermazova Zalina Valer'evna (1987?- ). Between painting and graphic arts: colour printmaking in Russia, 1750s-1800s Turner Simon (1952- ). Elisha Kirkall and his proposals for printing in chiaroscuro, natural colours, and tints, 1720–40 Twyman Michael (1934- ). Innovation and tradition in early 19th-century colour printing Twyman Michael (1934- ). The beginnings of commercial colour printing in Europe, 1835-40
Autorzy: David Alexander, Rob Banham, Sidney E. Berger, Corinne Le Bitouzé, Dionysia Christoforou, Michßele V. Cloonan, Patricia F. Ferguson, Victor Gonzalez, Susan W. Greene, Rena M. Hoisington, Geert-Jan Janse, Phillippa Mapes, Margaret Morgan Grasselli, Alice Nicoliello, Julia Nurse, Chiara Palandri, Michael Phillips, Elizabeth Savage, Christian Tico Seifert, Karen Severud Cook, Benedetta Spadaccini, Ad Stijnman, Zalina Tetermazova, Simon J. Turner, Michael Twyman, Manon Van Der Mullen.
Bibliogr. s. 404-421.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 28135 (1 egz.)
Długość kolejki oczekujących: 1.
Pozycja została dodana do koszyka. Jeśli nie wiesz, do czego służy koszyk, kliknij tutaj, aby poznać szczegóły.
Nie pokazuj tego więcej