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270 wyników Filtruj
Książka
W koszyku
Artysta/kurator / pod redakcją Marii Poprzęckiej. - Warszawa : Stowarzyszenie Historyków Sztuki, 2019. - 261, [3] s. : il. (gł. kolor.) ; 21 cm.
(Studia z Metodologii Historii Sztuki)
Autor
Poprzęcka Maria (1942- ). Czekalski Stanisław (1967- ). Artysta, kurator i spektakl dzieła sztuki w narratologii Mieke Bal Czekalski Stanisław (1967- ). The artist, the curator, and the spectacle of an art work in Mieke Bal's narratology Deptuła Bogusław (1965- ). Kuratorem bywać Deptuła Bogusław (1965- ). To be an occasional curator Drabarczyk Paweł. A history of insanity in the age of the curatorial turn Drabarczyk Paweł. Historia szaleństwa w dobie kuratoringu Haake Michał. A meeting of old and contemporary art as a subject of curatorial practice Haake Michał. Spotkanie sztuki dawnej i współczesnej jako temat praktyki kuratorskiej Jaźwierski Jacek (1970- ). Nie-artyści o sztuce Jaźwierski Jacek (1970- ). Non-artists on art Juszkiewicz Piotr (1959- ). Carl Einstein's Negerplastik (1915) and exhibitions of primitive art Juszkiewicz Piotr (1959- ). Negerplastik Carla Einsteina (1915) i wystawy sztuki prymitywnej Kasperowicz Ryszard (1968- ). Bracia Schleglowie, czyli idealny kurator romantyczny Kasperowicz Ryszard (1968- ). Die Brueder Schlegels - or the perfect art curator Kiepuszewski Łukasz (1971- ). Kurator i artysta - Kępiński i Potworowski Kiepuszewski Łukasz (1971- ). The curator and the artist - Kępiński and Potworowski Król Anna (1958- ). I, a curator... Król Anna (1958- ). Ja, kurator(ka)... Leśniakowska Marta. An artist as a self-curator Leśniakowska Marta. Artysta jako self-kurator Lipiński Filip (1979- ). "Exposition value": Louise Lawler's practice as the artist and the curator Lipiński Filip (1979- ). "Wartość ekspozycyjna": artystyczno-kuratorskie praktyki Louise Lawler Morawińska Agnieszka (1944- ). Agnieszka Morawińska interviewed by Maria Poprzęcka Morawińska Agnieszka (1944- ). Z Agnieszką Morawińską rozmawia Maria Poprzęcka Poprzęcka Maria (1942- ). Agnieszka Morawińska interviewed by Maria Poprzęcka Poprzęcka Maria (1942- ). Anda Rottenberg interviewed by Maria Poprzęcka Poprzęcka Maria (1942- ). Partnerships Poprzęcka Maria (1942- ). Z Agnieszką Morawińską rozmawia Maria Poprzęcka Poprzęcka Maria (1942- ). Z Andą Rottenberg rozmawia Maria Poprzęcka Poprzęcka Maria (1942- ). Związki partnerskie Radomska Magdalena. An exhibition of an invisible work Radomska Magdalena. Wystawa niewidzialnej pracy - strajk w maskach Róży Luksemburg Rosales Rodríguez Agnieszka (1974- ). O użyciu i nadużyciu biedermeieru - strategie kuratora Rosales Rodríguez Agnieszka (1974- ). On the use and abuse of Biedermeier - curator's strategies Rottenberg Anda (1944- ). Adam Szymczyk interviewed by Anda Rottenberg Rottenberg Anda (1944- ). Anda Rottenberg interviewed by Maria Poprzęcka Rottenberg Anda (1944- ). Z Adamem Szymczykiem rozmawia Anda Rottenberg Rottenberg Anda (1944- ). Z Andą Rottenberg rozmawia Maria Poprzęcka Szczerski Andrzej (1971- ). Art historian or curator Szczerski Andrzej (1971- ). Historyk sztuki, czyli kurator Szymczyk Adam (1970- ). Adam Szymczyk interviewed by Anda Rottenberg Szymczyk Adam (1970- ). Z Adamem Szymczykiem rozmawia Anda Rottenberg Świtek Gabriela (1969- ). Czy artysta potrzebuje kuratora? Świtek Gabriela (1969- ). Does an artists need a curator?
Indeks R0: BMNK
Bibliogr. w przypisach.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34139 (1 egz.)
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
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Bibliogr. s. 765-866. Indeks.
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(Bibliotheca Academiae Hungariae - Roma : studia / comitato scientifico Philippe Chenaux, László Csorba, András Fejérdy, Pál Fodor, Pál Hatos, Alexander Koller, Antal Molnár (coordinatore), Maria Antonietta Visceglia ; 7)
Autor
Barral i Altet Xavier (1947- ). Lővei Pál (1955- ). Lucherini Vinni (1964- ). Takács Imre (1959- ). Molnár Antal (1969- ). Boreczky Katalin. Campbell Alan. Kane Steve. Strong Lara. Chenaux Philippe (1959- ). Csorba László (1952- ). Fejérdy András (1977- ). Fodor Pál (1955- ). Hatos Pál (1971- ). Koller Alexander (1971- ). Visceglia Maria Antonietta. Barral i Altet Xavier (1947- ). Introduction. Hungarian Medieval Art from a European Point of View Barral i Altet Xavier (1947- ). The Szentkirály Romanesque Tympanum Biczó Piroska (1945- ). The Hungarian National Museum in Budapest Boreczky Anna. Book culture in medieval Hungary Endrődi Gábor. Winged altarpieces in medieval Hungary Farbaky Péter (1957- ). The Bakócz Chapel of Esztergom Farbaky Péter (1957- ). The Budapest History Museum Farbaky Péter (1957- ). The Royal Palace of Buda during the reigns of Matthias Corvinus and the Jagiellonian kings Feld István (1951- ). Castles, mansions and manor houses in medieval Hungary Gerát Ivan (1964- ). The high altar retable of Saint Elizabeth in Košice (Kassa/Kaschau) Havasi Krisztina. Romanesque sculpture in medieval Hungary Havasi Krisztina. The mediaval cathedral of Pécs Havasi Krisztina. The Provostry Church of the Virgin Mary in Székesfehérvár Jékely Zsombor (1970- ). Expansion to the countryside: Rural archirecture in medieval Hungary Jékely Zsombor (1970- ). The medieval Augustinian Church of Siklós and the wall paintings in the sanctuary Klaniczay Gábor (1950- ). The cult of the saints and their artistic representation in recent Hungarian historiography Lővei Pál (1955- ). Collections of stone carvings Lővei Pál (1955- ). Epigraphy and tomb sculpture Lővei Pál (1955- ). "Hungarian Trecento": Art in the Angevin era Lővei Pál (1955- ). The sepulchral monument of Saint Margaret of Hungary Lővei Pál (1955- ). Urban Architecture Lucherini Vinni (1964- ). The artistic visualization of the concept of Kingship in Angevin Hungary Lucherini Vinni (1964- ). The Chapel of the Royal Palace of Esztergom and its late-medieval mural paintings Lucherini Vinni (1964- ). The Hungarian illuminated chronicle Marosi Ernő (1940-2021). The coronation mantle of the Hungarian kings, originally chasuble of King Stephen I and Queen Gisella Marosi Ernő (1940-2021). The Holy Crown of Hungary: The "Crown of Saint Stephen" Marosi Ernő (1940-2021). Two centuries of research, from the Austro-Hungarian Monarchy to the present Mikó Árpád (1959- ). A Renaissance Dream: Arts in the Court of King Matthias Papp Gábor György (1971- ). Medievalism in nineteenth-century Hungarian architecture Papp Szilárd (1970- ). Gothic statues from the Royal Palace of Buda Papp Szilárd (1970- ). The Castle of Vajdahunyad (Hunedoara) Poszler Györgyi (1960- ). The old Hungarian collection of the Hungarian National Gallery in Budapest Sarkadi Nagy Emese (1977- ). The Christian Museum in Esztergom Szakács Béla Zsolt (1968- ). Romanesque architecture: abbeys and cathedrals Szakács Béla Zsolt (1968- ). The Benedictine Abbey Church in Ják Szakács Béla Zsolt (1968- ). The Benedictine Abbey Church in Lébény Szakács Béla Zsolt (1968- ). The Benedictine Abbey Church in Tihany Szakács Béla Zsolt (1968- ). The Hungarian Angevin legendary Szende Katalin G. (1965- ). Towns and urban networks in the Carpathian Basin between the eleventh and the early sixteenth centuries Szovák Kornél (1962- ). Written sources on Hungarian medieval art history Takács Imre (1959- ). "Hungarian Trecento": Art in the Angevin era Takács Imre (1959- ). Medieval Twilight or Early Modern Dawn: Art in the era of Sigismund of Luxembourg Takács Imre (1959- ). The Chapel of the Royal Palace of Esztergom and its late-medieval mural paintings Takács Imre (1959- ). The first century of Gothic in Hungary Takács Imre (1959- ). The medieval Cathedral of Gyulafehérvár (Alba Iulia) Takács Imre (1959- ). The medieval Saint Adalbert's Cathedral in Esztergom and the Porta Speciosa Takács Imre (1959- ). The Royal Palace of Visegrád Takács Imre (1959- ). The treasury of Esztergom Cathedral Wetter Evelin (1969- ). Precious metalwork and textile treasures i late medieval Hungary Ziegler-Bálint Ágnes. The Brukenthal Museum in Sibiu (Nagyszeben/Hemannstadt)
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Bibliogr. s. 481-528 i przy rozdz. Indeks.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 32776 (1 egz.)
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Materiały z konf., Warszawa, 10-12 października 2014.
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Są egzemplarze dostępne do wypożyczenia: II 32293 (1 egz.)
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(Acta Academiae Artium Vilnensis ; 96)
Autor
Račiūnaitė Tojana (1967- ). Balaišytė Lina. Kaukių baliai ir XVIII a. visuomenė Balaišytė Lina. Masquerades and the 18th century society Jankevičiutė Giedrė (1960- ). Dujokaukės įvaizdis Lietuvos XX a. 4 dešimtmečio vizualinėje kultūroje: karo nuojautos ženklai Jankevičiutė Giedrė (1960- ). The image of gas mask in the Lithuanian visual culture of the 1930s: the premonitions of war Janonienė Rūta (1960- ). Kristinos Eufemijos Radvilaitės atvaizdai su šventųjų "kaukėmis" - identifikacijos bandymas Janonienė Rūta (1960- ). The portraits of Krystyna Eufemia Radziwiłłówna with the 'masks' of the Saints: an attempt at identification Januškaitė-Krupavičė Evelina. (1988- ). Atvaizdas atspindyje - mimetinis ir laikiškas patyrimas šiuolaikiniame mene Januškaitė-Krupavičė Evelina. (1988- ). The image in a reflection: mimetic experiences in everyday life and contemporary art Lebednykaitė Miglė (1976- ). Pekino operos reliktai lietuvoje: kinų medžio graviūrų rinkinys Lebednykaitė Miglė (1976- ). The case of Pekin opera in Lithuania: the collection of Chinese woodblock prints Lelekauskaitė-Karlienė Rita. Marijos Lupu-Radvilienės veidai Lelekauskaitė-Karlienė Rita. The many faces of Maria Lupu-Radziwill Mickūnaitė Giedrė (1971- ). "Kiek juoko dievams visagaliams!", arba kita Žygimanto Augusto medalio pusė Mickūnaitė Giedrė (1971- ). "The Gods were moved to laughter" or the other face of Sigismund Augustus' medal Račiūnaitė Tojana (1967- ). Kosmetinės kaukės motyvas Lietuvos šioulaikinėje dailėje Račiūnaitė Tojana (1967- ). Lion and eagle, man and column: hybrid images in the decorum of the Kretinga church doors Račiūnaitė Tojana (1967- ). Liūtas ir erelis, žmogus ir kolona: hibridiniai atvaizdai Kretingos bažnyčios durų dekore Račiūnaitė Tojana (1967- ). The motif of a cosmetic mask in Lithuanian art of the 2010s Ragėnaitė Vaida (1974- ). Faces of grief and hope in the works of Vincentas Smakauskas Ragėnaitė Vaida (1974- ). Sielvarto ir vilties veidai Vincento Smakausko kūryboje Vitkutė Joana. Pavidalas ar kūnas? Dailėtyrinės Berniuko su rože ištarmės Vitkutė Joana. Shape or body? The art theoretical reflections on Boy with a rose
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Materiały konferencyjne: Vilniaus dailės akademijos Dailetyros instituto, 16-17 maja 2019 r.
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: II 34733 (1 egz.)
Brak okładki
Książka
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(Prace Komisji Historii Sztuki / Poznańskie Towarzystwo Przyjaciół Nauk. Wydział Nauk o Sztuce, ISSN 0079-466X ; t. 31)
(Obraz, Oko, Słowo : materiały seminarium Instytutu Historii Sztuki UAM i Muzeum Narodowego w Poznaniu)
Tyt. równoległy: "Melancholy" by Jacek Malczewski
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Są egzemplarze dostępne do wypożyczenia: III 11890 (1 egz.)
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Autor
Kopania Kamil (1979- ). ʻAẓīmʹpūr Pūpak (1971 lub 1972- ). Handmade dolls of the Iranian Nation, the representatives of culture and civilization Banzhaf Pia. Ontology of the puppet Bezuidenhout Pieter. Handspring Puppet Company: an international South Afrikapuppet phenomen Branco Guerreiro Marta. Marionetas de Säo Lourenço: the puppet as an artistic object, from the stage to the museum Brockington Grace. Puppetry and ambivalence in the art of Paul Nash Đerđ Zdenka. Theatre of freaks by Zlatko Bourek Fooken Insa (1947- ). "Help me to see beyond": dolls and doll narratives in the context of coming of age Fouché Mienke. Design and construction of fantasy marionettes through the Study of Animal Anatomy and Movement Gyaltso Lenka. Losel dolls Hofer Roberta. "It's a set! It's a show! Everybody's wathing you!" Kopania Izabela (1979- ). Dolls as document Kopania Kamil (1979- ). Introduction Mikota Jana. "Help me to see beyond": dolls and doll narratives in the context of coming of age Mirzahosseini Fahimeh. Study of reception process of children aged six to eight years in theatre, based on reception phenomenological approach Özgüner Emin Artun. Desire/scren/look relationship in the making of a doll: the case study of a personal experience Pacey Bett. Multi-media performance: two puppetry productions by the Handspring Puppet Company based on Italo Svevo's La Conscienza di Zeno Piecyk Magdalena Anna. History of japanese Ningyo from the Edo Period: the art of the japanese dolls, their role and meaning in society Ryndová Jana. Minamoto no Yoshitsne, japanese puppetry (Bunraku) and graphic art in the collection of the National Gallery in Prague Smith Matt. Hand to hand: the dynamic situation of applied puppetry Rhiger Tenna. How puppetry can assist pastors in obtaining a greater understanding ot their liturgical practice Vigato Teodora. Croatian folk puppeteering
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Bibliogr. przy art.
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Są egzemplarze dostępne do wypożyczenia: II 32447 (1 egz.)
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The Routledge Companion to medieval iconography / edited by Colum Hourihane. - London ; New York : Routledge Taylor & Francis Group, 2017. - XXXII, 547 s., [8] s. tabl.kolor. : il. ; 26 cm.
Autor
Hourihane Colum (1955- ). Hourihane Colum (1955- ). Medieval iconography, an introduction Drysdall Denis L. Andrea Alciato Daly Peter M. (1936- ). Andrea Alciato Logemann Cornelia (1975- ). Ripa, the trinciante Maraszak Émilie (1985- ). Adlophe-Napoléon Didron (Paris 1867-Hautvilliers 1906) Russo Daniel (1956- ). Louis Réau Ambrose Kirk (1968- ). Émile Mâle Huisstede Pieter van (1957- ). Aby M. Warburg Mazzucco Katia. Fritz Saxl Wuttke Dieter (1929- ). Erwin Panofsky (1892-1968) Hourihane Colum (1955- ). Charles Rufus Morey and the Index of Christian Art Grasman Edward (1953- ). Hans van de Waal, a portrait Stirnemann Patricia (1945- ). Meyer Schapiro as iconographer Reeve Matthew M. Michael Camille's queer Middle Ages Dekoninck Ralph. Anthropology of images Franceschini Chiara. Classifying image content in visual collections Clarke Sherman. Library of Congress subject headings Brandhorst J. P. J. (1956- ). Iconclass Posthumus Etienne. Iconclass Vicelja Marina. Religious iconography Morrison Karl Frederick (1936- ). Liturgical iconography Wolter-von dem Knesebeck Harald (1964- ). Secular iconography Caviness Madeline Harrison (1938- ). Erotic iconography Harris Anne F. Iconography of narrative Szőnyi György Endre (1952- ). Political iconography and the emblematic way of seeing Blume Dieter (1952- ). Picturing the stars - scientific iconography in the Middle Ages Hartnell Jack. Medicine's image Pastan Elizabeth Carson (1955- ). Patronage Holladay Joan A. Royal and imperial iconography Valdez del Álamo Elizabeth. Iconography of architecture Hablot Laurent (1972- ). Heraldic imagery, definition, and principles Scully Diarmuid. Medieval maps and diagrams Lindquist Sherry C. M. (1946- ). Iconography of gender Easton Martha. Feminist art history and medieval iconography Petzold Andreas. Iconography of color Fisher Celia. Flowers and plants, the living iconography Gerstel Sharon E. J. Iconography of light Cothren Michael Watt (1951- ). Iconography of light Boynton Susan (1966- ). Visual representation of music and sound Patton Pamela Anne (1964- ). Other in the Middle Ages Strickland Debra Higgs (1958- ). Animal iconography Mittman Asa Simon (1976- ). Monstrous iconography Kim Susan M. Monstrous iconography
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U dołu okł.: "An Ashgate Book".
Indeks.
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Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: (H 7.04"04/14") sygn. III 22509 (1 egz.)
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The Routledge Companion to medieval iconography / edited by Colum Hourihane. - London ; New York : Routledge Taylor & Francis Group, 2019. - XXXII, 547 s., [8] s. tabl. kolor. : il. ; 25 cm.
Autor
Hourihane Colum (1955- ). Hourihane Colum (1955- ). Medieval iconography, an introduction Drysdall Denis L. Andrea Alciato Daly Peter M. (1936- ). Andrea Alciato Logemann Cornelia (1975- ). Ripa, the trinciante Maraszak Émilie (1985- ). Adlophe-Napoléon Didron (Paris 1867-Hautvilliers 1906) Russo Daniel (1956- ). Louis Réau Ambrose Kirk (1968- ). Émile Mâle Huisstede Pieter van (1957- ). Aby M. Warburg Mazzucco Katia. Fritz Saxl Wuttke Dieter (1929- ). Erwin Panofsky (1892-1968) Hourihane Colum (1955- ). Charles Rufus Morey and the Index of Christian Art Grasman Edward (1953- ). Hans van de Waal, a portrait Stirnemann Patricia (1945- ). Meyer Schapiro as iconographer Reeve Matthew M. Michael Camille's queer Middle Ages Dekoninck Ralph. Anthropology of images Franceschini Chiara. Classifying image content in visual collections Clarke Sherman. Library of Congress subject headings Brandhorst J. P. J. (1956- ). Iconclass Posthumus Etienne. Iconclass Vicelja Marina. Religious iconography Morrison Karl Frederick (1936- ). Liturgical iconography Wolter-von dem Knesebeck Harald (1964- ). Secular iconography Caviness Madeline Harrison (1938- ). Erotic iconography Harris Anne F. Iconography of narrative Szőnyi György Endre (1952- ). Political iconography and the emblematic way of seeing Blume Dieter (1952- ). Picturing the stars - scientific iconography in the Middle Ages Hartnell Jack. Medicine's image Pastan Elizabeth Carson (1955- ). Patronage Holladay Joan A. Royal and imperial iconography Valdez del Álamo Elizabeth. Iconography of architecture Hablot Laurent (1972- ). Heraldic imagery, definition, and principles Scully Diarmuid. Medieval maps and diagrams Lindquist Sherry C. M. (1946- ). Iconography of gender Easton Martha. Feminist art history and medieval iconography Petzold Andreas. Iconography of color Fisher Celia. Flowers and plants, the living iconography Gerstel Sharon E. J. Iconography of light Cothren Michael Watt (1951- ). Iconography of light Boynton Susan (1966- ). Visual representation of music and sound Patton Pamela Anne (1964- ). Other in the Middle Ages Strickland Debra Higgs (1958- ). Animal iconography Mittman Asa Simon (1976- ). Monstrous iconography Kim Susan M. Monstrous iconography
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Bibliogr. w przypisach. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: II 33522 (1 egz.)
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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Bibliogr. s. 792-890. Indeks.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
Książka
W koszyku
Autor
Kasíková Lucie. Kotková Olga (1967- ). Jandlová Sošková Martina (1963- ). Between the North and South: German travelling artists in the 17th century Jandlová Sošková Martina (1963- ). Dějiny Sbírky starého umění v souvislosti se souborem vystaveným ve Šternberském paláci Jandlová Sošková Martina (1963- ). 18th century art in Vienna. Viennese cabinet painting in the 18th century Jandlová Sošková Martina (1963- ). Francouzští umělci v Římě v 17. a 18. století Jandlová Sošková Martina (1963- ). French artists in Rome in the 17th and 18th centuries Jandlová Sošková Martina (1963- ). History of the Collection of old masters in relation to the artworks displayed in the Sternberg Palace Jandlová Sošková Martina (1963- ). Mezi severem a jihem: cesty německých malířů v 17. století Jandlová Sošková Martina (1963- ). Španělské sochařství 16. a 17. století a technika "estofado" Jandlová Sošková Martina (1963- ). Spanish sculpture in the 16th and 17th centuries and the "estofado" technique Jandlová Sošková Martina (1963- ). Umění 18. století ve Vídni. Vídeňská kabinetní malba v 18. století Kotková Olga (1967- ). Art centres in the Southeast of to today's Germany: Nuremberg and Augsburg Kotková Olga (1967- ). Collection of Archduke Franz Ferdinand of Austria. Italian art of the 14th - 16th centiries Kotková Olga (1967- ). Dějiny Sbírky starého umění v souvislosti se souborem vystaveným ve Šternberském paláci Kotková Olga (1967- ). Dutch and Flemish painting: still lifes & landscape painting Kotková Olga (1967- ). Flemish painting of the high baroque era: Antwerp as a significant art centre Kotková Olga (1967- ). Flemish painting of the 17th century Kotková Olga (1967- ). German art of the 15th and 16th centuries Kotková Olga (1967- ). Hans Raphon, Pašijový iltář z Göttingenu Kotková Olga (1967- ). Hans Raphon, The Passion altarpiece from Göttingen Kotková Olga (1967- ). History of the Collection of old masters in relation to the artworks displayed in the Sternberg Palace Kotková Olga (1967- ). Holandská a vlámská malba: zátiší a krajinomalba Kotková Olga (1967- ). Icons. The N.P. Kondakov Archaeological Institute Kotková Olga (1967- ). Ikony. Archeologický institut N. P. Kondakova Kotková Olga (1967- ). Malířská rodina Brueghelů Kotková Olga (1967- ). Německé umění 15. a 16. století Kotková Olga (1967- ). Netherlandish art of the 15th and 16th centuries. Landscape painting Kotková Olga (1967- ). Nizozemské umění 15. a 16. století. Krajinářství Kotková Olga (1967- ). Sbírka rakouského arcivévody Františka Ferdinanda d'Este. Italské umění 14. - 16. století Kotková Olga (1967- ). The Brueghel family of painters Kotková Olga (1967- ). Umělecká centra na jihovýchodě dnešního Německa: Norimberk a Augsburg Kotková Olga (1967- ). Vlámská malba vrcholného baroka: Antverpy jako významné umělecké centrum Kotková Olga (1967- ). Vlámské malířství 17. století Němečková Lucie (1969- ). Benátské a boloňské malíství Němečková Lucie (1969- ). Between Madrid and Naples Němečková Lucie (1969- ). Dějiny Sbírky starého umění v souvislosti se souborem vystaveným ve Šternberském paláci Němečková Lucie (1969- ). Dutch and Flemish painting: still lifes & landscape painting Němečková Lucie (1969- ). Dutch painting of the 17th century and its main centres Němečková Lucie (1969- ). History of the Collection of old masters in relation to the artworks displayed in the Sternberg Palace Němečková Lucie (1969- ). Holandská a vlámská malba: zátiší a krajinomalba Němečková Lucie (1969- ). Holandská a vlámská žánrová malba 17. století: každodenni svět Němečková Lucie (1969- ). Holandské malířství 17. století a jeho hlavní centra Němečková Lucie (1969- ). Italian art of the high renaissance and mannerism Němečková Lucie (1969- ). Italské umění vrcholné renesance a manýrismu Němečková Lucie (1969- ). "Leidse Fijnschilders": Leiden as a centre of fine painting Němečková Lucie (1969- ). "Leidse Fijnschilders": Leiden jako centrum drobnomalby Němečková Lucie (1969- ). Mezi Madridem a Neapolí Němečková Lucie (1969- ). 17th-century Dutch and Flemish genre painting: everyday life Němečková Lucie (1969- ). Venetian and Bolognese painting Winzeler Marius (1970- ). Šternberský palác na Hradčanech Winzeler Marius (1970- ). The Sternberg Palace at Hradčany
Indeks R0: BMNK
Bibliogr. s. 289-291.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26337 (1 egz.)
Książka
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Autor
Binder Otmar. Haak Christina (1966- ). Helfrich Miguel. Radowitz Philip. Tocha Veronika. Badde Aurelia (1967- ). Conservation and restoration at the Gipsformerei: mission, challanges and prospects Berner Margit. Lost moulds Bogdanski Lothar. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Burg Fabian. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Burg Fabian. Glossary: technology and craftsmanship at the Gipsformerei Bürgel Jan. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Flecker Manuel (1978- ). Terra incognita: lifecasts in antiquity Gassmann Johanna. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Grimm Susanne. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Gröting Asta (1961- ). Casting as art. A conversation with Asta Gröting Hiller von Gaertringen Hans Georg (1972- ). 'Berlin supplies the World with Gods': the history of the Gipsformerei, Staatliche Museen zu Berlin, 1819-2019 Hoppe Cornelia. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Jerichow Samuel. Polar Bear.STL John-Schoubye Peter. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Klöppel Timo (1981- ). Conservation and restoration at the Gipsformerei: mission, challanges and prospects Klöppel Timo (1981- ). Glossary: technology and craftsmanship at the Gipsformerei König Hanne. Transformation as a concept: notes on the exhibition architecture Kramer Stefan. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Lange Britta (1973- ). Lost moulds Meyer Daniel. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Michele Sandro di. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Miniers Marc. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Nikolai Angela (1985- ). After nature, near nature? The plant casts from Moritz Meurer's Collection of teaching aids Palau Rainer. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Rauch Nicolas. Transformation as a concept: notes on the exhibition architecture Schelper Thomas. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Schelper Thomas. Glossary: technology and craftsmanship at the Gipsformerei Schelper Thomas. Lost moulds Schipka Andreas. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Schulz Robin. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Seyfried Friederike (1960- ). Meeting at the workshop of Thutmose: two casts from Tell el-Amarna Siebert Moritz (1983- ). Can that still be called art? Death masks as tools for sculptors Stoll Kerstin. Lost moulds Thieme Nadine. Meeting at the workshop of Thutmose: two casts from Tell el-Amarna Tocha Veronika. Anthropological casts in the collection of the Gipsformerei: a stocktaking Tocha Veronika. Casting as art. A conversation with Asta Gröting Tocha Veronika. Near life: the Gipsformerei - 200 years of casting plaster Tocha Veronika. Pars pro toto: the Kunstgewerbemuseum casts of body parts in the Collection of the Gipsformerei Völlnagel Jörg (1967- ). Excursus: galvanoplastics. A recipe for artificial creation and eternal life? Weinhold Joachim. Polar Bear.STL Zaubitzer Hardy. Conservation and restoration at the Gipsformerei: mission, challanges and prospects
Indeks R0: BMNK
Katalog wystawy w Staatliche Museum zu Berlin, James-Simon-Galerie, 30 sierpnia 2019 do 1 marca 2020.
U góry k. tyt. nazwa aut.: Veronika Tocha.
Bibliogr. s. 262. Słownik terminów s. 233-238.
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Zapytaj bibliotekarza: III 24803 (1 egz.)
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(Studies in Conservation. Supplement ; 3)
Autor
Rivers Shayne. Saunders David. Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Auffret Stéphanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Berg Rita. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui Chang Julie. Reconstructing lacquer technology through Chinese classical texts Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research Chang Julie. Some observations on the composition of Chinese lacquer Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ Chao Raina. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Feston Briana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Grießer Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Grießer Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries Hatchfield Pamela B. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries Heginbotham Arlen. Some observations on the composition of Chinese lacquer Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Hrdličková Kučková Štěpánka. Searching for blood in Chinese lacquerware: zhu xie hui Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Johnson Galante Diana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Khanjian Herant. Some observations on the composition of Chinese lacquer Kitagawa Erin. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Körber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Mass Jennifer L. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Matsen Catherine. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Mesmaeker Delphine. The Japanese Tower at the Royal Domain in Laeken: a remarkable application of Japanese lacquer techniques in Belgium Miklin Richard. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Pace Jessica. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Petisca Maria João. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Pitthard Václav (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Pitthard Václav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Randall Megan. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Rivers Shayne. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Rivers Shayne. Editorial Saunders David. Editorial Schilling Michael R. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Schilling Michael R. Reconstructing lacquer technology through Chinese classical texts Schilling Michael R. The reproduction of realistic samples of Chinese export lacquer for research Schilling Michael R. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Schilling Michael R. Some observations on the composition of Chinese lacquer Schilling Michael R. A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Stanek Sabine. Searching for blood in Chinese lacquerware: zhu xie hui Stanek Sabine. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Strahan Donna K. Measuring mercury emissions from cinnabar lacquer objects Sully Dean. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Szelewski Mike. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Taylor Ambrose C. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Thei Judith. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Tjiong Amy. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Toro Manuela. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Tsukada Masahiko. Measuring mercury emissions from cinnabar lacquer objects Watson Adsit Kristen. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Webb Marianne. The reproduction of realistic samples of Chinese export lacquer for research
Temat
Indeks R0: BMNK
Jest to suplement nr 3 do czasopisma: Studies in Conservation. Vol. 61 (2016).
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: III 25068 (1 egz.)
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Bibliogr. s. 352-365.
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Są egzemplarze dostępne do wypożyczenia: III 22929 (1 egz.)
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(Acta Universitatis Wratislaviensis. Historia Sztuki, ISSN 0860-4746 ; 34)
Autor
Montanari Giacomo (1984- ). Wojtyła Arkadiusz (1978-2021). Wyrzykowska Małgorzata (1971- ). Arecco Davide (1975- ). Science and religion in the 17th century: the Jesuits between Genoa and Europe Baranowski Andrzej Józef. Dynastic background to jesuit academies in Central Europe Fiore Valentina. Andrea Pozzo and genoese altars: comparisons, exchanges and relations Galewski Dariusz (1970- ). Remarks on the architecture of Jesuit Colleges in the Bohemian Province, particularly in Silesia Jezierska Anna (1981- ). Some remarks on the links between rhetoric and baroque art as evidenced by the decorations in the Church of the Most Sacred Name of Jesus in Wrocław Karlik Rafał. The Aula Leopoldina at the University of Wrocław as the Temple of God’s Wisdom. Notes on the iconographic program and its sources Kolbiarz Artur. Sculpted furnishings of the jesuit church and University in Wrocław. New findings and interpretations Kozieł Andrzej (1966- ). The Aula Leopoldina at the University of Wrocław as the Temple of God’s Wisdom. Notes on the iconographic program and its sources Magnani Lauro (1952- ). Giuseppe Castiglione in Genoa: the work of a jesuit artist for the global culture of images during his chinese mission Magnani Lauro (1952- ). The Jesuit Fathers in Genoa, their art and history: new research and a long tradition of studies Nowak Romuald (1957- ). The personifications of the Cardinal Virtues from the portal of the University of Wrocław Poso Regina (1942- ). On the Church of Jesus in Lecce Rava Giovanni Paolo. The Seminary of St. Ignazio in Genoa: a building site between history, philology and traditional architectural techniques Seidel-Grzesińska Agnieszka. The Aula Leopoldina at the University of Wrocław as the Temple of God’s Wisdom. Notes on the iconographic program and its sources Stagno Laura. The iconography of Saint Anne, Mater Virginis, in the artistic patronage of the Jesuit Order: The case of Genoa Wardzyński Michał (1975- ). Sculpted furnishings of the jesuit church and University in Wrocław. New findings and interpretations Wojtyła Arkadiusz (1978-2021). Die Kirche auf der kayserlichen Burg. Some remarks on the architecture and ideological programme of the Church of the Most Sacred Name of Jesus in Wrocław Wyrzykowska Małgorzata (1971- ). Selected questions concerning the architecture of the Main Building of the University of Wrocław
Indeks R0: BMNK
W serii gł.: ISSN 0239-6661 ; no 3684.
Indeksy.
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Są egzemplarze dostępne do wypożyczenia: II 31328 (1 egz.)
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Saksonijos kurfiurstai - Lietuvos Didieji Kunigaikščiai : dvaro kultūra ir menas valdant Augustui II ir Augustui III : tarptautinės parodos katalogas, 2018 m. liepos 6 - spalio 14 d. = Kurfürsten von Sachsen - Grossfürsten von Litauen : Hofkultur und Hofkunst unter August II. und August III. : Katalog zur Internationalen Ausstellung, 6. Juli 2018 - 14 Oktober 2018 = The Saxon electors - The Grand Dukes of Lithuania : court culture and art under the reign of Augustus II and Augustus III : international exhibition catalogue, 6 July - 14 October 2018 / katalogo sudatorjai: Dalius Avižinis, Vydas Dolinskas, Dirk Syndram ; [katalogo tekstų autoriai: Marion Ackermann, Dalius Avižinis, Vydas Dolinskas, Michael Kretschmer, Dirk Syndram, Mindaugas Šapoka ; katalogo tekstų autoriai : Anette Loesch, Birgit Langhanke, Claudia Kryza-Gersch, Cora Würmell, Christiane Ernek-van der Goes, Dalius Avižinis, Dirk Syndram, Dirk Weber, Gernot Klatte, Holger Schuckelt, Jutta Charlotte von Bloh, Julia Weber, Kerstin Stöver, Roland Enke, Rainer Grund, Rita Lelekauskaitė, Ruth Sonja Simonis, Theda Jürjens, Torsten-Pieter Rösler, Toma Zarankaitė-Margienė, Vydas Dolinskas, Viktoria Pisareva, Wilhelm Hollstein ; vertėjos į lietuvių kalbą Kristina Sprindžiūnaitė, Irena Tumavičiūtė ; vertėjai į vokiečių kalbą Jürgen Buch, Markus Roduner ; vertėjos į anglų kalbą: Albina Strunga, Paulina Bugler]. - Vilnius : Nacionalinis muziejus Lietuvos Didžiosios Kunigaikštystės valdovų rūmai, 2018. - 637, [2] s. : il. kolor. ; 29 cm.
(Lietuvos Didžiųjų Kunigaikšcių Rūmų Parudų Katalogai ; t. 18)
Autor
Avižinis Dalius (1982- ). Dolinskas Vydas (1970- ). Syndram Dirk (1955- ). Buch Jürgen. Bugler Pauline. Roduner Markus (1967- ). Sprindžiūnaite Kristina. Strunga Albina. Tumavičiūtė Irena. Ackermann Marion (1965- ). An exclusive exhibition from the Dresden State Art collection at the Palace of the Grand Dukes of Lithuania in Vilnius Ackermann Marion (1965- ). Išskirtinė Dresdeno valstybinių meno rinkinių paroda Lietuvos Didžiųjų Kunigaikščių Rūmuose Vilniuje Ackermann Marion (1965- ). Sonderausstellung der Staatlichen Kunstsammlungen Dresden in Palast der Grossfürsten von Litauen in Vilnius Avižinis Dalius (1982- ). An exhibition uniting Saxony and Lithuania Avižinis Dalius (1982- ). Sachen und Litauen - verbunden durch eine Ausstellung Avižinis Dalius (1982- ). Saksoniją ir Lietuvą sujungusi paroda Bloh Jutta Charlotte von. Dolinskas Vydas (1970- ). Aus Dresden sind Lituanistische Schätze nach Vilnius gelangt Dolinskas Vydas (1970- ). Dresdene saugomi Lituanistiniai lobiai atkeliavo į Vilnįu Dolinskas Vydas (1970- ). Lithuanian treasures kept in dresden have arrived in Vilnius Enke Roland. Ernek-van der Goes Christiane. Grund Rainer. Hollstein Wilhelm (1960- ). Jürjens Theda. Klatte Gernot. Kretschmer Michael. Kryza-Gersch Claudia. Langhanke Birgit. Lelekauskaitė-Karlienė Rita. Loesch Anette. Pisareva Viktoria. Rösler Torsten-Pieter. Schuckelt Holger. Simonis Ruth Sonja. Stöver Kerstin. Syndram Dirk (1955- ). Die Staatliche Kunstsammlungen dresden - von der Kurfürstlichen Kunstkammer zum Universalmuseum Syndram Dirk (1955- ). Dresdeno valstybiniai meno rinkiniai: nuo kurfiursto kunstkameros iki Universalaus muziejaus Syndram Dirk (1955- ). The Dresden State Art collections - from Electoral Art Chamber to Universal Museum Šapoka Mindaugas. Die Herrschaft der Sächsischen Wettiner in Litauen Šapoka Mindaugas. Saksų Vetinų valdymo laikai Lietuvos istorijoje Šapoka Mindaugas. The reign of the Saxon Wettins in the history of Lithuania Weber Dirk. Weber Julia. Würmell Cora. Zarankaitė Toma.
Indeks R0: BMNK
Na s. red. błędny ISSN serii: 2351-7115.
Katalog wystawy: Nacionalinis muziejus Lietuvos Didžiosios Kunigaikštystės valdovų rūmai, 6 czerwca - 14 października 2018.
Bibliogr. s. 623-634.
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(Muzeologia : teoria, praktyka, podręczniki ; vol. 20)
Autor
Figiel Joanna (1985- ). Folga-Januszewska Dorota (1956- ). Gaburová Jasna. Jaskanis Paweł (1958- ). Kellner Elke. Lehmannová Martina (1978- ). Anděl Lubomír (1978- ). Economy: impact of museums on local development & financial sustainability Blackmore Magdalena. Museums of Migration: migrants' identity and implementing the Museum’s Mission Statement - case studies from Poland and Canada Colombo Silvia (1962- ). "Spontaneous museums" in Northern Sweden: cultural narratives within Norrbotten Da Milano Cristina. Museums as social landscapes Folga-Januszewska Dorota (1956- ). Identity builds development. How museums stimulate regional changes Gaburová Jasna. Impact of museum on cultural landscapes and social networks Godłowski Jan. Krakow Salt Works Museum at Wieliczka as an active player in the building of mining heritage community Itzel Constanze. Extending to Europe. The House of European History in Brussels Jonášová Markéta. "The second Centre Pompidou". The display of modern and contemporary art collection at the National Gallery in Prague in the light of the post-communist transformation of Czech national identity Kellner Elke. Perspectives: different identities and missions of museums Kotowski Robert (1970- ). Museum as a platform for personal development Kowal Paweł (1975- ). Eight axes of debate on the presentation of European history at the House of European History Küster Katharina (1979- ). A matter of direction? Museum occupations between resistance and complicity Lehmannová Martina (1978- ). Museums and identities. Planning an extended museum Machková Prajzová Naďa (1976- ). Agriculture: rediscovered identity in the context of fast-changing World Majewski Piotr (1970- ). Planning a museum in its surroundings, i.e. Museum in Context - introductory reflexions Malinowski Michał (1966- ). Museum - a small spark that can ignite a great flame Moran Lisa. Inheritance and transformation and the Irish Museum of Modern Art Morpurgo Guido (1964- ). A tale of two cities. Designing an extended museum of the present with the former Warsaw ghetto fragments: the Waliców Project Nessel-Łukasik Beata. Through the doorstep. Museum in relations to its millieu Novák Zdeněk (1958- ). Landscape museum for breeding and training of ceremonial carriage horses at Kladruby nad Labem in Czechia Ondruš Jindřich (1965- ). Wallachian Open-Air Museum and local development. Economic impacts of Wallachian Open Air Museum in Rožnov pod Radhoštěm Petelska Michalina. Museums of Migration: migrants' identity and implementing the Museum’s Mission Statement - case studies from Poland and Canada Potocka Maria Anna (1950- ). The genesis and strategies of MOCAK collection in relation to the city and its history Půček Milan Jan (1968- ). Agriculture: rediscovered identity in the context of fast-changing World Šimčik Antonín. Agriculture: rediscovered identity in the context of fast-changing World Supeł Robert. Through the doorstep. Museum in relations to its millieu Whitehead Christopher (1972- ). De-bordering the museum: voice, empathy and archaeologies of inequality Yaşdağ Meltem. The reconstruction of a cultural landscape by emigrant’s identity: population exchange museums in Turkey Zisook Jonathan. Towards a sociological analysis of the synagogue museum in contemporary Poland
Temat
Indeks R0: BMNK
Bibliogr. w przypisach do ref.
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Są egzemplarze dostępne do wypożyczenia: II 34194, II 33817 (2 egz.)
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(Prace Monograficzne / Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie, ISSN 0239-6025 ; 880)
Autor
Czuchra Maciej. Kusek Robert. Murzyn Łukasz (1982- ). Solewski Rafał (1969- ). Stankiewicz Sebastian (1970- ). Stano Bernadeta (1971- ). Bartkevičius Ričardas (1959- ). Interconnection of heritage and artistic activitites: experience in non-formal education Bartkevičius Ričardas (1959- ). Introduction to the artistic action Bartkevičius Ričardas (1959- ). Wspólnota dziedzictwa. Wprowadzenie do akcji artystycznej Bartkevičius Ričardas (1959- ). Wzajemne związki między dziedzictwem a działalnością artystyczną: doświadczenie edukacji nieformalnej Bernatowicz Piotr (1973- ). 1500 drzewek w Yad Vashem. Relacje polsko-żydowskie w kontekście współczesnej wojny o pamięć Bernatowicz Piotr (1973- ). 1500 trees of Yad Vashem. Polish-Jews relationships in the context of the war for memory Gregor Richard (1974- ). Podświadome odniesienia do faszystowskiej "Republiki Słowackiej (1939-1945)" w sztuce słowackiej lat 50. i 60. XX wieku Gregor Richard (1974- ). Subconsious references to WWII fascist "Slovak State (1939-1945)" in Slovak visual art of 1950s and 1960s Gyenes Zsolt (1962- ). Interpenetrations - computer between past and present in Hungarian art Gyenes Zsolt (1962- ). Przenikania - węgierska sztuka komputerowa pomiędzy przeszłością a teraźniejszością Jargusz Piotr (1960- ). Introduction to the artistic action Jargusz Piotr (1960- ). Wspólnota dziedzictwa. Wprowadzenie do akcji artystycznej Jucevičiūtė-Bartkevičienė Vaiva. Interconnection of heritage and artistic activitites: experience in non-formal education Jucevičiūtė-Bartkevičienė Vaiva. Wzajemne związki między dziedzictwem a działalnością artystyczną: doświadczenie edukacji nieformalnej Karatajienė Dalia (1961- ). Memorabilia: przestrzeń i przedmiot Karatajienė Dalia (1961- ). Memorabilia: space and object Majewski Lech (1953- ). With hatchet in Arcadia Majewski Lech (1953- ). Z siekierą w Arkadii Mikučionytė Rita (1964- ). Memorabilia: przestrzeń i przedmiot Mikučionytė Rita (1964- ). Memorabilia: space and object Murzyn Łukasz (1982- ). Territory of reflection. Heritage and art in different perspective Murzyn Łukasz (1982- ). Terytorium refleksji. Dziedzictwo i sztuka nieco inaczej Rossal Ewa. Beyond the heritage of "folk culture". About experimental collaboration of artists and ethnographers in rural areas Rossal Ewa. Wyjście poza dziedzictwo "kultury ludowej". O nowej sztuce wiejskiej Simcoe Barbara. Czcząc ciemność. Spotkania z Czarną Madonną Simcoe Barbara. Honoring darkness: encounters with the Black Madonna Skowron Filip. Get over the heritage. Participant - exhibition - past Skowron Filip. Przeboleć dziedzictwo. Uczestnik - wystawa - przeszłość Solewski Rafał (1969- ). Dziedzictwo i dzieło sztuki. Jako odpowiedź i jako dar Solewski Rafał (1969- ). The heritage and an artwork. As a reponse and as a gift Stankiewicz Sebastian (1970- ). Avant-Garde conservatism of Zbigniew Warpechowski and the heritage reconstructing principle Stankiewicz Sebastian (1970- ). Konserwatyzm awangardowy Zbigniewa Warpechowskiego i zasada odtwarzania dziedzictwa Stano Bernadeta (1971- ). Aktywność badawcza i kuratorska instytucji kultury na polu ratowania dziedzictwa industrialnego Stano Bernadeta (1971- ). Research and curator activity in insititutions of culture in the area of saving industrial heritage Szczepaniak Jan (1959- ). Nieistniejące i zapomniane dziedzictwo Rzeczpospolitej Obojga Narodów. Rozważania na przykładzie utraconego dziedzictwa wcielonych do Rosji ziem ukrainnych Szczepaniak Jan (1959- ). Non-existent and forgotten heritage of the Polish-Lithuanian Commonwealth. Considerations of the example of the lost heritage of the Ukrainian lands incorporated into Russia Szczerski Andrzej (1971- ). #dziedzictwo Szczerski Andrzej (1971- ). #heritage Sztabiński Grzegorz (1946- ). Historia jako obietnica Sztabiński Grzegorz (1946- ). History as a promise Woynarowski Jakub (1982- ). Archeologia awangardy, czyli komparatyzm anachroniczny Woynarowski Jakub (1982- ). Archaeology of Avant-Garde, i.e. anachronistic comparativism
Temat
Indeks R0: BMNK
ISSN 0239-6025 odnosi się do pierwotnego tytułu serii: Prace Monograficzne Wyższej Szkoły Pedagogicznej w Krakowie.
Materiały z konf., Kraków, 25-26 października 2017 r.
Bibliogr., netogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32748 (1 egz.)
Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: II 35225 (1 egz.)
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