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Abbe Mary. Fałszywy zestaw lego wysyła mocny przekaz na temat wpływu zła
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Ackermann Marion (1965- ). Vorwort
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Addiss Stephen (1935- ). Japanese calligraphy since 1868
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Agapiou Athos. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
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Agapiou Athos. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
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Aheimastou-Potamianou Murtale. The conservation of icons in Byzantium
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Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements
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Akhmadeeva Dina
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Akhmadeeva Dina. The liveliness of matter. Contemporary dialogues
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Al-Mukhtar Muzahim (1957- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Albano Albert. Art in transition
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Alexakis Dimitrios D. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
(1)
Alexakis Dimitrios D. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
(1)
Alexopoulou-Agoranou Athena. The contribution of digital image-processing to the identification of pigments
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Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Alkemade Karolina
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Allen Robert. Naphthalene (1992)
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Allotta Benedetto. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Aloni Udi (1959- ). Brooklyn-Jenin: the Binational Popular Front for The Liberation of the Middle East
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Alrawi Osama Mohammad. Model-based user interface design for the Encyclopedia of Islamic Architecture
(1)
Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
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Amato Alba. Mobile devices for the visit of Anfiteatro Campano in Santa Maria Capua Vetere
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Amishai-Maisels Ziva (1939- ). Chagall's Jewish identity
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Amit Gish. When suffering becomes an identity: On the moments of catastrophe and the contours of hope
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Anani Yazid. Facebook your space for revolution
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Andaroodi Elham. Architectural photogrammetry by non-metric cameras: CAD-based 2D drawing of facades from rectified photos
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Andrasi Gabor (1954- ). Das Licht schafft Raum und Zeit
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Andrasi Gabor (1954- ). Light creates space and time
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Andrejcikova Nadezda (1966- ). Identifying semantic relationships in digital libraries of cultural heritage
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Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
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Andriusyte-Zukiene Rasa (1960- ). Art studies and the situation of artists in the context of power relations: transformations and the annihilation of the Kaunas Art School (1940–1953)
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Andrysiak Ewa (1955- ). Miniature editions of Julian Tuwims works
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Andrysiak Ewa (1955- ). Miniaturowe edycje utworów Juliana Tuwima
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Angelini Maria Giuseppa. Process modeling and photogrammetric production for structural investigations concerning to the collapse of Palazzo Edilizia in Salerno (Italy)
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Anger Jenny. Die Ausstellungen von Klee und Kandinsky
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Anger Jenny. The exhibitions of Klee and Kandinsky
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Anglos D. Integrated approach to the study and preservation of painting using laser light technology
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Anselmi C. Modern painted palimpsests
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Apostolou Charalambos. Reconstruction of everyday life in 19th century Nicosia
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Arenas Alatorre Jesus. Material study of the Codex Colombino
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Argyros Antonis A. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
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Aristidou Andreas. Digitization of Cypriot folk dances
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Arnold David B. 3D heritage on mobile devices: scenarios and opportunities
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Artese Maria Teresa. Cataloging intangible cultural heritage on the web
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Asolati Michele. Micrometer multiresolution laser scanning of a renaissance medallion
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Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
(1)
Athanasiou George S. Evolution of the e-museum concept through exploitation of cryptographic algorithms
(1)
Atkins Robert (historia sztuki). Bringing nazi symbols to the Jewish Museum
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Atkins Robert (historia sztuki). Sprowadzając hitlerowskie symbole do Jewish Museum
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Auberson Laurent (1962- ). Saints and wolves in the Middle Ages: ecclesiastical discourse folklore and relationship to the environment
(1)
Avramides Ioannis. Arches: an open source GIS for the inventory and management of immovable cultural heritage
(1)
Azeredo Taina. Intervalo-Escola: the artisanship of times learnings and collectivities
(1)
Azoulay Ariella (1962- ). Guided imagination
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Babraj Krzysztof (1952- ). Clothes do not make the man
(1)
Babraj Krzysztof (1952- ). Nie szata zdobi człowieka
(1)
Backes Martina. The hunt for the unicorn: ambivalent representation of a mythical figure in text and image
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Badach Artur (1969- ). Fenomen obecności malarstwa manierystycznego w kilku wczesnorenesansowych kościołach we Florencji
(1)
Badach Artur (1969- ). The phenomenon of the presence of Mannerist painting in a few Early Renaissance church in Florence
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Badovinac Zdenka (1958- ). Once upon a time in the East
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Baglioni P. Maya mural paintings in Calakmul
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Baglivo Antonio. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories
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Bago Ivana (1979- ). Dialectics at a standstill: Andrzej Wróblewski as a Yugoslav heretic
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Bailey Eoin. CULTURA Project: supporting next generation interaction with digital cultural heritage collections
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Bailey Gregory H. Designing nature
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Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
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Baker Malcolm (1945- ). Considering replication. Social functions and sculptural practices
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Baker Malcolm (1945- ). Thorvaldsen the portrait bust and Europe
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Bakolas Asterios. Integrated documentation protocols enabling decision making in cultural heritage protection
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Baldi Marialuisa (1952- ). Interaction for a shared knowledge with reperio: the Cardano case
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Baldini Umberto (1921-2006). Theory of restoration and methodological unity
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Ballard Mary W. Climate and conservation (1994)
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Ballard Mary W. Hanging out: strength elongation and relative humidity: some physical properties of textile fibres (1996)
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70 wyników Filtruj
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Katalog wystaw: Tate Modern, Londyn, 17 listopada 2022 - 21 maja 2023, Musée cantonal des Beaux-Arts de Lausanne, 23 czerwca - 24 września 2023, Henie Onstad Art Centre, Høvikodden, 26 października 2023 - 25 lutego 2024.
Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 26807 (1 egz.)
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Autor
Grabner Sabine. Husslein-Arco Agnes (1954- ). Law Rebecca. Rosenblatt Lisa. Somers Nick. Telesko Werner (1965- ). Felbinger Udo. French art in Vienna at the time of the Congress Franz Rainald (1964- ). Porcelain, ceramic and glass at the time of the Congress of Vienna Fuchs Ingrid. "....dedicated in deepest reverence" - Ludwig van Beethoven's dedications to nobles and regents at the time of the Congress of Vienna Grabner Sabine. Johann Nepomuk Höchle - image of history and repoartage on the times Grabner Sabine. The Congress of Vienna: an event at the interface of politics and culture Grabner Sabine. The Congress of Vienna and the Viennese population Grabner Sabine. The people as bearers of mood, and Francis I's entry into Vienna in June 1814 Godsey William D. (1964- ). The Habsburg Empire during the Napoleonic Wars and Congress of Vienna Hanzl-Wachter Lieselotte (1961- ). Furniture at the time of the Congress of Vienna Häusler Wolfgang (1946- ). "Vienna! 0, citizen decorated with a crown, and host to our rulers!" Hilscher Elisabeth Theresia (1967- ). Festivities and music at the time of the Congress of Vienna Husslein-Arco Agnes (1954- ). Europe in Vienna Johannsen Rolf H. (1964- ). The decade of Napoleon Karner Regina. Fashion at the time of the Congress of Vienna Kininger Kathrin (1978- ). "... after unprecedented working, conferring, and editing ..." Kugler Georg Johannes (1935- ). Traffic, travel, and transportation during the Congress of Vienna Lovecky Katharina. Contemporary representations of court festivities at the Congress of Vienna Lovecky Katharina. Images of an alliance: the three monarchs Lovecky Katharina. Military festivities during the Congress of Vienna Lovecky Katharina. Portraits of the key players at the Congress Lovecky Katharina. The salons of the Congress - gatherings' of "Elegant, easy conviviality" Lovecky Katharina. Viewing the center from Afar: Viennese landscapes Markina Lûdmila Alekseevna. Austrian artists in Moscow and St. Petersburg Mazohl-Wallnig Brigitte (1947- ). Winners and losers in the new European order Pancheri Roberto. Johann Baptist Lampi the Elder and portrait painting in Vienna between Ancien Regime and the Vormarz Schmuttermeier Elisabeth. The Empire's metal works Schneider Karin (1974- ). "Magnificence, elegance, order" and "maximum economy" Stauber Reinhard. The Congress of Vienna and the European peace system of 1814/15 Telesko Werner (1965- ). Jean-Baptiste Isabey's picture of the Congress of Vienna Telesko Werner (1965- ). Medals and snuff boxes at the time of the Congress of Vienna Telesko Werner (1965- ). Mundus concors? Telesko Werner (1965- ). Napoleon Bonaparte: from "Media Emporer" to "Ruler Myth" Telesko Werner (1965- ). The battle of Waterloo and Napoleon's fate Telesko Werner (1965- ). The Congress of Vienna: an event at the interface of politics and culture Telesko Werner (1965- ). The German campaign and the battle of Leipzig (1813) Telesko Werner (1965- ). The visual "afterlife" of the Congress of Vienna Telesko Werner (1965- ). Vienna under French occupation in 1805 and 1809 Treichel Eckhardt. A federative bond of German states - the Congress of Vienna and the German constitution Werner Eva Maria. Press and reporting at the time of the Congress of Vienna Wilton Andrew (1942- ). British portraiture and the Congress of Vienna
Indeks R0: BMNK
Publikacja towarzysząca wystawie: Orangery and the Lower Belvedere, Wiedeń, 20 lutego - 21 czerwca 2015.
Bibliogr. s. 398-399. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 22981 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 13791 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 13792 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: I 8591 (1 egz.)
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Drugie miejsce wyd. wg inf. o wydawcy. Data wyd. na podstawie serwisu e-ISBN.
Katalog towarzyszący wystawom: "Tamara Łempicka - kobieta w podróży" prezentowanej w Muzeum Narodowym w Lublinie, 18 marca - 14 sierpnia 2022 r. oraz "Tamara Łempicka a art déco. Tradycja i nowoczesność" prezentowanej w Villa la Fleur, Konstancin-Jeziorna, 2 września 2022 r. - 31 stycznia 2023 r.
Bibliogr. przy art.
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Są egzemplarze dostępne do wypożyczenia: III 26257 (1 egz.)
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(Spatia Mediaevalia. Studies in the Perception of Medieval Culture ; t. 3)
(Publikacje Centrum Mediewistycznego Wydziału Nauk Historycznych UMK ; nr 7)
Autor
Kopczyńska Magdalena. Orenduff-Bartos Lillian Claire. Wenta Jarosław (1955- ). Błażejewska Anna (historia sztuki). 'Native' figural art of Southern Coast of the Balitc Sea at the time of christianization Butryn Bartłomiej. Tableaux Vivants and theatricalization of the Teutonic Order at the turn of the nineteenth and twentieth centuries Dobry Artur. The medieval image of the Emperor's Day in the Marienburg Castle Dżurkowa-Kossowska Irena (1955- ). Neo-medievalist idioms in British and Polish interwar art. 'Heraldic sign': the esthetic concepts of Eric Gill Hartmann Sieglinde (1945- ). Beautiful Madonnas in the works od Oswald von Wolkenstein: eksphrasis in the marian song "Fräu dich, du weltlich creatur" (Kl 120) Hochleitner Janusz (1966- ). Tableaux Vivants and theatricalization of the Teutonic Order at the turn of the nineteenth and twentieth centuries Lijka Justyna (1970- ). Ruins. Visions and reconstructions. The Marienburg Castle in the creative output of German artists in the period of romantic restoration Mączyński Ryszard (1954- ). Gothic revival in Polish classical architecture Orenduff-Bartos Lillian Claire. Decadence and decisiveness: the evolution of medieval knighty tropes in Polish modern art before and after 1918 Poksińska Maria. Medieval inspirations in the classical Palace in Lubostroń Trattner Irma. Methods of art sciences: new aspects and perspectives of art history Tylicki Jacek (1962- ). Several examples of prolonged duration of medieval forms in modern-era painting in Toruń Waszak Przemysław (historia sztuki). Interpretations and permanence - references to medieval artistic solutions Wenta Jarosław (1955- ). Narratives of art Ziółkowska-Ganc Emilia. Medieval architectural styles in the views of architects in Inter-Uprising Congress Poland
Indeks R0: BMNK
Bibliogr. przy niektórych art.
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Są egzemplarze dostępne do wypożyczenia: III 24738 (1 egz.)
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(World Art Studies : conferences and studies of the Polish Institute of World Art Studies, ISSN 2543-4624 ; vol. 15)
Autor
Malinowski Jerzy (1950- ). Piątkowska Renata (historia sztuki). Stolarska-Fronia Małgorzata. Sztyma-Knasiecka Tamara. Piątkowska Renata (historia sztuki). Shared space Livnat Aviv (1963- ). Far Undzere Kinstler (For Our Artists) Matyjasek Joanna. Functions of traditional Jewish paper-cutting in the past and their modern-day changes Powalska Izabella. Samuel Hirszenberg and the Zionism Kamczycki Artur. From Mentsh to Macho Kotlâr Evgenij Aleksandrovič (1970- ). "If I forget Thee, Jerusalem" Sztyma-Knasiecka Tamara. Unrealised projects Gilcher William. Artist and the patron: Izrael Lejzerowicz and the Margolin/Spektor family in pre-war Lodz Buchowska Dominika. Jewish themes in David Bomberg's early works Stępnik Małgorzata (1975- ). Artist, the explorer, the initiate Levin Gail (1948- ). Theresa Bernstein (1890-2002): a Krakow-born Jewish artist in America Śmiechowska Teresa. Master and apprentice Obuchowa-Zielińska Irina. Henryk Stifelman, the Warsaw architect in the context of his time Stolarska-Fronia Małgorzata. Ludwig Meidner - a hyperbaroque expressionist Czekanowska-Gutman Monika. Dialogue with Christian art: the Pietà in early 20th-century Jewish art Dżurkowa-Kossowska Irena. In search for cultural identity: Bruno Schulz, Debora Vogel and Giorgio de Chirico Amishai-Maisels Ziva (1939- ). Chagall's Jewish identity Kravcov Sergej R. Synagogue architecture of Volhynia: a search for identities Finkelstein Haim N. (1940- ). E. M. Lilien: between Drohobych and Brunswick Khisamova Dina. Role of Kazan Art School in a formation of a creative destiny of the sculptor Yankel Katz Jedlińska Eleonora (1954- ). Art of life and the art: Eugenia (Gina) Pinkus-Szwarc and Marek Szwarc Susak Vìta Volodimirìvna (1966- ). "Laocoon: or the Limits" of pogroms representation in visual arts (first third of the 20th century) Brutin Batya (1949- ). Lea Grundig: duality between Political and Jewish Identity - 1933-1939 Simonson Karina. Historical memory in the work of South African Litvak photographers Katz Maya Balakirsky (1973- ). Cartooning citizen collaboration: a 1949 Jewish war film in Moscow Kunińska Magdalena. In search of the Jewish identity: Zofia Ameisenowa and research into Jewish iconography and its place in Polish art history discourse Gradinskaite Vilma (1971- ). History of Art Collection in Vilna Jewish Museums: from the time of the Russian Empire to the present Švantnerová Jana. Prešov Jewish Museum Lebet-Minakowska Anna. Minister dream or "cold" calculation? Handrock Ariane (1967- ). Representing and constructing Jewish art: Alfred Grotte as an architect and author Walfish Barry Dov (1947- ). Otto Schneid and his Archive: a new digital resource for the study of modern Jewish art Buchowska Dominika. Jewish Art in London Weinreich Regina (1949- ). Degenerate Art: Exile to Extinction
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Materiały z konf., 24-26 czerwca 2014 r., Warszawa.
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Są egzemplarze dostępne do wypożyczenia: III 22451 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 24194 (1 egz.)
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(Readings in Conservation ; [vol. 3])
Autor
Melucco Vaccaro Alessandra (1940- ). Stanley-Price Nicholas (1947- ). Talley Mansfield Kirby (1941- ). Albano Albert. Art in transition Baldini Umberto (1921-2006). Theory of restoration and methodological unity Bell Clive (1881-1964). Art Berducou Marie. Introduction to archaeological conservation Berenson Bernard (1865-1959). Aesthetics and history in the visual arts Berenson Bernard (1865-1959). Italian painters of the Renaissance Berenson Bernard (1865-1959). Rudiments of connoisseurship Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina, varnish, and glazes Brandi Cesare (1906-1988). Theory of restoration, I Brandi Cesare (1906-1988). Theory of restoration, II Brandi Cesare (1906-1988). Theory of restoration, III Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments Clark Kenneth (1903-1983). Looking at pictures Coremans Paul B. Scientific research and the restoration of paintings France-Lanord Albert (1915-1993). Knowing how to "question" the Friedländer Max J. (1867-1958). On art and connoisseurship Friedländer Max J. (1867-1958). On restoration Gombrich Ernst Hans (1909-2001). Fron light into paint Keck Sheldon. Further materials for a history of conservation Marijnissen Roger H. (1923- ). Degradation, conservation, and restoration of works of art: historical overview Mora Laura (1923-2015). Problems of presentation Mora Paolo (1921-1998). Problems of presentation Morra Umberto. Conversations with Berenson Morris William (1834-1896). Manifesto of the Society for the Protection of Ancient Buildings Panofsky Erwin (1892-1968). The history of art as a humanistic discipline Philippot Albert. The problem of the integation of lacunae in the restoration of paintings Philippot Paul (1925- ). Historic preservation: phiosophy, criteria, guidelines, I Philippot Paul (1925- ). Problems of presentation Philippot Paul (1925- ). Restoration from the perspective of the humanities Philippot Paul (1925- ). The idea of patina and dhe cleaning of paintings Philippot Paul (1925- ). The problem of the integation of lacunae in the restoration of paintings Pope-Hennessy John Wyndham (1913-1994). Connoisseurship Richardson John (1924-2019). Crimes against the Cubists Riegl Alois (1858-1905). The modern cult of monuments: its essence and its development Rossi Pinelli Orietta (1943- ). the surgery of memory: ancient sculpture and historical restorations Ruskin John (1819-1900). Fundamental laws of sculpture Ruskin John (1819-1900). On Turnerian mystery: secondly, willful Ruskin John (1819-1900). The lamp of memory, I Ruskin John (1819-1900). The lamp of memory, II Ruskin John (1819-1900). The nature of Gothic Torraca Giorgio. The scientist's role inhitoric preservation with particular reference to stone conservation Urbani Giovanni (1923-2018). The science and art of conservation of cultural property Viollet-le-Duc Eugène Emmanuel (1814-1879). Restoration Weil Phoebe Dent. A review of the history and practice of patination Wetering Ernst van de (1938- ). The autonomy of restoration: ethical considerations in relation to artistic concepts Wetering Ernst van de (1938- ). The surface of objects and museumstyle Wölfflin Heinrich (1864-1945). Principles of art history Yourcenar Marguerite (1903-1987). That mighty sculptor, Time
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Biogramy aut. tekstów źródłowych s. 472-482.
Bibliogr. s. 451-471. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: III 23169 (1 egz.)
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(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: III 23601, III 23426 (2 egz.)
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(Sztuka Europy Wschodniej / Redakcja Jerzy Malinowski, Irina Gavrash ; ISSN 2353-5709 ; t. 9)
Autor
Gavrash Irina (1985-2023). Geron Małgorzata. Malinowski Jerzy (1950- ). Andriušytė-Žukienė Rasa (1960- ). Art studies and the situation of artists in the context of power relations: transformations and the annihilation of the Kaunas Art School (1940–1953) Červonnaâ Svetlana Mihajlovna (1936- ). The unknown life of a Polish artist in the context of the known Polish art and art education problems of the 20th century: Stefan Narębski Dżurkowa-Kossowska Irena (1955- ). The Vienna School and Polish Neo-Realism of the 1930s Geron Małgorzata. Foreword Geron Małgorzata. The early years of the Faculty of Fine Arts at the Nicolaus Copernicus University in Toruń (1945–1950) Griniuk Marija. 6 A/r/tography and love within the project The Temporary Department of Time, Space and Action Kaczmarek Adrianna. Self-portraits of the Nine Printmakers Group (1947–1960) from their 3rd exhibition catalogue: the question of quiet resistance Knapik Agata. Radical architecture and its contribution to art and design education Koprowski Piotr (1976- ). A contemporary critic of a literary work. A few reflections Kulpińska Katarzyna (1973- ). The Printmaking Department at the Faculty of Fine Arts of the Nicolaus Copernicus University in Toruń in the years 1946–1960. The beginnings, the educational process, the graduates Pelše Stella (1972- ). Construction and constructive art in Latvian art critic Uga Skulme’s writings of the 1920s–30s Pleikienė Ieva. The education of artists in Lithuania during the Soviet Period: the relationship between official programmes and individual positions Sīle Linda. Towards a utopia of emerging art education
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Bibliogr. przy art.
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Są egzemplarze dostępne do wypożyczenia: III 26010 (1 egz.)
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Katalog wystawy: Bard Graduate Center Gallery, 14 września 2018 - 6 stycznia 2019 r.
Bibliogr. s. 328-343. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 24667 (1 egz.)
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