Przybyszewski Stanisław (1868-1927)
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Ritter William (1867-1955)
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Aslaksby Trond E. (1949- )
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Assmann Peter (1963- )
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Bagińska Agnieszka (1985- )
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Bagińska Agnieszka (1985- ). Katalog : Przesilenie. Malarstwo Północy 1880-1910
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Bagińska Agnieszka (1985- ). Przesilenie. Malarstwo nordyckie i polskie na przełomie XIX i XX wieku
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Behrmann Pauline. A Norwegian summer night. Munch's Frieze for the Kammerspiele of the Deutsches Theater in Berlin
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Bischoff Ulrich (1947- )
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Boym Per Bjarne (1946- )
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Buchhart Dieter (1971- )
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Buchner Ernst (1892-1962)
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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Christensen Marie. Bulging in wax-resin impregnated canvas paintings
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Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings
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Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Esswein Hermann (1877-1934)
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Feilchenfeldt Christina. No simple relationship. Edvard Munch and the Kunsthandlung Paul Cassirer
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Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests
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Froysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Gregers-Hoegh Cecilia. Bulging in wax-resin impregnated canvas paintings
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Guleng Mai Britt (1961- )
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Głowacki Wojciech M. (1993- )
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Głowacki Wojciech M. (1993- ). Katalog : Przesilenie. Malarstwo Północy
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Głowacki Wojciech M. (1993- ). Przesilenie. Malarstwo nordyckie i polskie na przełomie XIX i XX wieku
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Hals Harald (1905-1968)
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Harrison Lynne. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Heckmann Stefanie (1963- )
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Heckmann Stefanie (1963- ). Edvard Munch. Magic of the North
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Hellen Rebecca (1972- ). 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Heller Reinhold (1940- )
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Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings
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Heydrich Jan (1926- )
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Higgs Sally. Paintings affected by mould at the Palace of Westminster
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses
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Howard Helen. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Ingebretsen Greve Eli
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Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Kohler Thomas (1966- )
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Kohler Thomas (1966- ). Foreword and Acknowledgments
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Konopka Emiliana. Katalog : Przesilenie. Malarstwo Północy
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Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings
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Langaard Johan Henrik (1899-1988)
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Larsen Peter Norgaard (1960- ). Poza impresjonizmem. Nie całkiem modernistyczna reakcja artystów nordyckich na modernizm
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Lee Judith. Colour change and modern paints; an overview
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Lorentz Stanisław (1899-1991)
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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McCullough Norah (1903-1993)
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McShine Kynaston (1935-2018)
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Meister Sabine. Affair scandal fiasco? Munch's debut in Berlin : a backstage view
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection
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Metz Katharina (1953- )
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Miller Eric. The conservation of two water-sensitive 14th century Italian fresco fragments by Spinello Aretino previously treated and displayed as easel paintings in the 19th century
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings
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Moser Koloman (1868-1918)
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Nag Martin (1927-2015)
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Nentwig Janina (1975- )
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Nentwig Janina (1975- ). Explaining life. Edvard Munch's Frieze of life at the Berlin Secession in 1902
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Ohlsen Nils (1967- ). Edvard Munch i ekspresyjna przestrzeń w sztuce nordyckiej
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Ormsby Bronwyn. 'It is a formal problem to represent water to describe water because it can be anything': watery subjects media materials and conservations solutions for paintings by David Hockney
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Ormsby Bronwyn. Colour change and modern paints; an overview
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Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions
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Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
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Pastor Willy (1867-1933)
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Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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