Dubois Anne. Red. Oosterwijk Anne van. Red. Souffreau Guenevere. Red. Albrecht Marya (1988- ). The Versatile style of Jan Steen: how he varies the preparations of his composition during his career and according to the subject Blauensteiner Björn (1981- ). Under- and overdrawing in the Pulkau altarpiece: new insights into a stylistic enigma Campos Pedro. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Candeias António (1955- ). The drawing hand of a Portuguese mannerist painter Cruz António João (1963- ). The drawing hand of a Portuguese mannerist painter Currie Christina. The Arbroath Sermon of Saint John the Baptist after Pieter Bruegel the Elder: a rare pastiche Delaney John K. (1961- ). The underdrawing of the Lamentation of Christ revisited Derks Kirsten (1992- ). Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions Derks Kirsten (1992- ). The underdrawing of the Lamentation of Christ revisited Dooley Kathryn A. The underdrawing of the Lamentation of Christ revisited Espin Elsa. The Northern way: engraving success in Catalan painting around 1500 Fasce Michela. In the manner of… Genoese Antoon Van Dyck: technique, design, development Felix Valter. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Firea Ciprian (1975- ). A 'Nuremberg' workshop in remote Transylvania? Investigations on early sixteenth-century altarpieces painted in Sighişoara/Schässburg Freitas Renato. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Gafà Sarah Yeomans. The technique of Filippo Paladini: a case study of his sixteenth-century wall paintings at Verdala Palace, Buskett, Malta Gerken Mareike. Elsheimer’s creative process: new research on the Frankfurt altarpiece of the True Cross Girometti Stefania (1987- ). Michele Desubleo’s self-portrait as Saint Luke: technique in context and the creation of a maniera Hennen Sofia. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Janssens Koen H. A. Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions Kajiya Elizabeth. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Kemperdick Stephan (1960- ). Hugo van der Goes’s idiosyncrasies and maniera in visible and in infrared light Klein Koerkamp Joyce. Alla maniera di Gerard David? Stylistic irregularities in Ambrosius Benson’s Oeuvre Mateu Sara. The Phoebus Nativity: A close look into the workshop of Memling Melo Helena Pinheiro de. The drawing hand of a Portuguese mannerist painter Meloni Sabrina. The Versatile style of Jan Steen: how he varies the preparations of his composition during his career and according to the subject Pimenta André. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Pollmer-Schmidt Almut (1979- ). Elsheimer’s creative process: new research on the Frankfurt altarpiece of the True Cross Pottasch Carol (1958- ). The underdrawing of the Lamentation of Christ revisited Rizzutto Márcia de Almeida‏. Rediscovering the Sao Paulo Museum of Art’s Memling by technical examination Seccaroni Claudio. Michele Desubleo’s self-portrait as Saint Luke: technique in context and the creation of a maniera Serendan Cristina. A 'Nuremberg' workshop in remote Transylvania? Investigations on early sixteenth-century altarpieces painted in Sighişoara/Schässburg Snickt Geer van der. Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions Steele Marcia. Three versions of Andrea del Sarto’s Sacrifice of Isaac: technical research and comparative study Talon Céline. Palettes as indicators of technique and style in Northern self-portraits Valadas Sara Sofia Galhano. The drawing hand of a Portuguese mannerist painter Van der Stighelen Katlijne (1959- ). Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions Vella Charlene. An analytical investigation into two of Antonello da Messina’s nephews’ workshop practices: insights into Antonio de Saliba and Salvo d’Antonio’s paintings on Malta Weber Christiane (1973- ). Elsheimer’s creative process: new research on the Frankfurt altarpiece of the True Cross Wiersma Lisa. Painting by numbers: evolution and standardization of colouring in the seventeenth century Youchaeva Markha. Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions Zwinczak Joanna. Painted sketch as the underlayer of the Lusina Polyptych