105943
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Alexander-Skipnes Ingrid. Red. Alexander-Skipnes Ingrid. Northern realism and Carthusian devotion: Bergognone's Christ carrying the cross for the Certosa of Pavia Ames-Lewis Francis (1943- ). Sources and documents for the use of the oil medium in fifteenth-century Italian painting Belozerskaya Marina (1966- ). Critical mass: importing luxury industries across the Alps Eisler Colin T. (1931- ). Flying pictorial carpets: tapestries' transalpine agendas Forti Grazzini Nello (1954- ). Brussels tapestries for Italian customers: Cardinal Montalto's landscapes with animals made by Jan II Raes and Catherine van den Eynde Galassi Maria Clelia (1954- ). Aspects of Antonello da Messina's technique and working method in the 1470s: between Italian and Flemish tradition Gelfand Laura Deborah. Regional styles and political ambitions: Margaret of Austria's Monastic foundation at Brou Gilbert Creighton (1924-2011). Piero and Bouts Lane Barbara G. (1941- ). Memling's impact on the early Raphael Pinson Yona. Moralised triumphal chariots - metamorphosis of Petrarch's trionfi in Northern Art (c. 1530-c. 1560) Rohlmann Michael (1964- ). The Annunciation by Joos Ammann in Genoa: context, function and metapictorial quality Ross Elizabeth (1973- ). Mainz at the crossroads of Utracht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486) Rowland Ingrid D. (1953- ). Agostino Chigi's Flemish connection Scholten Frits (1959- ). Spiriti veramente divini: sculptors from the Low Countries in Italy, 1500-1600 Wolfthal Diane (1949- ). Florentine bankers, Flemish friars, and the patronage of the Portinari altarpiece
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BMNK
Status dostępności:
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26876 (1 egz.)
Strefa uwag:
Uwaga ogólna
Materiały z konf., Seattle, luty 2004 r.
Uwaga dotycząca bibliografii
Bibliogr. s. 267-274.
Recenzje:
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