Lennard Frances. Red. Ewer Patricia. Red. Mina Laura. Red. Barlow Alexandra. Preserving materials and preserving meaning: Marie Watt's "Untitled" ("Dream Catcher"), 2014 Batt Cathy M. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Blair Kate. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Brennan Julia M. Teaching preventive conservation and textile treatments in Asia and Africa Britton Nancy. Beyond hope: upholstery and textile conservation collaborations Burgio Lucia. The conservation of two plated jacks - the importance of work-based learning Chamberlin Rosie. The analysis and stitch support treatment of a suspected tin-weighted silk child's dress Cimò Marta. The restoration of the tapestry "Battle of Roncevaux" from the Museo Nazionale del Bargello in Florence: a bridge between tradition and innovation Cirrincione Claudia. The restoration of the tapestry "Battle of Roncevaux" from the Museo Nazionale del Bargello in Florence: a bridge between tradition and innovation Clark Karen. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Clindaniel Jon. Documentation as conservation: the treatment of an archaeological Andean khipu Collinge Rachael. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Cook Rosie H. #textileconservation: an informal community of practice on social media Coppinger Ann. Material evidence: assessing risk in the collection of the Museum at the Fashion Institute of Technology Cotté Sabine. The conservation of three painted soft sculptures by Mirka Mora: three different outcomes Devenport Jim. The Esh Winning miners' banner project - conservation involvement in a community initiative Eastop Dinah. Fit for a princess? Material culture and the conservation of Grace Kelly's wedding dress Eaton Linda. Conservation and connoisseurship Emery Norman. The Esh Winning miners' banner project - conservation involvement in a community initiative Enckevort Jennifer van. The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history Flecker Lara. Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Garside Paul. The analysis and stitch support treatment of a suspected tin-weighted silk child's dress Gentle Nicola. Preserving information: two beds with textile hangings dating from the seventeenth century Gill Kathryn. The conservation of four 1760s chairs: revealing and reinstating original upholstery features during in-situ treatment Gillions Beth. The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history Giuntini Christine. Traditional dress: the evolution of exhibition display methods in response to curatorial interpretations Golbourn Claire. Project planning and management Grice-Venour Aimée. New conservation practices for a nineteenth-century chenille carpet at the National Trust Textile Conservation Studio Grimshaw Kelly. Conservation of an Aubusson rug Guidess Gretchen. To reveal and not obscure: balancing conservation and visual access Hackett Joanne. Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Haldane Elizabeth Anne. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Haldane Elizabeth Anne. Modern textile conservation at the Victoria and Albert museum II: dynamic display and agile conservation Hanson Robin. Beyond hope: upholstery and textile conservation collaborations Heald Susan. Partnership in the preservation of cultural heritage at the National Museum of the American Indian Hey Melinda. Conservation of an Aubusson rug Hillyer Lynda. Foreword to the first edition Hillyer Lynda. Progress in adhesive techniques - the conservation of two Coptic tunics at the Victoria and Albert Museum Howard Sarah. Working with synthetic fibres: the response of textile conservation to twentieth-century dress Hughes Helen M. Institutional developments and their effect on conservation policies: the Cambusnethan bog burial coat Irvin Kate. Inherent vice, or: how I learned to stop worrying and love shattered silk Johnson-Dibb Rebecca. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Jordan Maria. Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view Kaldany Mary. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Kataoka Masumi. A study of the microenvironment within pressure mounts Keefe Anna Rose. Inherent vice, or: how I learned to stop worrying and love shattered silk Kite Marion. Modern textile conservation at the Victoria and Albert Museum: roots, evolution and rapid changes Lehrecke Barbara. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Lennard Frances. Defining features of the TCC's MA Textile Conservation programme 1999-2009 Marko Ksynia. Project planning and management McLaughlan Fiona. The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol McLean Catherine C. The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art McLeod Miriam. Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland Meneses Lozano Hector Manuel. Considerations on backlit systems for display of cotton textiles Mina Laura. Conversations about teaching textile conservation: forming a community of practice Montegut Denyse. Conversations about teaching textile conservation: forming a community of practice Morris Bernice. Fit for a princess? Material culture and the conservation of Grace Kelly's wedding dress O'Connor Sonia A. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Orbell Claire. The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol Orfeur Kate. Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view Orlofsky Patsy. Recording change: 1978-2008-2024: the rationale for suction table cleaning of a needlework sampler with iron gall ink Osmond Lauren. The adhesive treatment of an early nineteenth-century straw-embroidered silk net dress Pardo Cecilia. Documentation as conservation: the treatment of an archaeological Andean khipu Peacock Elizabeth E. The conservator's eye: bringing an additional perspective to textile artefacts Pearce Sara. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Peranteau Anne. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Peranteau Anne. The Scots Colours at Toitu Otago Settlers Museum: use, preservation, and protocol Peterson-Grace Jacquelyn. Monitoring light-induced change in textiles at The Colonial Williamsburg Foundation Peterson-Grace Jacquelyn. The conservation of two plated jacks - the importance of work-based learning Rendell Caroline. Preventive conservation solutions for textile collections Rendell Caroline. The Esh Winning miners' banner project - conservation involvement in a community initiative Ripley Georgina. Figures in museum display: the creation and use of a little person mannequin at National Museums Scotland Roberts Zoe. The broadening of conservation boundaries: a personal perspective Rode Nicole. Documentation as conservation: the treatment of an archaeological Andean khipu Rossignoli Guia. A successful intertwining. Non-destructive analysis informing conservation projects at the Textile Department of the Opificio delle Pietre Dure Rumsey Kloë. The treatment and retreatment of trade union banners: (re)building a specialism in the conservation of large painted textiles based on their living history Sato Moe. Identification of plastics and improvement of their storage at the Kyoto Costume Institute Scaturro Sarah. Conservators curating exhibitions Scaturro Sarah. Foreword to the second edition Schmalz Susan R. The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art Scott Chris. The Esh Winning miners' banner project - conservation involvement in a community initiative Shewry Louise. Conservation of an Aubusson rug Silence Patricia. Preventive conservation at The Colonial Williamsburg Foundation Smith Emma. The conservation of two plated jacks - the importance of work-based learning Smith Katy. The adhesive treatment of an early nineteenth-century straw-embroidered silk net dress Smith Katy. The conservation of two plated jacks - the importance of work-based learning Stephens Morwena. Hosting pre-programme work placements in colour and 3-D Stephens Morwena. Repatriation of Chief Crowfoot's Regalia to the Siksika Nation - a conservator's involvement Stern Benjamin. Integrated multispectral imaging, analysis and treatment of an Egyptian tunic Sutcliffe Howard. Moving on: the transition from museum conservation to private practice Takami Mika. Developing a short-term intensive training course in textile conservation for non-conservation museum professionals in Jordan Takami Mika. Negotiation and flexibility: new challenges influencing the management of large, complex textile conservation projects: working in the public view Te Kanawa Rangi. Mana taonga: people-centred conservation practice at the Museum of New Zealand Te Papa Tongarewa Thompson Karen. Conversations about teaching textile conservation: forming a community of practice Thompson Libby. The Bacton altar cloth - the lost dress of Elizabeth I? How collaboration can inform both curatorial research and conservation treatment Tinker Zenzie. Back from black - contrasting approaches to the cleaning and conservation of historic fixed wall hangings at Knole Triolo Licia (1979- ). A successful intertwining. Non-destructive analysis informing conservation projects at the Textile Department of the Opificio delle Pietre Dure Trupin Deborah Lee. Conversations about teaching textile conservation: forming a community of practice Urick Jessica. Inherent vice, or: how I learned to stop worrying and love shattered silk Westerman Bulgarella Mary. The conservation and replication of the banner-covered ceiling in the Stibbert Museum, Florence, Italy Yui Kaoru. The preparation of condition reports for costume and textiles at the Los Angeles County Museum of Art