105757
Książka
W koszyku
Autor
Rimer John Thomas (1933- ). McCallum Toshiko M. (1943- ). Tł. Addiss Stephen (1935- ). Japanese calligraphy since 1868 Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements Clark John (1946- ). Okakura Tenshin and aesthetic nationalism Conant Ellen P. Japanese painting from Edo to Meiji: rhetoric and reality Hirayama Mikiko. Japanese art criticism: the first fifty years Marra Michael F. (1956-2011). The creation of the vocabulary of aesthetics in Meiji Japan Reynolds Jonathan M. (1954- ). Can architecture be both modern and "Japanese"? The expression of Japanese cultural identity through architectural practice from 1850 to the present Rimer John Thomas (1933- ). Introduction Seo Audrey Yoshiko. Adoption, adaptation, and innovation: the cultural and aesthetic transformations of fashion in modern Japan Smith Lawrence (1941- ). Japanese prints 1868-2008 Shiner Eric C. Fashion altars, performance factors, and pop cells: transforming contemporary Japanese art, one body at a time Tanaka Shūji (1968- ). Sculpture Tomii Reiko. How gendai bijutsu stole the "museum": an institutional observation of the vanguard 1960s Tsuruya Mayu (1961- ). Sensō Sakusen Kirokuga: seeing Japan's war documentary painting as a public monument Watanabe Toshio (1945- ). The modern Japanese garden Weisenfeld Gennifer S. (1966- ). The expanding arts of the interwar period Winther-Tamaki Bert (1959- ). From resplendent signs to heavy hands: Japanese painting in war and defeat, 1937-1952 Yamanashi Emiko. Western-style painting: four stages of acceptance
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BMNK
Status dostępności:
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26386 (1 egz.)
Strefa uwag:
Uwaga dotycząca bibliografii
Bibliogr. s. 313-314. Indeks.
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